Denis Diderot 'Rameau's Nephew' – 'Le Neveu de Rameau': A Multi-Media Bilingual Edition

264 Pages·2016·55.865 MB·English

by  M. Hobson

SE EX
Denis Diderot C P
O A
N N
D EDE
DID
Rameau’s Nephew TI
O
N
—
Le Neveu de Rameau
A Multi-Media Bilingual Edition
E M H . T K E. T C W .
DITED BY ARIAN OBSON RANSLATED BY ATE UNSTALL AND AROLINE ARMAN
M C
USIC RESEARCHED AND PLAYED BY THE ONSERVATOIRE NATIONAL SUPÉRIEUR
P P D
DE MUSIQUE ET DE DANSE DE ARIS UNDER THE DIRECTION OF ASCAL UC
DENIS DIDEROT
RAMEAU’S NEPHEW
—
LE NEVEU DE RAMEAU

Open Book Classics
Denis Diderot
Rameau’s Nephew
—
Le Neveu de Rameau
A Multi-Media Bilingual Edition
Edited by Marian Hobson
Translated by Kate E. Tunstall and Caroline Warman
Music researched and played by the
Conservatoire national supérieur de musique et de danse de Paris
under the direction of Pascal Duc
http://www.openbookpublishers.com
Text © 2016 Marian Hobson, Kate E. Tunstall, Caroline Warman, Pascal Duc
Music © 2016 Conservatoire national supérieur de musique et de danse de Paris
The text and the music are licensed under a Creative Commons Attribution 4.0 International license
(CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the
work and to make commercial use of it providing attribution is made to the authors (but not in any
way that suggests that they endorse you or your use of the work). Attribution should include the
following information:
Marian Hobson, Kate E. Tunstall, Caroline Warman, Pascal Duc, Denis Diderot Rameau’s Nephew —
Le Neveu de Rameau: A Multi-Media Bilingual Edition. Cambridge, UK: Open Book Publishers, 2016.
http://dx.doi.org/10.11647/OBP.0098
Please see the list of illustrations for attribution relating to individual images. Every effort has
been made to identify and contact copyright holders and any omission or error will be corrected if
notification is made to the publisher. For information about the rights of the Wikimedia Commons
images, please refer to the Wikimedia website (the relevant links are listed in the list of illustrations).
In order to access detailed and updated information on the license, please visit: http://www.
openbookpublishers.com/isbn/9781909254909#copyright
Further details about CC BY licenses are available at: http://creativecommons.org/licenses/by/4.0
The translation in this book is from Denis Diderot, Satyre Seconde: Le Neveu de Rameau, ed. Marian
Hobson (Droz: Geneva, 2013), by kind permission of the publisher.
All external links were active on 14/6/2016 unless otherwise stated and have been archived via the
Internet Archive Wayback Machine at https://archive.org/web
Digital material and resources associated with this volume are available at http://www.
openbookpublishers.com/isbn/9781909254909#resources
This is the fourth volume of our Open Book Classics series:
ISSN (Print): 2054-216X
ISSN (Online): 2054-2178
ISBN Paperback: 978-1-909254-90–9
ISBN Hardback: 978-1-909254-91-6
ISBN Digital (PDF): 978-1-909254-92-3
ISBN Digital ebook (epub): 978-1-909254-93-0
ISBN Digital ebook (mobi): 978-1-909254-94-7
DOI: 10.11647/OBP.0098
Cover image: Charles-Germain de Saint-Aubin, ‘Qu’importe’ (c.1740–c.1775), in Livre de Caricatures
tant bonnes que mauvaises. Watercolour, ink and graphite on paper, 187 x 132. Waddesdon, The
Rothschild Collection (The National Trust). Photo: Imaging Services Bodleian Library © The
National Trust, Waddesdon Manor, all rights reserved.
All paper used by Open Book Publishers is SFI (Sustainable Forestry Initiative), and PEFC
(Programme for the Endorsement of Forest Certification Schemes) Certified.
Printed in the United Kingdom, United States and Australia by Lightning Source
for Open Book Publishers.
Contents
List of Musical Pieces vi
Preface to the Second Edition 1
by Marian Hobson
Rameau’s Nephew 15
translated by Kate E. Tunstall, Caroline Warman
Le Neveu de Rameau 99
French edition ed. by Georges Monval (Paris: Plon, 1891)
Notes 179
by Marian Hobson
List of Illustrations 235
Contributors 245
Acknowledgments 247
List of Musical Pieces
The music mentioned by Diderot in Rameau’s Nephew is French and
Italian, although Diderot was also well aware of the work of other foreign
composers, such as C.P.E. Bach. The pieces specially performed and
recorded for this multi-media edition were chosen to provide samples of
music or composers that are less well known today, or to give examples of
transcription, one of the principal ways that pieces came to be known and
played in a private setting at the time.
Throughout this book the musical note symbol 1♪ identifies when a
recording is available. To access these musical pieces either click on the
symbol or refer to the relevant endnote. If your device supports MP3 files
you will be able to listen to the music directly. Alternatively, you can access
the music online by following the links or scanning the QR codes provided.
The musical extracts recorded for this edition are available to download at
https://www.openbookpublishers.com/isbn/9781909254909#resources. All
musical recordings have been released under a CC BY license and their
copyright belongs to the Conservatoire national supérieur de musique et
de danse de Paris.
1♪ François-André Danican Philidor, L’Art de la modulation 180
[The Art of Modulation], extract:
Sixth suite: Sinfonia (Adagio — Allegro ma non troppo)
Clémentine Frémont, traverso
Josef Žák, violin
Tatsuya Hatano, violin
Rémy Petit, cello
Felipe Guerra, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.04
Score available at http://gallica.bnf.fr/ark:/12148/btv1b9057234b/
f2.image.r=l’art de la modulation.langEN
List of Musical Pieces vii
2 ♪ Jean-Philippe Rameau, Fêtes de Polymnie 188
[The Festivals of Polyhymnia], extract:
Air: ‘A la beauté tout cède sur la terre’
[Everything on earth gives way to beauty]
Dania El Zein, soprano
Rémy Petit, cello
Camille Ravot, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.05
Score available at http://gallica.bnf.fr/ark:/12148/bpt6k398018b/f70.
image.r=fêtes de polymnie.langEN
3♪ Jean-Philippe Rameau, Fêtes de Polymnie 188
[The Festivals of Polyhymnia], extract:
Air: ‘Au vain plaisir de charmer…’
[To the empty pleasure of charming…]
Dania El Zein, soprano
Rémy Petit, cello
Camille Ravot, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.06
Score available at http://gallica.bnf.fr/ark:/12148/bpt6k398018b/f145.
image.r=fêtes de polymnie.langEN
4 ♪ Jean-Philippe Rameau, Fêtes de Polymnie 189
[The Festivals of Polyhymnia], extract:
Air en rondeau: ‘Hélas, est-ce assez pour charmer…’
[Alas, in order to charm, is it enough…]
Dania El Zein, soprano
Rémy Petit, cello
Camille Ravot, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.07
Score available at http://gallica.bnf.fr/ark:/12148/bpt6k398018b/f107.
image.r=fêtes de polymnie.langEN
5♪ Pietro Locatelli, Sonata op. VI no 5, extract: 191
Aria (Vivace)
Tania-Lio Faucon-Cohen, violin
Sarah Gron-Catil, cello
Camille Ravot, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.08
Score available at http://digital.blb-karlsruhe.de/id/1034692
viii Denis Diderot
6♪ Domenico Alberti, Sonata for the fortepiano op. I no. 5, extract: 192
Andante — Allegro
Luca Montebugnoli, piano (Clarke/Lengerer)
Recording available at http://dx.doi.org/10.11647/OBP.0044.09
Score available at http://gallica.bnf.fr/ark:/12148/btv1b9058374h/f15.
image.r=alberti.langEN
7♪ Giovanni Battista Pergolesi, Stabat Mater, extract, transcribed 211
for solo violin by Johan Helmich Roman.
Tania-Lio Faucon-Cohen, violin
Recording available at http://dx.doi.org/10.11647/OBP.0044.10
Score available at http://conquest.imslp.info/files/imglnks/usimg/e/e5/
IMSLP14647-Roman_Stabat_Mater__arr_solo_violin_.pdf
8♪ Jean-Féry Rebel, Pieces for the violin, divided into suites 213
by keys, extract:
First suite in G-sol-ré: Allemande
Josef Žák, violin
Antoine Touche, cello
Loris Barrucand, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.11
Score available at http://gallica.bnf.fr/ark:/12148/btv1b90099503/
f9.image.r=Pièces pour le violon.langEN
9♪ Jean-Féry Rebel, Pieces for the violin, divided into suites 213
by keys, extract:
First suite in G-sol-ré: Prelude
Josef Žák, violin
Antoine Touche, cello
Loris Barrucand, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.12
Score available at http://gallica.bnf.fr/ark:/12148/btv1b90099503/
f7.image.r=Pièces pour le violon.langEN
10♪ Jean-Joseph Mouret, Les Amours de Ragonde, ou la soirée de village 215
[The Loves of Ragonde, subtitled An Evening in the Village], extract:
Bourrées I-II
Clémentine Frémont, traverso
Nicolay Sheko, oboe
List of Musical Pieces ix
Josef Žák, violin
Tatsuya Hatano, violin
Felipe Guerra, harpsichord
Rémy Petit, cello
Recording available at http://dx.doi.org/10.11647/OBP.0044.13
Score available at http://gallica.bnf.fr/ark:/12148/btv1b9058670w/f24.
image.r=ragonde.langEN
11♪ Jean-Joseph Mouret, Les Amours de Ragonde, ou la soirée de village 216
[The Loves of Ragonde, subtitled An Evening in the Village], extract:
Air: ‘Accourez, jeunes garçons’ [Come running, young men]
Marie Soubestre, soprano
Sarah Gron-Catil, cello
Camille Ravot, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.14
Score available at http://gallica.bnf.fr/ark:/12148/btv1b9058670w/f23.
image.r=ragonde.langEN
12♪ Egidio Duni, Le Peintre amoureux de son modèle 218
[The Painter in Love with his Model], extract:
Arietta: ‘Dans le badinage, l’Amour se plait’
[Love is pleased with playfulness]
Marie Soubestre, soprano
Clémentine Frémont, traverso
Josef Žák, violin
Recording available at http://dx.doi.org/10.11647/OBP.0044.15
Score available at http://gallica.bnf.fr/ark:/12148/btv1b9067334z/f64.
image.r=le peintre amoureux.langEN
13♪ Johann Adolf Hasse, Cléofide, extract: 220
Air: ‘Vuoi saper se tu mi piaci?’
[Do you want to know if I like you?]
Fiona McGown, mezzo
Josef Žák, violin
Rémy Petit, cello
Louis-Nöel Bestion de Camboulas, harpsichord
Recording available at http://dx.doi.org/10.11647/OBP.0044.16