And the serpent is riding over the voice of the raven, the Other God, to his spouse, magic, the poison of death, in which Samael, the Other God, becomes complete. T I Q Q U N E I Z O H A R Veneficium Magic, Witchcraft, and the Poison Path Daniel A. Schulke T H R E E H A N D S P R E S S 2 0 1 2 I P S E V E N E N A B I B A S © Copyright 2012 Daniel A. Schulke, all rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, including electronic, mechanical, photocopying, microfilming, recording, or otherwise, without written permission from the Publisher. 'The Path Envenom'd', and "Ihe Matter of Man' were first published in The Cauldron. 'Infernal Vapours' and 'Leaves of Hekat' were adapted from papers composed for the California Institute of Integral Studies, 2000. This book concerns dimesnions of personal research into plants which maybe illegal in some areas, or present severe health risks or danger to the human organism. Neither the author nor the publisher are responsible for the inappropriate, unprofessional, criminal or ill-fated misuse of such plants. Let the wise reader and the fool beware. Three Hands Press www.threehandspress.com Cover Art: Dust jacket image 'Sacred Heart', frontispiece and preface images, and cover stamp of cloth edition by Benjamin Vierling, © Copyright 2011 , 2012 by Benjamin Vierling. Jacket Design: BobEames Illustrative Production: James Dunk Veneficium Preface 9 The Path Envenom'd 15 Purity, Contamination, and the Magical Virgin 2 7 The Corporeal Laboratory 39 Leaves of Hekat 5 3 The Mater of Man 69 The Witches'Super 79 Infernal Vapors 103 Eden's Body 129 The Devil's Chrism 145 Glosary 164 Bibliography 170 Preface In 1994, in consideration of seven years' formal study of rit ual magic and ethnopharmacology, I began to assemble a book of experiments and operations in the arena of psychotropic sorcery entitled Hypnotikon. Its pages held precise materia magica, first hand descriptions of obscure psychoactive sacraments, records of the magical practice and expansion of the sensorium into realms beyond my previous knowledge. Also present were detailed reports of ritual operations, performed in solitude; with lodges of varying si /.es and magical aims, and also as part of a dyad with a single partner. In some instances I was also allowed access to closed societies as a guest or participant observer, or permitted to record material from informants possessing unique and specialist knowledge. Alongside this pursuit of the Mysticism Botanick, my practical studies of herbalism, folk magic, and agriculture complimented this magical tutelage. A deeper passage into l he endarkened bower of the wildwood became a source of direct understanding: time spent at length in the wilderness served as a clarifying lens for beholding emergent patterning of the work, and as a 'divine emptiness' apart from the 1111 positions of humanity. This vastness was, nonetheless, an Otherworld densely populated with allies, enemies and 1 ricksters, oppressive spirits, voices, storms, telluric powers, (rials, injury, death, revelations and above all the ethereal majesty of the eldritch race of Faerie. It was largely through these solitary encounters that Hypnotikon assumed clarity and purpose, and grew into a living and dynamic form. I lowever, the primary motivation for compiling this work was that it serve as a primary resource for my own spiritual development, a record of learning, its essential nature being private. The thesis of Veneficium, being a small but potent cup drawn from the vernal well of the Hypnotikon, is thus a convergence of perspectives I have had for some time: that of the herbalist and the natural magician in congress with poison. Poison is a glyph for magical power itself: complex, concentrated, liberated in the hands of the elect, and disastrous in the hands of the fool. Its very nature is transmutative, changing all it touches, the maker and breaker of laws, policies, and epidemiological systems. It encompasses what industrialized society conceives as 'drugs', being both the therapeutic agents of medicine, as well as the sanctioned or banned ministers of pleasure and con- sciousness alteration. Poison also embraces the toxin: destroyer and mutilator of flesh, whether weaponized in the arsenal of soldier or farmer, or lurking in the environment: the scorpion's engorged tail or the industrial pollutant silently pervading the water table. All of these venom clades, for good and ill, penetrate magic and sorcery on manifold levels, and imply a spiritual discipline of magical toxicology, 1 which in recent times has been called "Hie Poison Path'. Such a path necessarily implies a confrontation with power, but also its effigies, and how these manifest according to the skill of the practitioner. Strewn with thorns, cobbles, and false diversions, the Poison Path offers its own retinue of spirit-guardians to slay or liberate. Poor judgment, irresponsibility, delusion and ego serve as the great enemies, and in any encounter with poison they must be transmuted or bound long in advance. The intersection of magic, mysticism, and poison has naturally assumed some concretized and limited shapes in our present era, mostly negative. Perhaps the most important of these has, without sufficient self-examination, been called drug culture', presented as a legacy of the I. Pendell, Dale. Pharmako/Poeia, Pharmako/Dynamis, Pharmako/Gnosis. Similar terminology has been present in 19th and 20th century witch cults, namely the term "The Way of Poison'. i ultural revolutions of the 1960s. In the 1990s psychonaut 1 ulture began to publicly redefine itself as 'Entheogenic', stressing ethnology, human-plant congress, art, science, religion, and popular culture. Typical of this exotery is an insufficiently-explored dualism which has haunted the approach of the seeker, that which divides usage of drugs into 'sacred' or 'profane' purposes. At one side of the ideological bifurcation one encounters the hardened arena of the Mystic, devotee, or magician whose approach is one of idealized sacrality in the I .ice of the Gods of Poison. In this stance, of which there are myriad variations, an implicit morality suggests (or preaches) 1l1.it the legitimate use of consciousness-expanding drugs lies in the realm of the spirit. Common to this approach is 1 he idea of mindfulness, purpose, and direction, as well as 1 he usage as adjunctive to non-pharmacological approaches. At the other side, which might be called the arena of the I .ilnrrtine, is the idea that drugs are to be used for pleasure, soc ializing, and the sensorial pursuits of the body. To some <i|>crating within this rubric, the 'spirit approach' is a waste ol prime vintage which otherwise might be enjoyed by the «clehrant, an unnecessary imposition of the mental «• instruct of spirit upon the body. Hoth approaches possess unique teachings, and examples ol the uses and abuses of these stances. The Dionysian quittance, which transects these philosophical zones, reminds ns that the experience common to both is the generation of r« stasy, inducing a state of being 'beyond oneself.' Witchcraft, ever transfigured by the magic of need, makes use of both 'sacred' and 'profane' venefic states without adopting these socially-derived boundaries. 111 consideration of the vast and ancient vaults of power poison encompasses, both 'sacred' and 'profane' positions die ultimately moral or religious ones, and in particularly |Htinted examples, can be considered an unconscious theological debate about the nature of God. Neither approach considers, for example, the use of poison for achieving work or maximizing productivity (as with stimulants or neurohy- pophysial hormones), mental coercion of others (as with the Haitian zambi powder or sodium pentothal), infliction of pain or physical harassment (as with Toxicodendron diver- silobum). To these we may add poison's use for destroying malignancy of the flesh (as with anti-cancer compounds such as vincristine derived from Catharanthus roseus), building immunity, inducing insanity or, indeed, treating it. Outside this limiting rubric also lies the usage of poison as a weapon, either in the arsenals of man or the Armies of Nature. All of these approaches proffer a spiritual dimension which may lead to great insights, wisdom, and evolution of the soul. The alternate, shadow-way is also ever-present. These are what I have called the philosophical poisons or Astral Venom: the energies, entities or states of being which, though not primarily induced chemically, are nonetheless toxic to mind, spirit and body. As an incarnate being, the first poison is often the attempted destruction of the soul, and where this insidious corruption has gained purchase, it may present considerable challenges to any spiritual practice. Thus, a part of the work of the Adept is in realigning or re-forging such psychic artifacts in a shape which serves the practitioner, rather than vampirizes power from the Self. Among the retinue of Astral Posions we may also encounter such spirit- toxins in the black heart of the curse, unrequited love, unexamined motive, and the blight of foisted political ideology. In fact it is a truism that the world, as much as it presents a garden of earthly delights, also presents a concentrated and many-tiered stew of poisons. Unequivocal admonitions are essential to them who seek after the nigrescent grail, affirmed by the seal of the death's head upon the forbidden bottle. Upon this path I have