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UC San Diego UC San Diego Electronic Theses and Dissertations Title Absolute pitch and related abilities Permalink https://escholarship.org/uc/item/7j46q4z5 Author Dooley, Kevin David Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Absolute Pitch and Related Abilities A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Psychology By Kevin David Dooley Committee in charge: Professor Diana Deutsch, Chair Professor Stephan Anagnostaras Professor Stuart Anstis Professor F. Richard Moore Professor Miller Puckette 2011 © Kevin David Dooley, 2011 All rights reserved The Dissertation of Kevin David Dooley is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2011 iii EPIGRAPH Writing about music is like dancing about architecture. Martin Mull iv TABLE OF CONTENTS Signature Page…………………………………………………………………….…iii Epigraph……………………………………………………………………………...iv Table of Contents……………………………………………………………………..v List of Figures ……………………………………………………………………..…vi Acknowledgments……………………………………...……………………………vii Vita……………………………………………………………………………………ix Abstract………………………………………………………………………………..x Chapter 1 Introduction…………………………………………………..…………….1 Chapter 2 Absolute pitch and musical dictation……………………………………...32 Chapter 3 Absolute pitch and intervals……...……………………………………….51 Chaper 4 Songs, cell phones, & absolute pitch……………………………………...77 Chapter 5 Discussion…………………………..………………………………...…101 Glossary…………………….....…..………………..…………………………..…..115 References…………………….….………………...……………………………….116 v LIST OF FIGURES Figure 2.1……………………………………………………………………………49 Figure 2.2……………………………………………………………………………50 Figure 3.1……………………………………………………………………………72 Figure 3.2……………………………………………………………………………73 Figure 3.3……………………………………………………………………………74 Figure 3.4……………………………………………………………………………75 Figure 3.5……………………………………………………………………………76 Figure 4.1……………………………………………………………………………97 Figure 4.2……………………………………………………………………………98 Figure 4.3……………………………………………………………………………99 Figure 4.4………………………………………………..…………………………100 vi ACKNOWLEDGMENTS I would like to thank Professor Diana Deutsch for her invaluable guidance and support as my mentor and friend and, along with her husband Tony, generously providing a warm and welcoming home away from home. I would also like to thank the rest of my committee- Professor Stuart Anstis, Professor Stephan Anagnostaras, Professor Miller Puckette, and Professor F. Richard Moore- for their expertise and their patience in helping me through this process. In addition, I must acknowledge the diligence and hard work of all my undergraduate research assistants over the years, and of course the vital contributions of the many research participants who shared their time and talents. Finally, a heartfelt thank-you to all my friends, family, and teachers who have not only supported me throughout this process but helped me to reach this point. In particular, I wish to thank my parents for providing the combination of genes, environment, and most of all years of love and wisdom that carried me this far. Chapter 2, in full, is a reprint of the material as it appears in Journal of the Acoustical Society of America 2010. Dooley, Kevin; Deutsch, Diana, Acoustical Society of America, 2010. The dissertation author was the primary investigator and author of this paper. Chapter 3, in part, has been submitted for publication of the material as it may appear in Journal of the Acoustical Society of America, 2011. Dooley, Kevin; Deutsch, Diana, Acoustical Society of America, 2011. The dissertation author was the primary investigator and author of this paper. vii Chapter 4, in part, has been submitted for publication of the material as it may appear in Attention, Perception, & Psychophysics, 2011, Dooley, Kevin, Springer, 2011. The dissertation author was the primary investigator and author of this paper. viii VITA 2002 Bachelor of Music, University of Southern California 2004-2011 Teaching Assistant, University of California, San Diego 2005 Master of Arts, University of California, San Diego 2011 Doctor of Philosophy, University of California, San Diego PUBLICATIONS Deutsch, D., Dooley, K., & Henthorn, T. (2008). Pitch circularity from tones comprising full harmonic series. Journal of the Acoustical Society of America, 124, 589-597. Deutsch, D., Dooley, K., Henthorn, T., & Head, B. (2009). Absolute pitch among students in an American music conservatory: association with tone language fluency. Journal of the Acoustical Society of America. 125, 2398-2403. Dooley, K. & Deutsch, D. (2010). Absolute pitch correlates with high performance on musical dictation. Journal of the Acoustical Society of America, 128, 890-893. FIELDS OF STUDY Major Field: Experimental Psychology (Music Perception) Professor Diana Deutsch, Supervisor ix

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this absolute pitch advantage depended on key, interval size, or musical context. In the third study, 36 trained musicians--18 AP possessors and 18 non-possessors with equivalent age of onset and duration of musical training--were asked to recall and vocalize a familiar song, and their responses we
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