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understanding the copywriter: a guide for the advertising student PDF

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UNDERSTANDING THE COPYWRITER: A GUIDE FOR THE ADVERTISING STUDENT Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY DONALD STUART KREGER 1972 ' ;M13 «7 ‘ I“ r? 4 ’ '1 ‘R; .~21 wer L ‘w..~......- x u. £3 & 5 V;5"1)". " ‘1 1-“, fl, «~’3 I 27 -' F5. --'-E:- ' «.J‘‘ i. -‘'v ~l~‘-;.' ..3- Ia' I! ,V ‘5la'.“... ea,.:4T.“.: .,. 5 E-van , _ ~£’ — m # i ~ . _ . _ MA IV1£SI_J RETURNING MATERIALS: PIace in book drop to LJBRAfiJES remove this checkout from _—;_——. your record. FINES win be charged if book is returned after the date stamped beIow. ABSTRACT UNDERSTANDING THE COPYWRITER: A GUIDE FOR THE ADVERTISING STUDENT BY Donald Stuart Kreger The copywriter's job is eagerly sought because of the desire for financial reward, challenge, and recognition. But what i§_the copywriter? A useful description is that he is a communicator, dealing in fact, whose purpose is to in! form and persuade. He is a writer with an understanding of human motivation, as well as a versatile salesman of pro- ducts and ideas. The purpose of this thesis is to give the advertis- ing student a more intensive analysis of the copywriter than is generally found in texts on copywriting. The student will hopefully gain greater insight into the copywriter's person- ality and professional life. The paper is intended to com- plement the number of how-to books on copywriting that are available on library shelves. The creative person is identified as original, flex- ible, open-minded, and free from restraints. He is a doer Donald Stuart Kreger rather than a dreamer. The ideal copywriter possesses all of these traits, plus such specific characteristics as in- nate writing ability, imagination, a liking and understand— ing of people, empathy, curiosity, enthusiasm, flexibility, resilience, a visual sense, and the ability to think logi- cally. Most advertising professionals agree that a college education is a necessity to provide the writer with a broad liberal background. It also whets his appetite for further knowledge. The copywriter with natural writing ability can develop his skills with practice and on-the-job training. He must also go out and seek new experiences in life, lis- ten to people and observe their actions, be constantly re- ceptive to new impressions. Above all, he must genuinely like peOple. In developing creative ideas, the copywriter needs to know about the consumer, the consumer's problems or dis- satisfactions, the client's product or service, and compet— itive products or services. He must be involved in and be- lieve in the product to do an effective writing job. In approaching the creative solution to a problem, the writer seeks to establish new and meaningful relationships between things. The basic steps in the creative process are defin— ing the problem, accumulating data, digesting the information, deve10ping alternative solutions, letting the unconscious Donald Stuart Kreger mind take over, and the birth of the idea. Imagination must be disciplined, however, and relate to the problem at hand rather than operate unrestrained. While there are opposing views on the need for writ- ing rules, most creative people feel that products are so similar today that the writer needs great latitude in arriv- ing at creative solutions. The major characteristics of good contemporary copywriting are the dramatization of facts, frankness and honesty, freshness and originality, conversa— tional language, emotional impact, clarity, conciseness and simplicity. Most advertising agencies use the writer/art direc- tor team approach to creative work. This functions best in an atmosphere of mutual respect and creative freedom. A par- ticularly successful collaboration of this kind was the Avis "We try harder" campaign. The copywriter must satisfy his employer, his client, government agencies, and his own individual conscience in the performance of his job. If he evaluates his ethical stand- ards and refuses to compromise his values, he will be able to exercise good judgment in whatever situation might arise. Finally, the copywriter of the future will have to be even more knowledgeable, imaginative, and empathetic to com- municate with the consumer in an increasingly competitive en- vironment. He will also need to be especially patient and sensitive to people in order to function effectively in a more restrictive working climate. UNDERSTANDING THE COPYWRITER: A GUIDE FOR THE ADVERTISING STUDENT BY Donald Stuart Kreger A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS College of Communication Arts Department of Advertising 1972 Accepted by the faculty of the Department of Advertising, College of Communication Arts, Michigan State University, in partial fulfillment of the require- ments for the Master of Arts degree. ADELE 4‘74uL1. lirector o Thesi- ii ACKNOWLEDGMENTS Although a copywriter is influenced by many people in the course of his advertising career, the people who usually have the greatest impact (both pro and con) are his supervisors. There have been four such superiors in my 11 years in agencies who have helped shape my creative thinking and my writing talents, such as they were: Dean Pennington of Gardner Advertising Company, St. Louis; Fred Czufin of Gardner Advertising Company, New York; Jim Jordan of Batten, Barton, Durstine and Osborn, New York; and Jack Griffin of BBDO, Minneapolis. On the academic side, I wish to thank Dr. John D. Simpkins of Michigan State University for his guidance in organizing the thesis, giving it focus, and keeping it geared to advertising students. His objectivity, analytical ability and scholarship have been invaluable. iii TABLE OF CONTENTS Page LIST OF - vi PLATES O O O O O O O C C C O I 0 INTRODU . l CTION O O O O O O O O O O C O O 0 Chapter I. THE COPYWRITER AS A PERSON . . . . 7 The Creative Personality Qualities of the Ideal Copywriter Writing Ability Imagination Liking and Understanding of People Curiosity Enthusiasm Flexibility Resilience Visual Sense Logical Thinking Other Traits Summary II. THE MAKING OF THE COPYWRITER . . . 32 How College Can Help Learning on the Job Improving Through Practice Life as an Educational Process Summary III. THE DEVELOPMENT OF CREATIVE IDEAS . 43 Knowledge: The First Step The Need for Belief Viewpoints on Creativity The Importance of Discipline Summary iv

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plement the number of how-to books on copywriting that are available on . lJudith Dolgins, "Because He Loves the Feel of Words,". Printers' Ink
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