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Twentieth-Century Music in the West Thisisthefirstintroductorysurveyoftwentieth-centurymusicinthe Westtoaddresspopularmusic,artmusicandjazzonequalterms.It treatsthoseformsasinextricablyintertwinedandsetstheminawide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with sixteen thematic chapters. Each of these explores amusicalorculturaltopicasitdevelopedovermanyyears,andasit appearedacrossadiversityofmusicalpractices.Inthisway,thetext introduces both key musical repertoire and critical-musicological approachestothatwork.Ithistoricisesmusicandmusicalthinking, openingupdebateinthepresentratherthanofferinganewbutclosed narrative of the past. In each chapter, an overview of the topic’s chronologyandmainissuesisillustratedbytwodetailedcasestudies. tom perchard works on the history and historiography of jazz andpopularmusic. HeistheauthorofAfterDjango:MakingJazzin Postwar France (2015) and Lee Morgan: His Life, Music and Culture (2006).HeistherecipientofaLeverhulmeMajorResearchFellowship foraprojectonpopularmusicinthepostwarBritishhome. stephen graham istheauthorofSoundsoftheUnderground:A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music(2016).Hehaswrittenarticlesonlatestyle,fringemusicwriting andpopularmodernism.Heisworkingonabookaboutnoisemusic. tim rutherford-johnson isacontemporarymusicjournalist and musicologist. He is the author of Music after the Fall: Modern CompositionandCulturesince1989(2017)andTheMusicofLizaLim (forthcoming)andiseditorofthesixtheditionoftheOxfordDictionary ofMusic(2012). holly rogers worksonexperimentalaudiovisualcultureandis authorofSoundingtheGallery:VideoandtheRiseofArt-Music(2013). She has edited books on documentary film sound, experimental film soundtracks,transmedia,cybermediaandYouTube,andeditsabook seriesforBloomsburyonmusicandmediaaswellasthejournalSonic Scope. Twentieth-Century Music in the West An Introduction tom perchard Goldsmiths,UniversityofLondon stephen graham Goldsmiths,UniversityofLondon tim rutherford-johnson IndependentMusicCriticandEditor holly rogers Goldsmiths,UniversityofLondon UniversityPrintingHouse,CambridgeCB28BS,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,NY10006,USA 477WilliamstownRoad,PortMelbourne,VIC3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 103PenangRoad,#05–06/07,VisioncrestCommercial,Singapore238467 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108481984 DOI:10.1017/9781108680899 ©TomPerchard,StephenGraham,TimRutherford-JohnsonandHollyRogers2022 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2022 PrintedintheUnitedKingdombyTJBooksLimited,PadstowCornwall AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. LibraryofCongressCataloging-in-PublicationData Names:Perchard,Tom,author.|Graham,Stephen,author.| Rutherford-Johnson,Tim,author.|Rogers,Holly,author. Title:Twentieth-centurymusicintheWest:anintroduction/TomPerchard,Stephen Graham,TimRutherford-Johnson,HollyRogers. Othertitles:20th-centurymusicintheWest Description:[1.]|Cambridge,UnitedKingdom;NewYork:CambridgeUniversityPress, 2022.|Includesbibliographicalreferencesandindex. Identifiers:LCCN2021059608(print)|LCCN2021059609(ebook)|ISBN9781108481984 (hardback)|ISBN9781108680899(ebook) Subjects:LCSH:Music–20thcentury–Historyandcriticism.|Music–20thcentury– Analysis,appreciation.|Musictrade–History–20thcentury.|Music–Socialaspects– History–20thcentury. Classification:LCCML197.T982022(print)|LCCML197(ebook)|DDC780.9/04–dc23 LCrecordavailableathttps://lccn.loc.gov/2021059608 LCebookrecordavailableathttps://lccn.loc.gov/2021059609 ISBN978-1-108-48198-4Hardback ISBN978-1-108-74173-6Paperback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Twentieth-Century Music in the West Thisisthefirstintroductorysurveyoftwentieth-centurymusicinthe Westtoaddresspopularmusic,artmusicandjazzonequalterms.It treatsthoseformsasinextricablyintertwinedandsetstheminawide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with sixteen thematic chapters. Each of these explores amusicalorculturaltopicasitdevelopedovermanyyears,andasit appearedacrossadiversityofmusicalpractices.Inthisway,thetext introduces both key musical repertoire and critical-musicological approachestothatwork.Ithistoricisesmusicandmusicalthinking, openingupdebateinthepresentratherthanofferinganewbutclosed narrative of the past. In each chapter, an overview of the topic’s chronologyandmainissuesisillustratedbytwodetailedcasestudies. tom perchard works on the history and historiography of jazz andpopularmusic. HeistheauthorofAfterDjango:MakingJazzin Postwar France (2015) and Lee Morgan: His Life, Music and Culture (2006).HeistherecipientofaLeverhulmeMajorResearchFellowship foraprojectonpopularmusicinthepostwarBritishhome. stephen graham istheauthorofSoundsoftheUnderground:A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music(2016).Hehaswrittenarticlesonlatestyle,fringemusicwriting andpopularmodernism.Heisworkingonabookaboutnoisemusic. tim rutherford-johnson isacontemporarymusicjournalist and musicologist. He is the author of Music after the Fall: Modern CompositionandCulturesince1989(2017)andTheMusicofLizaLim (forthcoming)andiseditorofthesixtheditionoftheOxfordDictionary ofMusic(2012). holly rogers worksonexperimentalaudiovisualcultureandis authorofSoundingtheGallery:VideoandtheRiseofArt-Music(2013). She has edited books on documentary film sound, experimental film soundtracks,transmedia,cybermediaandYouTube,andeditsabook seriesforBloomsburyonmusicandmediaaswellasthejournalSonic Scope. Twentieth-Century Music in the West An Introduction tom perchard Goldsmiths,UniversityofLondon stephen graham Goldsmiths,UniversityofLondon tim rutherford-johnson IndependentMusicCriticandEditor holly rogers Goldsmiths,UniversityofLondon UniversityPrintingHouse,CambridgeCB28BS,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,NY10006,USA 477WilliamstownRoad,PortMelbourne,VIC3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 103PenangRoad,#05–06/07,VisioncrestCommercial,Singapore238467 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108481984 DOI:10.1017/9781108680899 ©TomPerchard,StephenGraham,TimRutherford-JohnsonandHollyRogers2022 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2022 PrintedintheUnitedKingdombyTJBooksLimited,PadstowCornwall AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. LibraryofCongressCataloging-in-PublicationData Names:Perchard,Tom,author.|Graham,Stephen,author.| Rutherford-Johnson,Tim,author.|Rogers,Holly,author. Title:Twentieth-centurymusicintheWest:anintroduction/TomPerchard,Stephen Graham,TimRutherford-Johnson,HollyRogers. Othertitles:20th-centurymusicintheWest Description:[1.]|Cambridge,UnitedKingdom;NewYork:CambridgeUniversityPress, 2022.|Includesbibliographicalreferencesandindex. Identifiers:LCCN2021059608(print)|LCCN2021059609(ebook)|ISBN9781108481984 (hardback)|ISBN9781108680899(ebook) Subjects:LCSH:Music–20thcentury–Historyandcriticism.|Music–20thcentury– Analysis,appreciation.|Musictrade–History–20thcentury.|Music–Socialaspects– History–20thcentury. Classification:LCCML197.T982022(print)|LCCML197(ebook)|DDC780.9/04–dc23 LCrecordavailableathttps://lccn.loc.gov/2021059608 LCebookrecordavailableathttps://lccn.loc.gov/2021059609 ISBN978-1-108-48198-4Hardback ISBN978-1-108-74173-6Paperback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Twentieth-Century Music in the West Thisisthefirstintroductorysurveyoftwentieth-centurymusicinthe Westtoaddresspopularmusic,artmusicandjazzonequalterms.It treatsthoseformsasinextricablyintertwinedandsetstheminawide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with sixteen thematic chapters. Each of these explores amusicalorculturaltopicasitdevelopedovermanyyears,andasit appearedacrossadiversityofmusicalpractices.Inthisway,thetext introduces both key musical repertoire and critical-musicological approachestothatwork.Ithistoricisesmusicandmusicalthinking, openingupdebateinthepresentratherthanofferinganewbutclosed narrative of the past. In each chapter, an overview of the topic’s chronologyandmainissuesisillustratedbytwodetailedcasestudies. tom perchard works on the history and historiography of jazz andpopularmusic. HeistheauthorofAfterDjango:MakingJazzin Postwar France (2015) and Lee Morgan: His Life, Music and Culture (2006).HeistherecipientofaLeverhulmeMajorResearchFellowship foraprojectonpopularmusicinthepostwarBritishhome. stephen graham istheauthorofSoundsoftheUnderground:A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music(2016).Hehaswrittenarticlesonlatestyle,fringemusicwriting andpopularmodernism.Heisworkingonabookaboutnoisemusic. tim rutherford-johnson isacontemporarymusicjournalist and musicologist. He is the author of Music after the Fall: Modern CompositionandCulturesince1989(2017)andTheMusicofLizaLim (forthcoming)andiseditorofthesixtheditionoftheOxfordDictionary ofMusic(2012). holly rogers worksonexperimentalaudiovisualcultureandis authorofSoundingtheGallery:VideoandtheRiseofArt-Music(2013). She has edited books on documentary film sound, experimental film soundtracks,transmedia,cybermediaandYouTube,andeditsabook seriesforBloomsburyonmusicandmediaaswellasthejournalSonic Scope.

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502 Pages·2022·7.541 MB·English
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Author:Tom Perchard, Stephen Graham, Tim Rutherford-Johnson, Holly Rogers
Publication Year:2022
ISBN:9781108481984
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