WHEN EVEN THE BEST IS BAD: THOMAS PYNCHON'S ALTERNATIVES TO THE WASTELAND An abstract of a Dissertation by Owana K.,~cLester-Greenfield May 1978 Drake University Advisor: Stuart L. Burns . Four of ~homas Pynchon's virtually ignored short stor~es are cruclal to a full appreciation and understanding of hlS larger works; contained in them, in seminal form, is every theme around which V., The Crying of Lot 49 and Gravity's Rainbow revolve-.- In the most important of his nine short works, Pynchon introduces the gamut of alternatives for human action in the face of a contemporary Wasteland, the nightmare world of chaos, absurdity and corruption which is reality this twentieth century. The human responses pre sented in "Mortality and Mercy in Vienna," "Low-lands,1I IIEntr opy and "The Secret Integration" are developed and ll expanded upon in V. and Lot 49, and throughout the six works, Pynchon advocates active resistance to the negative forces which drive the universe: passivity insures a death in-life existence and is certainly and irrevocably damning. In IIMortality and Mercy in Vienna" emerges the most extreme of the delineated responses. A savior in the person of Cleanth Siegel effects, through an act of annihilation, a cleansing redemption for a decadent flock and an absolute del rance from the void. In V., the annihilation motif explodes in dimension, with Lady V., Hugh Godolphin and the Whole Sick Crew illustrating a communal, historical death drift via an obsession with inanimacy; in Lot 49, several characters fer suicide to that more subtle extinction. Dennis Flange of "Low-landsll decides on withdrawal from a led self born of his tendency to passivity. Re- t ing into a fantasy submarine world with a fictional image of a rmer self, he substitutes one death realm for another. In the subsequent novels, Flange is reincarnated in Benny Profane, Fausto Maijstral and the desperate citizens who comprise the Tristero. Mani sting what will prove to be a lasting preoccupa tion with the second law of thermodynamics and the field of in rmation theory, "Entropy" introduces Pynchon's fascinat with the lication of scientific principles to literature. Additionally, in the actions of.Callisto and,Meatball Mulligan surfaces a lari of alternatlves to twentleth cen reali ssive withdrawal into the hothouse of the and act involvement in the riotous Street of the W~ile callis~o determines upon an absurd lifestyle, as will Sldney Stencll and several characters in the second novel ~tands.as anti~ Mulligan the most heroic of Pynchon's many heroes;. hl.s futlle struggle is revealed as the best , and most dlfflcult, of possible alternatives to the Wasteland. The first of the author's paranoid questers is pre sented in "The Secret Integration," the story of a children's conspiracy formed to undermine a malicious adult plot which thrives in Mingeborough, Massachusetts. The actively rebellious Operation Spartacus embarks upon a quest which, if destined to ultimate failure, allows nonetheless for a measure of achievement and the state of "greenness." The paranoia which enables the Spartacan ringleader, Grover Snodd, to refashion sinister events of his daily life into an adult cabal, allows Herbert Stencil and Oedipa Maas to reinvent terrifyingly random void worlds through the mental projections of a malevolent V.-plot and a ubiquitous Tristero conspiracy. Mingeborough's small-scale rebellion mushrooms in the novels into the obsessive paranoid quests which, if imbued with dangers and defects, guarantee the survival of Stencil and Oedipa. Throughout the short stories, V. and The Crying of Lot 49, Pynchon endorses active, albei~vain, combat against the negative forces of degradation, dehumanization and death. A brief concluding glance at Gravity's Rainbow discloses the consequence of a universal tendency to non-resistance and voluntary acquiescence to systems of control and destruction. Pynchon's third novel, in many respects a summation of his earlier works, depicts, through such figures as Katje Borgesius, Franz PokIer and Edward Pointsman, an accretion of refusals to act. The death of the world is the price, ultimately, to be paid for passivity. WHEN EVEN THE BEST IS BAD: THO~4AS PTI~CHONfS ALTEm~ATIVES TO THE WASTELAND A Dissertation Presented to The School of Graduate Studies Drake University In Partial Fulfillment of the rements for the Degree Doctor of Arts by r_,'""""onf Id a 1<' 1978 WHEN EVEN THE BEST IS BAD: THOMAS PYNCHON'S ALTERNATIVES TO THE WASTELAND by Owana K. McLester-Greenfield Approved by Committee: - Chairman COl'lTENTS Page INTRODUCTION WADING THROUGH THE WASTELAND: GRAPPLING WITH GAli131\GE .. .. .. .. .. .. .. .. .. .. .. .. • • • • • • • • • • 1 . SAVIORS AND SUICIDES: Al'mIHILATION AS THE ANSliER .. 17 SEAWORLDS, SEWERS AND SECRET SOCIETIES: .GO.IN.G. THROUGH WITHDRAWAL .. .. .. 86 if • • THE HOTHOUSE AND THE STREET: SUCCUMBING TO THE . SECOND LAW .. .. .. .. .. .. .. .. • • • • • • • • • .. ., 116 THE POWER OF P1\RANOIA: CREATING THE COMFORTING QUEST .. .. *' '* 303 9' .. ., ., .. •• •• ., .. •• .. .. .. ., ... PASSIVITY .. .. .. .. .. .. .. .. .... 393 tJUt~M EVEN BEST IS BAD .. "" 429 433 • • • • • • • • • 9 • • • • • WADING THROUGH THE WASTELAND: GRAPPLING WITH GARBAGE Son, • .. .. someday this will all be yours.. 1;1 II --Philip Castle, Cat's Cradle-- lIThere is Thomas pynchon appearing out of nowhere with a vision so contempora.ry it makes your nose bleed,...l states Bruce Jay Friedman in his Foreward to Black HlJD'l.or. Pynchon's contemporary vision, which also makes the heart sick and the mind reel, is of a diseased and dying \j>lasteland worLd, Whether he is,. as has been variously suggest.ed, a black humorist, an affluent terrorist., a psychic novelist, , a novelist. of disintegration, a humorous , anti-novelist, aneo-realist or a is possessed of a literary pess.imistic and ultimately affixed to his name testify, , blackness of that vision, successive work. encompasses existence a century is and sterile, crush- processes, natural and 2 man-made, whioh are ohanneling life eVer deathward; the author sorutinizes what Bernard Bergonzi terms our "inored ible reality," a reality oonstantly transcending itself, moving always to new heights of absurdity and horror which stagger even the most extravagantly inventive of imagina 2 tions. That the locus of Pynchon's vision is frequently America is only incidental, for the malaise whioh is the essence of the twentieth century infects countries and continents spreading rampantly from its inception at the 1 end of the nineteenth century, it has long surpassed epidemic proportions, culminating at last in the terminal sickness of a world. Thomas pynchon is a supreme chronicler of the etiology of the Wasteland contagion, and a concern with causes throughout his works as a recurrence of carta motifs" After the appearance of V., an ambivalent commented that "Mr" Pynchon writes with enormous virtuosity" It is a pity that his imagination on fUUUU!OUS t.hemes. tt3 The nauseous tbarnes wni·eh•. , however, less the product of a than of an eye which overlooks nothing and intuits much. Pynenonts themes are the Berqonzi, "America: .. The Incredible. Real Novel (Pittsburgh: Un1versity ity, of PUi tSJ:Jul~ah::::::"'-;;';;:";:::;':~~''''~iIr'\,P"a6. 3 1' s of l'1hat?, rev. of v., 11 It 11 October 1963, p. 813. 3 result of what Paul t4est terms his "transcendent stare at n 4 the quality of life this twentieth centurYi their nauseous nature derives from his recognition that there is no quality to life this century. To elucidate his major motifs, the author assembles, atomizes and defines con temporary man as he exists immersed in contemporary reality. He delineates the symptoms of an infected Wasteland by detailing the fate of its victims. For Pynchon, contemporary man is a product of twentieth century massness and prosperity. eis individual ity has been eradicated in the emergence of mass cities and societies, bureaucracies and technologies, social organiza- tions and political institutions. He is dwarfed, stripped to insignificance, ground into anonymity. Mass man is a number, an inconsequentiality and a replaceable functionary unit. Overwhelmed and out-powered by the awesome scope of industrial and technological energies, his compara tively meager resources atrophy, his own feeble energies longer an established and secure identity, man al and ifferent: he slips into isolation. to drift random, a passive receptor to Inora power 1 stimuli imposed from outside the self. With individuality thus extinguished, extremes of and behavior are eliminated. A universal personali 1 tiest, IIperpetuating the Obsolete, Ccnmnonweal, n 81 (11 November 1967),204. average is attained, and deviation from absolute conformity is denied. The sophistication of mass media and its per vasive influence insure even the mass production and systematic reception and assimilation of opinions and desires. It becomes incumbent on contemporary man to accommodate himself to the fact of massness and to weave himself into the fabric of normaloy and conformity, only within certain prescribed parameters may he achieve even the smallest degree of distinction. Man becomes, therefore, a consumer, acquiring the accoutrements of acceptability. His ability to consume determines the degree of acceptabil~ ity or distinction he aohieves. His economic potential derives, in turn, from his capacity to produce in accordance '('lith consumer demands. Thereby, man himself is reduced to a commodity, the value of which is commensurate with exist- Ing desires. If he is able to accommodate himself to the laws of supply and demand, he is granted normalcy: if not, he is discarded. Materialism begets meaninglessness, and life in s-consuming society comes quickly to consist of little more than empty and repetitious acts of buying and selling, initiating what Irving Howe designates as "the hovering sickness of soul, the despairing contentment, the prosperous malaise. 115 As man consumes, so he is consumed. t-J'ith h~1ass Society and Postmodern Fiction,1l (Ne~;] York: Harcourt, Brace 5 possessions and potential determininq human worth" interior values begin to disint.egrate. Feelings of fade; old 10yalt.ies and family t.ies dissolve; t.radit.ions become less bindin9~ established social and religious ~tl!~~~~·rities are weakened; et.hical and moral standards collapse.. JameaE.. Miller, Jr.. stat.es that grotesque incongruity between the t,enuous spiritual of man and his fat, vacuous, unrippled life has been the source of much wonder and dismay, horror and the fl6 modern novel.. For Thomas , that is also an obvious manifestation disease.. Concomitant technological advances denote progress and a det.erioration of humanity.. In mass societies, as the material and man-made assume ascendancy, the human is devalued.. Etienne Cherd1u, a major conspirator in Pynchon s liThe Secret Integration, may have the final t tl \-'loro about the coming reign of the non-human1 Etienne confides to his friends: father says every- thing s g01ng to be n"lachines when we grow He says t.he t only jobs open wi.11 be in junkyards for busted machines .. The only thing a machine do is play jokes.. That's Jr", ItThe Quest Absurd: New and ~~~ Surd Absurd: Essaxs in ""......."1.V'-:-Unlvers!ty of Chicago Press,
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