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Thomas Pynchon and the Digital Humanities: Computational Approaches to Style PDF

287 Pages·2021·24.312 MB·English
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Thomas Pynchon and the Digital Humanities New Horizons in Contemporary Writing In the wake of unprecedented technological and social change, contemporary literature has evolved a dazzling array of new forms that traditional modes and terms of literary criticism have struggled to keep up with. New Horizons in Contemporary Writing presents cutting-edge research scholarship that provides new insights into this unique period of creative and critical transformation. Series Editors: Martin Eve and Bryan Cheyette Editorial Board: Siân Adiseshiah (University of Lincoln, UK), Sara Blair (University of Michigan, USA), Peter Boxall (University of Sussex, UK), Robert Eaglestone (Royal Holloway, University of London, UK), Rita Felski (University of Virginia, USA), Rachael Gilmour (Queen Mary, University of London, UK), Caroline Levine (University of Wisconsin–Madison, USA), Roger Luckhurst (Birkbeck, University of London, UK), Adam Kelly (York University, UK), Antony Rowland (Manchester Metropolitan University, UK), John Schad (Lancaster University, UK), Pamela Thurschwell (University of Sussex, UK), Ted Underwood (University of Illinois at Urbana-Champaign, USA). Volumes in the series: Jeanette Winterson’s Narratives of Desire, Shareena Z. Hamzah-Osbourne Transatlantic Fictions of 9/11 and the War on Terror, Susana Araújo Life Lines: Writing Transcultural Adoption, John McLeod South African Literature’s Russian Soul, Jeanne-Marie Jackson The Politics of Jewishness in Contemporary World Literature, Isabelle Hesse Writing After Postcolonialism: Francophone North African Literature in Transition, Jane Hiddleston David Mitchell’s Post-Secular World, Rose Harris-Birtill New Media and the Transformation of Postmodern American Literature, Casey Michael Henry Postcolonialism After World Literature, Lorna Burns Jonathan Lethem and the Galaxy of Writing, Joseph Brooker The Contemporary Post-Apocalyptic Novel, Diletta De Cristofaro David Foster Wallace’s Toxic Sexuality, Edward Jackson Wanderwords: Language Migration in American Literature, Maria Lauret Northern Irish Writing After the Troubles, Caroline Magennis Forthcoming volumes: Contemporary Fiction, Celebrity Culture, and the Market for Modernism, Carey Mickalites Creaturely Forms in Contemporary Literature, Dominic O’Key Encyclopaedism and Totality in Contemporary Fiction, Kiron Ward Thomas Pynchon and the Digital Humanities Computational Approaches to Style Erik Ketzan BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2022 Copyright © Erik Ketzan, 2022 Erik Ketzan has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. For legal purposes the Acknowledgments on p. xii constitute an extension of this copyright page. Cover design: Eleanor Rose and Namkwan Cho All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1-3502-1183-4 ePDF: 978-1-3502-1184-1 eBook: 978-1-3502-1185-8 Series: New Horizons in Contemporary Writing Typeset by Newgen KnowledgeWorks Pvt. Ltd., Chennai, India To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters. Contents List of Illustrations viii Acknowledgments xii Note on the Texts xiii Introduction 1 1 Some Formal Overviews of Pynchon’s Texts 15 1.1 Pynchon’s Productivity 15 1.2 Direct Discourse, Narration, and Verse 16 1.2.1 Songs/Poems Are Decreasing in Pynchon 18 1.2.2 Direct Discourse Is Increasing in Pynchon 22 1.2.3 Reading Dialogue and Character in Pynchon 24 1.3 Formal Overviews: Conclusion 29 2 Archaic Stylistics in Mason & Dixon 35 2.1 Capitalized Nouns 35 2.1.1 Capitalization in Pynchon: Scholarly Response 40 2.1.2 Querying and Close Reading Pynchon’s Irregular Capitalization 44 2.2 Archaic Spelling, Especially <-ick> 48 2.3 Religious/Profane Censorship 51 2.4 Archaic Use of Apostrophes 54 2.5 Archaic Pronouns and Verbs 58 2.6 Archaic Language and the Sacred/Profane in Pynchon’s Texts 59 2.7 Archaic Stylistics in Mason & Dixon: Conclusion 64 3 Pynchon, “The Voice of Ambiguity,” Quantified 73 3.1 Ambiguity in Pynchon Studies 74 3.1.1 “Ambiguous” 76 3.1.2 “Ambiguity” Queried 79 3.2 Vagueness Words and Phrases 85 3.2.1 The Hiller/Hogenraad Vagueness Dictionary 86 3.2.2 Pynchon’s “Preferred” Vagueness Words 97 vi Contents 3.2.3 A Brief Detour with Its 98 3.2.4 Pynchon’s “Preferred” Vagueness Words, Continued 102 3.2.5 The Least Vague Passages in Bleeding Edge 104 3.3 Ambiguity/Vagueness: Conclusion 107 4 Pynchon’s Acronymania 115 4.1 Acronym Query 116 4.2 Calculated Overuse of Acronyms 121 4.3 Acronyms as Parody, Play, and Central Enigma 124 4.4 Acronymania: Conclusion 128 5 Pynchon’s Profanity, Queried and Coded 133 5.1 Profanity Queries and Changes to Profanity in English 135 5.2 A Very Brief History of Obscenity Prosecutions of Literature in Twentieth-Century America 142 5.3 Profanity in Pynchon’s Juvenilia and Early Short Stories 144 5.4 Profanity in V. and “The Secret Integration” 152 5.5 Profanity in The Crying of Lot 49 158 5.6 Pynchon’s Profanity: Conclusion 160 6 Pynchon’s Ellipsis Marks: Points and Dashes 171 6.1 A Brief History of Ellipsis Marks in English Literature 173 6.2 Ellipsis Marks in Pynchon and Comparison Corpora 176 6.3 Ellipsis Words 181 6.4 From Frequency to Close(r) Reading 181 6.5 Ellipsis Marks and Speech 187 6.6 Ellipsis Marks and Verse 189 6.6.1 Rilke’s Ellipses 190 6.6.2 Emily Dickinson’s Dashes 194 6.7 Ellipsis Marks: Conclusion 199 Conclusion 207 Appendix I: Corpora, Software, Methods 211 I.1 Pynchon Corpus 211 I.1.1 Normalization of Mason & Dixon 212 I.2 Us vs. Them: Comparison Corpora 213 I.2.1 Influence Corpus 217 I.3 Software 219 Contents vii I.4 Statistics 220 I.5 Shared Data 221 Appendix II: Literature Review of Digital Pynchon Studies 227 Bibliography 239 Index 265 Illustrations Figures 1.1 Narration, direct discourse, and verse in Pynchon corpus 19 1.2 Normalized frequency (per 100k word tokens) of verse in Pynchon corpus 20 1.3 Visualization of songs and poems in Pynchon corpus 21 1.4 Proportion of direct discourse in Pynchon and comparison corpora 23 1.5 Proportion of direct discourse in Pynchon corpus 24 2.1 Query of irregularly capitalized words in Gravity’s Rainbow 45 3.1 Manfred Pinkal’s typology of the indefinite 74 3.2 Normalized frequency of ambiguous and its word forms 80 3.3 Normalized frequency of 377 words and phrases from the Hiller/Hogenraad vagueness dictionary 88 3.4 Normalized frequency of Categories 1–9 of the Hiller/ Hogenraad vagueness dictionary 89 3.5 Normalized frequency of Category 1 of Hiller/Hogenraad vagueness dictionary 90 3.6 Normalized frequency of Category 2 of Hiller/Hogenraad vagueness dictionary 90 3.7 Normalized frequency of Category 3 of Hiller/Hogenraad vagueness dictionary 91 3.8 Normalized frequency of Category 4 of Hiller/Hogenraad vagueness dictionary 91 3.9 Normalized frequency of Category 5 of Hiller/Hogenraad vagueness dictionary 92 3.10 Normalized frequency of Category 6 of Hiller/Hogenraad vagueness dictionary 92 3.11 Normalized frequency of Category 7 of Hiller/Hogenraad vagueness dictionary 93 3.12 Normalized frequency of Category 8 of Hiller/Hogenraad vagueness dictionary 93 Illustrations ix 3.13 Normalized frequency of Category 9 of Hiller/Hogenraad vagueness dictionary 94 3.14 Normalized frequency of Category 10 of Hiller/Hogenraad vagueness dictionary 94 3.15 Chapter 17 of Inherent Vice, with Hiller/Hogenraad vagueness words highlighted 96 3.16 Normalized frequency of forty-nine vagueness words/phrases in Pynchon corpus 100 3.17 Normalized frequency of “its” in Pynchon corpus 101 3.18 Normalized frequency of “its” in Pynchon chapters and episodes 101 3.19 Normalized frequency of forty-eight of Pynchon’s “preferred vagueness words” in chapters and episodes 103 3.20 Normalized frequency of forty-eight of Pynchon’s “preferred vagueness words” in chapters of Bleeding Edge 107 4.1 Normalized frequency of acronyms in Pynchon corpus 117 4.2 Word cloud of acronyms in Pynchon corpus by frequency 118 4.3 Normalized frequency of types of acronyms in Pynchon corpus 118 4.4 Normalized frequency of acronyms in Pynchon and comparison corpora 122 4.5 Normalized frequency of acronym types in Pynchon and comparison corpora 123 5.1 Normalized frequency of “lesser” profanity in Pynchon corpus 137 5.2 Normalized frequency of “lesser” profanity in direct discourse in Pynchon corpus 137 5.3 Normalized frequency of “lesser” profanity in narration in Pynchon corpus 138 5.4 Normalized frequency of “greater” profanity in Pynchon corpus 138 5.5 Normalized frequency of “greater” profanity in direct discourse in Pynchon corpus 139 5.6 Normalized frequency of “greater” profanity in narration in Pynchon corpus 139 5.7 Normalized frequency of select profanity in Pynchon and comparison corpora, in chronological order 140 5.8 Normalized frequency of profanity in chapters of V. 154 5.9 Textual variation between excerpt of The Crying of Lot 49 in Esquire (1965) and the published novel (1966) 160 6.1 Normalized frequency of ellipsis points in Pynchon corpus 176

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