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Thomas Middleton: The Collected Works and Companion Two Volume Set PDF

1184 Pages·2008·35.462 MB·English
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the oxford middleton Thomas Middleton (1580–1627)—‘our other Shakespeare’—is the only other Renais- sance playwright who created acknowledged masterpieces of comedy, tragedy, and history; his revolutionary English history play, A Game at Chess, was also the greatest box-officehitofearlymodernLondon.Hisachievementsextendbeyondthesetraditional genrestotragicomedies,masques,pageants,pamphlets,epigrams,andBiblicalandpolit- ical commentaries, written alone or in collaboration with Thomas Dekker, John Ford, Thomas Heywood, William Rowley, William Shakespeare, John Webster, and others. ComparedbycriticstoAristophanesandIbsen,RacineandJoeOrton,hehasinfluenced writersas diverse as Aphra Behn, Anthony Trollope, and T. S. Eliot.Though repeatedly censored in his own time, Middleton has since come to be particularly admired for his representationsoftheintertwinedpursuitsofsex,money,power,andGod. TheOxfordMiddleton,preparedbyseventy-fivescholarsfromadozencountries,follows theprecedentofTheOxfordShakespeareinbeingpublishedintwovolumes,aninnovative butaccessibleCollectedWorksandacomprehensivescholarlyCompanion.Thoughclosely connected,eachvolumecanbeusedindependentlyoftheother. ThomasMiddletonandEarlyModernTextualCulture:ACompaniontoTheCollected Works. Because Middleton is more representative than any of his contemporaries of the full range of textual practices in early modern England, his works provide an ideal focus for understanding the history of the book, and its relation to the larger history of culture, in this pivotal period. The Companion begins, accordingly, with eleven original essaysplacingMiddleton’scareerinthecontextoflargerculturalpatternsgoverningthe creation, reproduction, regulation, circulation, and reception of texts. These essays are followed by a textual introduction and full editorial apparatus for each work, including an account of evidence for its authorship and date of composition. This combination of detailandcontextprovidesafoundationforfuturestudiesbothofMiddletonandofearly modern culture. The volume’s unusual features are described and explained in ‘How to UseThisBook’(p.19). The Collected Works brings together for the first time in a single volume all the works currently attributed to Middleton. The texts are printed in modern spelling and punctuation, with critical introductions and foot-of-the-page commentaries; they are arranged in chronological order, with a special section of Juvenilia. The volume is introduced by essays on Middleton’s life and reputation, on early modern London, and onthevariedtheatresoftheEnglishRenaissance. Extensivelyillustrated,itincorporates muchnewinformationonMiddleton’slife,canon,texts,andcontexts;twentypercentof theworksincludedhaveneverbeforebeenannotated.Aself-consciously‘federaledition’, TheCollectedWorks appliescontemporarytheoriesaboutthenatureofliteratureandthe historyofthebooktoeditorialpractice. http://thomasmiddleton.org Aportraitoftheartistasashe-owl:ownerofshelvedbooks,theauthorisimaginedasaright-handedscribewith aquillpen,writing(orcorrecting)symbolsinanopencodexonatiltedwritingdesk.Theanonymouswoodcut, aparodyoftraditionalimagesofascholarinhisstudy,firstappearsonthetitle-pageofThomasMiddleton’sThe OwlesAlmanacke(1618),printedbyEdwardGriffinandsoldbyLawrenceLisleinhisshopatthesignofthe Tiger’sHeadinStPaul’schurchyard;itwasrecycledinsatiricalbroadsidesandapamphletinthe1650s. T H O M A S M I D D L E T O N A N D E A R L Y M O D E R N T E X T U A L C U L T U R E A COMPANION TO THE COLLECTED WORKS General Editors GARY TAYLOR AND JOHN LAVAGNINO Associate General Editors MACDONALD P. JACKSON, JOHN JOWETT, VALERIE WAYNE, AND ADRIAN WEISS CLARENDON PRESS • OXFORD 1 GreatClarendonStreet,Oxfordox26dp OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwidein Oxford NewYork Auckland CapeTown DaresSalaam HongKong Karachi KualaLumpur Madrid Melbourne MexicoCity Nairobi NewDelhi Shanghai Taipei Toronto Withofficesin Argentina Austria Brazil Chile CzechRepublic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore SouthKorea Switzerland Thailand Turkey Ukraine Vietnam OxfordisaregisteredtrademarkofOxfordUniversityPress intheUKandincertainothercountries PublishedintheUnitedStates byOxfordUniversityPressInc.,NewYork (cid:148)GaryTaylor,JohnLavagnino,JohnJowett2007 Themoralrightsoftheauthorhavebeenasserted DatabaserightOxfordUniversityPress(maker) Firstpublished2007 Allrightsreserved.Nopartofthispublicationmaybereproduced, storedinaretrievalsystem,ortransmitted,inanyformorbyanymeans, withoutthepriorpermissioninwritingofOxfordUniversityPress, orasexpresslypermittedbylaw,orundertermsagreedwiththeappropriate reprographicsrightsorganization.Enquiriesconcerningreproduction outsidethescopeoftheaboveshouldbesenttotheRightsDepartment, OxfordUniversityPress,attheaddressabove Youmustnotcirculatethisbookinanyotherbindingorcover andyoumustimposethesameconditiononanyacquirer BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressCataloginginPublicationData Dataavailable PrintedinItaly onacid-freepaperby RotolitoLombardaSpA ISBN978–0–19–922588–0(Set) ISBN978–0–19–818569–7(CompleteWorks) ISBN978–0–19–818570–3(TextualCompanion) 1 3 5 7 9 10 8 6 4 2 CONTRIBUTORS GaryTaylor(GeneralEditor),FloridaStateUniversity MollyHand(FloridaStateUniversity) JohnLavagnino(GeneralEditor),King’sCollegeLondon TrishThomasHenley(FloridaStateUniversity) R.V.Holdsworth(UniversityofManchester) MacDonaldP.Jackson(UniversityofAuckland) GraceIoppolo(UniversityofReading) JohnJowett(ShakespeareInstitute,Universityof CoppéliaKahn(BrownUniversity) Birmingham) IvoKamps(UniversityofMississippi) ValerieWayne(UniversityofHawai‘iatMānoa) LizzKetterer(ShakespeareInstitute,Universityof AdrianWeiss(independentscholar) Birmingham) IlariaAndreoli(FloridaStateUniversity) TheodoreB.Leinwand(UniversityofMaryland,College Park) JohnH.Astington(UniversityofToronto) KateD.Levin(CityCollegeofNewYork) MaureenBell(UniversityofBirmingham) JerzyLimon(UniwersytetGdan´ski) AlexandraG.Bennett(NorthernIllinoisUniversity) †HaroldLove(MonashUniversity) DavidM.Bergeron(UniversityofKansas) JeffreyMasten(NorthwesternUniversity) †JuliaBriggs(DeMontfortUniversity) C.E.McGee(StJerome’sUniversity) DouglasBruster(UniversityofTexasatAustin) PaulMulholland(UniversityofGuelph) RichardBurt(UniversityofFlorida) MarionO’Connor(UniversityofKentatCanterbury) SwapanChakravorty(JadavpurUniversity) AnthonyParr(UniversityoftheWesternCape) CyndiaSusanClegg(PepperdineUniversity) NeilRhodes(UniversityofStAndrews) ThomasCogswell(UniversityofCalifornia,Riverside) AndrewJ.Sabol(BrownUniversity) RalphAlanCohen(MaryBaldwinCollege) PeterSaccio(DartmouthCollege) CeliaR.Daileader(FloridaStateUniversity) G.B.Shand(GlendonCollege,YorkUniversity) LawrenceDanson(PrincetonUniversity) R.MalcolmSmuts(UniversityofMassachusetts,Boston) MichaelDobson(Birkbeck,UniversityofLondon) LeslieThomson(UniversityofToronto) JuliaGasper(OpenUniversity) DanielJ.Vitkus(FloridaStateUniversity) EdwardGieskes(UniversityofSouthCarolina) WendyWall(NorthwesternUniversity) SuzanneGossett(LoyolaUniversityChicago) StanleyWells(ShakespeareBirthplaceTrust) DonnaB.Hamilton(UniversityofMaryland,College Park) LindaWoodbridge(PennsylvaniaStateUniversity) PaulYachnin(McGillUniversity) 5 TABLE OF CONTENTS alphabetical contents 9 index of titles by genre 11 list of illustrations 13 how to use this book, by gary taylor 19 preface: textual proximities, by gary taylor 24 Part I: The Culture GaryTaylor,assistedbyCeliaR.DaileaderandAlexandraG.Bennett,‘TheOrder ofPersons’ 31 MacDonaldP.Jackson,‘EarlyModernAuthorship:CanonsandChronologies’ 80 HaroldLove,‘ThomasMiddleton:OralCultureandtheManuscriptEconomy’ 98 EdwardGieskes,‘“FromWrongerandWrongedHaveIFee”:ThomasMiddleton andEarlyModernLegalCulture’ 110 GaryTaylorandAndrewJ.Sabol,assistedbyJohnJowettandLizzKetterer, ‘Middleton,Music,andDance’ 119 RichardBurt,‘ThomasMiddleton,Uncut:Castration,Censorship,andthe RegulationofDramaticDiscourseinEarlyModernEngland’ 182 AdrianWeiss,‘CastingCompositors,FoulCases,andSkeletons:Printingin Middleton’sAge’ 195 JohnH.Astington,‘VisualTexts:ThomasMiddletonandPrints’ 226 CyndiaSusanClegg,‘“’TwillMuchEnrichtheCompanyofStationers”:Thomas MiddletonandtheLondonBookTrade,1580–1627’ 247 MaureenBell,‘BooksellerswithoutanAuthor,1627–1685’ 260 JohnJowett,‘ForManyofYourCompanies:Middleton’sEarlyReaders’ 286 Part II: The Author GaryTaylor,‘Introduction:TheMiddletonCanon’ 331 ‘WorksIncludedinthisEdition:CanonandChronology’ 335 MacDonaldP.JacksonandGaryTaylor,‘WorksExcludedfromthisEdition’ 444 Part III: The Texts GaryTaylor,‘ThomasMiddleton:LivesandAfterlives:Sources’ 449 PaulS.Seaver,‘Middleton’sLondon:Sources’ 457 ScottMcMillin,‘Middleton’sTheatres:Sources’ 459 TheWisdomofSolomonParaphrased (1597),editedbyG.B.Shand 461 Microcynicon:SixSnarlingSatires(1599),editedbyWendyWall 465 TheGhostofLucrece(1600),editedbyG.B.Shand 467 ‘SimonSmellknave’(pseud.),adaptedbyThomasMiddleton,ThePenniless ParliamentofThreadbarePoets(1601?/1604),editedbySwapanChakravorty 469 ThomasDekkerandThomasMiddleton,NewsfromGravesend(1604),editedby GaryTaylor 474 TheNightingaleandtheAnt;and,FatherHubburd’sTales(1604),editedbyAdrian Weiss 476 6 contents ThomasMiddletonandThomasDekker,TheMeetingofGallantsatanOrdinary;or, TheWalksinPaul’s(1604),editedbyPaulYachnin 491 Plato’sCapcastatthisyear1604,beingleapyear(1604),editedbyPaulYachnin 492 TheBlackBook(1604),editedbyG.B.Shand 493 ThomasDekker,StephenHarrison,BenJonson,andThomasMiddleton,TheWhole RoyalandMagnificentEntertainmentofKingJamesthroughtheCityofLondon,15 March1604,withtheArchesofTriumph(1604),editedbyR.MalcolmSmuts 498 ThomasDekkerandThomasMiddleton,ThePatientManandtheHonestWhore (1604),editedbyPaulMulholland 507 ThePhoenix(1607),editedbyLawrenceDansonandIvoKamps 529 MichaelmasTerm(1607),editedbyTheodoreB.Leinwand 535 ThePuritanWidow;or,ThePuritan;or,TheWidowofWatlingStreet(1607),edited byDonnaB.Hamilton 540 TheRevenger’sTragedy(1607),editedbyMacD.P.Jackson 548 ATricktoCatchtheOldOne(1608),editedbyValerieWayne 562 YourFiveGallants(1608),editedbyRalphAlanCohenwithJohnJowett 575 AMadWorld,MyMasters(1608),editedbyPeterSaccio 586 AYorkshireTragedy(oneofthefour-plays-in-one,calledAll’sOne)(1608),editedby StanleyWells 592 AndraeasLoeaechius,translatedandadaptedbyThomasMiddleton,SirRobert SherleyhisEntertainmentinCracovia(1609),editedbyJerzyLimonandDaniel J.Vitkus 598 TheTwoGatesofSalvation;or,TheMarriageoftheOldandNewTestament;or,God’s ParliamentHouse(1609),editedbyPaulMulholland 600 ThomasMiddletonandThomasDekker,TheRoaringGirl;or,MollCutpurse(1611), editedbyCoppéliaKahn 610 TheLady’sTragedy[‘TheSecondMaiden’sTragedy’]:ParallelTexts(1611),edited byJuliaBriggs 619 TheTriumphsofTruth(1613),editedbyDavidM.Bergeron 627 TheMannerofhisLordship’sEntertainment(1613),editedbyDavidM.Bergeron 629 MasqueofCupids(1613–59),editedbyJohnJowett 630 CivitatisAmor(1616),editedbyDavidM.Bergeron 632 WilliamRowleyandThomasMiddleton,AFairQuarrel(1617),editedbySuzanne Gossett 633 TheOwl’sAlmanac(1618),editedbyNeilRhodes 641 TheTriumphsofHonourandIndustry(1618),editedbyDavidM.Bergeron 643 OrazioBusino’sEyewitnessAccountofTheTriumphsofHonourandIndustry(1618), editedbyKateD.Levin 645 MasqueofHeroes;or,TheInnerTempleMasque(1619),editedbyJerzyLimon 646 ThePeacemaker;or,GreatBritain’sBlessing(1619),editedbyPaulMuholland 648 ThomasMiddletonandWilliamRowley,TheWorldTossedatTennis[ACourtly Masque](1620),editedbyC.E.McGee 667 TheTriumphsofLoveandAntiquity(1620),editedbyDavidM.Bergeron 672 HonourableEntertainments(1621),editedbyAnthonyParr 673 TheSuninAries(1621),editedbyDavidM.Bergeron 674 AnInvention(1622),editedbyAnthonyParr 675 TheTriumphsofHonourandVirtue(1622),editedbyDavidM.Bergeron 676 ThomasMiddleton,TheTriumphsofIntegrity(1623),editedbyDavidM.Bergeron 679 AnthonyMunday,TheTriumphsoftheGoldenFleece(1623),editedbyDavidM. Bergeron 680 7 contents WilliamShakespeare,adaptedbyThomasMiddleton,MeasureforMeasure:A GeneticText(1623),editedbyJohnJowett 681 WilliamShakespeare,adaptedbyThomasMiddleton,TheTragedyofMacbeth:A GeneticText(1623),editedbyGaryTaylor 690 WilliamShakespeareandThomasMiddleton,TheLifeofTimonofAthens,editedby JohnJowett 704 AGameatChess:GeneralTextualIntroduction,byGaryTaylor 712 AGameatChesse:AnEarlyForm(1624),editedbyGaryTaylor 874 AGameatChess:ALaterForm(1624–5),editedbyGaryTaylor 912 OccasionalPoems(1625–c.1650),editedbyGaryTaylor 992 TheWitch(c.1625),editedbyMarionO’Connor 995 TheTriumphsofHealthandProsperity(1626),editedbyDavidM.Bergeron 1010 AChasteMaidinCheapside(1630),editedbyLindaWoodbridge 1011 ThomasMiddletonandThomasDekker,TheBloodyBanquet(1639),editedbyJulia GasperandGaryTaylor 1020 Hengist,KingofKent;or,TheMayorofQueenborough(c.1645),editedbyGrace Ioppolo 1029 WilliamRowleyandThomasMiddleton,WitatSeveralWeapons(1647),editedby MichaelDobson 1062 TheNiceValour;or,ThePassionateMadman(1647),editedbyGaryTaylor 1070 TheWidow(1652),editedbyGaryTaylor 1084 ThomasMiddletonandWilliamRowley,TheChangeling(1653),editedbyDouglas Bruster 1094 ThomasDekker,JohnFord,ThomasMiddleton,andWilliamRowley,TheSpanish Gypsy(1653),editedbyGaryTaylor 1105 LostPlays:ABriefAccount,byDorisFeldmannandKurtTetzelivonRosador 1122 ThomasMiddleton,WilliamRowley,andThomasHeywood,An/TheOldLaw (1656),editedbyJeffreyMasten 1123 MoreDissemblersBesidesWomen(1657),editedbyJohnJowett 1131 Women,BewareWomen(1657),editedbyJohnJowett 1140 NoWit/HelplikeaWoman’s;or,TheAlmanac(1657),editedbyJohnJowett 1149 ThomasMiddletonandJohnWebster,AnythingforaQuietLife(1661),editedby LeslieThomson 1160 LostPoliticalProse,1620–7:ABriefAccount[AnnalsandFarrago(1735)],by ThomasCogswell 1166 index to notes on modernization, by trish thomas henley 1167 a selective topical index, by molly hand 1175 8 ALPHABETICAL CONTENTS Full titles, common abbreviations, and alternative titles are all given. Page numbers refer to the Textual Introduction to each work in Part IIIor,inthecaseoflostworks,totherelevantnotein‘WorksIncluded inTheCollectedWorks’. All’sOne 592 GreatBritain’sBlessing 648 TheAlmanac 1149 *Gypsy 1105 Annals1620–27 438 *‘Hammond’ 1896 TheAntandtheNightingale 476 HealthandProsperity 1010 *Antiquity 672 *Hengist 1029 AnythingforaQuietLife 1160 Hengist,KingofKent 1029 *TheArchesofTriumph 498 *Heroes 646 *Aries 674 *HisLordship’sEntertainment 629 *Banquet 1020 TheHonestWhore,Part1 507 The*BlackBook 493 HonourandIndustry 643 TheBloodyBanquet 1020 HonourandVirtue 676 *‘Bolles’ 1890 HonourableEntertainments 673 *‘Burbage’ 1889 *Hubburd 476 Caesar’sFall 345 *Industry 643 The*Changeling 1094 TheInnerTempleMasque 646 ‘CharlesI’ 442 *Integrity 679 *ChasteMaid 1011 An*Invention 1446 AChasteMaidinCheapside 1011 ‘TotheKing’ 1895 TheChesterTragedy 345 ‘TotheworthilyaccomplishedMasterWilliam *Civitatis 632 Hammond’ 1896 CivitatisAmor 632 *Lady 619 TheConqueror’sCustom 443 TheLady’sTragedy 619 ACourtlyMasque 667 TheLifeofTimonofAthens 704 *Cupids 630 LoveandAntiquity 672 *Dissemblers 1131 *Macbeth 690 ‘TheDuchessofMalfi’ 1894 *MadWorld 586 *Entertainments 673 AMadWorld,MyMasters 586 TheFairPrisoner 443 *Magnificent 498 AFairQuarrel 633 TheMagnificentEntertainment 498 Farrago 443 *‘Malfi’ 1894 FatherHubburd’sTales 476 TheMannerofhisLordship’sEntertainment 629 *FiveGallants 575 TheMarriageoftheOldandNewTestaments 600 FriarBaconandFriarBungay 345 MasqueofCupids 630 *Game 874 MasqueofHeroes 646 AGameatChess 874 TheMayorofQueenborough 1029 *Ghost 467 *Measure 681 TheGhostofLucrece 467 MeasureforMeasure 681 God’sParliamentHouse 600 *Meeting 491 *Gravesend 474 TheMeetingofGallantsatanOrdinary 491 9

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.