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The Writer's Journey: Mythic Structure for Writers, Second Edition PDF

353 Pages·1998·21.622 MB·English
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- ‘ .a5- \ 1‘ ll A !I .I I‘ ‘ F - -;1 r r ‘ a q I I n‘ z' \‘ 5‘ a - 7 — “— v I i F .AI'QI-i l "3=“ v -‘ :‘hl §- T ”I .aiv I lnfr m ",n"I.”I ‘C' .!1T‘G '1':3,P1 7..3F‘J ‘A J'‘- fiig —“?7‘ A” 113H .7 _ .. - ,7. ‘ ::4 ._ _. : ;I ‘ -‘ _ . 13 a .. -.i" I;- _ 7- 7 ...I '9"-EW” _’ - ‘u; 4. !i£ - ' F .. r L“-nwa —l'ti s _ .‘ E lE ‘-ru E_ u__ ._ -‘ ‘ 1 _ - . -”-. J. - r -‘ V ‘ .I i“ a g. ,J I __ J * * . I . r : 2 ‘ ’3 r I 7 > 7‘ H ;a i h ‘ 2'q— =. h - L‘“ J ’ ",-9 b a " '. ‘4" - ‘= a d q 3 _ n I ' ' I I I I o -1 —‘ ._ :i JH. “ ' - 3324995 .— ' . [Fa—J I! f I I f 5’ € 1 If I 1 I 1 I I : 5 I I I t j r L 90000 9 780941 188708 L REVIEWS OF THE lST EDITION “This book is like having the smurlcsl person in the story met-ting come home with you and whisper what, to do in your car as you write a screenplay. Insight for insight, step for step, Chris Voglcr takes us through the process ofmnnccting theme to story and making a script come alive." — Lynda ()hst, l‘mduccr, Slflrplms in Smtllr, One Fine Day, (Irmtart; Author of I [#110, I Ir Lin! “The Writerkjourneyis an insightful and even inspirational guide to the craft of storytelling. An approach to structure that is fresh and contemporary, while respecting our roots in mythology.” — Charles Russell. Writer, Director, P-mduccr. Dreamscapr, The Mask, [z'mvr “The Writer’sjourney should be on anyone’s bookshelf who cares about the art of storytelling at the movies. Notjust some theoretical tome filled with development clichés of the day, this book offers sound and practical advice on how to construct a story that works.” — David Friendly, Producer, Daylight, Courage UndkrFirr, Out to Sm, My Girl ‘A classic of its kind full of insight and inspiration that every writer, both amateur and professional, must read.” — Richard I). Zanuck, The Zanuck Company Driving Miss Daisy, Cocoon, The Verdict, Sting “The basis for a great movie is a great screenplay, and the basis fora great screenplay should be The Writerisjourney.” — Adam Fields. Money Train, Great Balls ofFire “One of the most valuable tools in understanding and appreciating the. structure of a plot that’s available today. The Writerisjourney IS an essennal [001 to any writer at any stage of their career.” — Debbie Macomber, Best-selling author. 42 million books in print. Authuruf Monlana “A valuable tool for any creative writer, The Writerfsjourney is cogsistemly among our top-selling books each month. Chl‘iStOphel‘ Vogler s narrative helps wmers construct well-developed characters that enrich their stories." —- The Writer's Computer Store “The Writericjourney provides both fiction and nonfiction writers with powerful tools and guidelines to create remarkable stories. It is the best book of its kind.” —john Tullius, Director, Maui Writers Conference and Writer’s Retreat “This is a book about the stories we write, and perhaps more importantly, the stories we live. It is the most influential workI have yet encountered on the art, nature, and the very purpose of storytelling.” — Brucejoel Rubin, Screenwriter Ghost, jacob’ 5 Ladder “This book should come with a warning: You’re going to learn about more than just writing movies-you’re going to learn about life! The Writerivjourney is the perfect manual for developing, pitching and writing stories with universal human themes that will forever captivate a global audience. It’s the secret weapon I hope every writer finds out about.” —jeff Arch, Screenwriter Sleepless in Seattle “‘v’ogler was the genius behind The Writer ’3journey, which should be on the shelf of every screenwriter. Studies classical mythology and its use in moviemaking for stories.” — Fade In Magazine 1996 (From Article “The Top 100 People in Hollywood You Need to Know”) “The Katzenberg memo has joined the show-biz vernacular. But there’s another, lesser-known Disney memo whose influence arguably exceeded Katzenberg’s. This seven-page memo distills myth-masterjoseph Campbell’s storytelling theories into an algorithm for screenplays.” — LosAngeles Times Magazine, 1994 “The current industry bible . . . — Spy Magazine, Holiday Issue, 1997 “A seven-page memo by Christopher Vogler is now the stuff of Hollywood legend. . . . The idea of a “mythic structure” has been quickly accepted by Hollywood, and Vogler’s book now graces the bookshelves of many studio heads.” — The London Times, 1994 THE WRITER’S ] OURNE Y Mythic Structure for Writers 2nd Edition by Christopher nler Published by Michael Wiese Productions, 11288 Ventura Blvd., Suite 621, Studio City, CA 91604, (818) 379-8799 Fax (818) 986-3408. E—mail: [email protected] http://www.mwp.com Cover design, photograph and illustrations by The Art Hotel Interior design and layout by Gina Mansfield Index by Bruce Tracy, Ph.D. Copyedited by Virginia Iorio Printed and Manufactured in the United States of America Copyright 1998 by Christopher Vogler First Printing October 1998 All rights reserved. No part of this book may be reproduced in any form or by any means without permission in Writing from the author, except for the inclusion of brief quotations in a review. The publisher plants two trees for every tree used in the manufacturing of this book. Printed on recycled stock. ISBN 0-941188-70-1 Library of Congress Cataloging - in - Publication Data Vogler, Christopher, 1949- The Writer’sjoumey: Mythic Structure for Writers / Christopher Vogler. -- 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0-941188-70-1 1. Motion picture authorship. 2. Narration (rhetoric) 3. Myth in literature. 4. Creative writing I. Title. PN1996.V641 998 98-28591 808.2’ 3--DC21 CIP For Mom and Dad TABLE OF CONTENTS PREFACE ix INTRODUCTION: Preparing for theJourney 1 BOOK ONE: Mapping the Journey A Practical Guide 9 The Archetypes 29 Hero -- 35 Mentor 47 Threshold Guardian 57 Herald 61 Shapeshifter 65 Shadow 71 Trickster 77 BOOK TWO: Stages of the Journey Ordinary World 81 Call to Adventure 99 Refusal of the Call 107 Meeting with the Mentor 117 Crossing the First Threshold 127 Tests, Allies, Enemies 135 Approach to the Inmost Cave 145 Ordeal 159 Reward (Seizing the Sword) 181 The Road Back 193 Resurrection 203 Return with the Elixir 221 EPILOGUE: Looking Back on the Journey 237 APPENDICES FILMOGRAPHY 301 BIBLIOGRAPHY 30? HERO’SJOURNEY WORKSHEET 303 304 INDEX vii

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