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417 Pages·2012·4.626 MB·English
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THE THING ABOUT MUSEUMS OBJECTS AND EXPERIENCE, REPRESENTATION AND CONTESTATION EDITED BY SANDRA DUDLEY, AMY JANE BARNES, JENNIFER BINNIE, JULIA PETROV AND JENNIFER WALKLATE The Thing about Museums The Thing about Museums constitutes a unique, highly diverse collection of essays unprecedented in existing books in either museum and heritage studies or mate- rial culture studies. Taking varied perspectives and presenting a range of case studies, the chapters all address objects in the context of museums, galleries and/ or the heritage sector more broadly. Specifically, the book deals with how objects are constructed in museums, the ways in which visitors may directly experience those objects, how objects are utilised within particular representational strategies and forms, and the challenges and opportunities presented by using objects to communicate difficult and contested matters. Topics and approaches examined in the book are diverse, but include the objectification of natural history specimens and museum registers; materiality, immateriality, transience and absence; subject/ object boundaries; sensory, phenomenological perspectives; the museumisation of objects and collections; and the dangers inherent in assuming that objects, interpretation and heritage are ‘good’ for us. Sandra Dudley is Senior Lecturer in the School of Museum Studies, University of Leicester, UK. Recent books include Materialising Exile: material culture and embodied experience among Karenni refugees in Thailand (2010) and Museum Materialities (Routledge 2010). Amy Jane Barnes has recently completed doctoral research on the collection, interpretation and display of visual culture of the Chinese Cultural Revolution in contemporary British museums (University of Leicester 2009). Jennifer Binnie, University of Leicester, UK, is looking at the impact which art within museums and galleries may have upon well-being. Julia Petrov, University of Leicester, UK. Her current project traces the develop- ment of dress exhibitions in museums in England and North America over the twentieth century. Jennifer Walklate, University of Leicester, UK. Her Arts and Humanities Research Council-funded research explores and compares the production of temporal experiences in museums and works of literature. The Thing about Museums Objects and Experience, Representation and Contestation Essays in Honour of Professor Susan M. Pearce Edited by Sandra Dudley, Amy Jane Barnes, Jennifer Binnie, Julia Petrov and Jennifer Walklate First published 2012 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2012 Sandra Dudley, Amy Jane Barnes, Jennifer Binnie, Julia Petrov and Jennifer Walklate for selection and editorial matter; individual contributions, the contributors. The right of Sandra Dudley, Amy Jane Barnes, Jennifer Binnie, Julia Petrov and Jennifer Walklate to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data The thing about museums : objects and experience, representation and contestation : essays in honour of professor Susan M. Pearce / edited by Sandra Dudley . . . [et al.]. p. cm. Includes bibliographical references and index. 1. Museum exhibits–Case studies. 2. Museum techniques–Case studies. 3. Museums–Philosophy. I. Dudley, Sandra H. II. Pearce, Susan M. AM151.T55 2011 069′.5–dc22 2011011489 ISBN: 978-0-415-67904-6 (hbk) ISBN: 978-0-203-80352-3 (ebk) Typeset in 10/12pt Baskerville by Graphicraft Limited, Hong Kong For Susan Pearce Contents List of illustrations xi List of contributors xv Preface xx 1 Introduction: museums and things 1 SANDRA DUDLEY PART I Objects and their creation in the museum 13 Introduction 15 JENNIFER WALKLATE 2 Romancing the stones: earth science objects as material culture 18 HANNAH-LEE CHALK 3 What do we know about what we know? The museum ‘register’ as museum object 31 GEOFFREY N. SWINNEY 4 Emblematic museum objects of national significance: in search of their multiple meanings and values 47 MARLEN MOULIOU AND DESPINA KALESSOPOULOU 5 Musealisation processes in the realm of art 69 MARIA LUCIA DE NIEMEYER MATHEUS LOUREIRO viii Contents 6 Photography – museum: on posing, imageness and the punctum 79 KLAUS WEHNER PART II Visitors’ engagements with museum objects 95 Introduction 97 JENNIFER BINNIE 7 Things and theories: the unstable presence of exhibited objects 100 CHRIS DORSETT 8 Inexperienced museum visitors and how they negotiate contemporary art: a comparative study of two visitor-driven visual art presentations 117 MARIJKE VAN EECKHAUT 9 Illuminating narratives: period rooms and tableaux vivants 131 MICHAEL KATZBERG 10 Magic objects/modern objects: heroes’ house museums 143 LINDA YOUNG 11 ‘Do not touch’: a discussion on the problems of a limited sensory experience with objects in a gallery or museum context 159 HELEN SAUNDERSON 12 Living objects: a theory of museological objecthood 171 WING YAN VIVIAN TING 13 The poetic triangle of objects, people and writing creatively: using museum collections to inspire linguistic creativity and poetic understanding 182 NIKKI CLAYTON AND MARK GOODWIN Contents ix 14 Location and intervention: visual practice enabling a synchronic view of artefacts and sites 199 SHIRLEY CHUBB PART III The uses of objects in museum representations 215 Introduction 217 AMY JANE BARNES 15 Spectacle and archive in two contemporary art museums in Spain 219 ROGER SANSI 16 Playing dress-up: inhabiting imagined spaces through museum objects 230 JULIA PETROV 17 Material object and immaterial collector: is there room for the collector-donor discourse in the museal space? 242 CAROLINE BERGERON 18 Exhibiting absence in the museum 250 HELEN REES LEAHY 19 Arctic ‘relics’: the construction of history, memory and narratives at the National Maritime Museum 263 CLAIRE WARRIOR PART IV Objects and difficult subjects 277 Introduction 279 JULIA PETROV 20 Challenged pasts and the museum: the case of Ghanaian kente 282 MALIKA KRAAMER

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