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The Textures of Time: Agency and Temporal Experience PDF

192 Pages·2010·0.97 MB·English
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The Textures of Time Michael G. Flaherty The Textures of Time Agency and Temporal Experience TEMPLE UNIVERSITY PRESS Philadelphia TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www .temple. edu/ tempress Copyright © 2011 by Temple University All rights reserved Published 2011 Library of Congress Cataloging- in- Publication Data Flaherty, Michael G. The textures of time : agency and temporal experience / Michael G. Flaherty. p. cm. Includes bibliographical references and index. ISBN 978- 1- 4399- 0262- 2 (cloth : alk. paper) – ISBN 978- 1- 4399- 0263- 9 (pbk. : alk. paper) – ISBN 978- 1- 4399- 0264- 6 (electronic) 1. Time perception. 2. Time perspective. 3. Time meas ure ments. I. Title. BF468.F568 2011 153.7'53– dc22 2010018214 The paper used in this publication meets the requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48- 1992 Printed in the United States of America 2 4 6 8 9 7 5 3 1 For Rachel Contents Ac knowl edgm ents ix 1 Making Time 1 2 Duration 14 3 Frequency 36 4 Sequence 57 5 Timing 79 6 Allocation 98 7 Taking Time 115 8 The Ironies of Temporal Agency 131 Methodological Appendix 151 Notes 155 Index 173 Ac know ledg ments W ritten at the end but placed at the beginning, the ack nowl edgm ents exemplify our manipulation of time. Their location in the text mis- represents the actual sequence of experience when one is writing a book. An author is ambitious at the beginning but humble and grateful at the end. Many people have helped me with my research for this project as well as the publication of this book. First and foremost, I thank Clint Sanders for bringing this manuscript to the attention of Janet Francendese, Editor- in- Chief at Temple University Press. In turn, I thank Janet for passing the proj- ect on to Mick Gusinde-D uffy, the Sen ior Acquisitions Editor for sociology. Working with Mick has been delightful. I am grateful for the patient enthusi- asm and sage advice with which he steered this project past every obstacle. Mick arranged for three reviews of this manuscript. Two of the reviewers chose to remain anonymous, but I thank them for their very helpful comments. The third reviewer, Dan Ryan, not only responded to Mick’s questions, but also provided ten pages of suggested revisions that have greatly enriched this book. Indeed, there are many places in the text where I have used his wording verba- tim. I thank Dan for his extraordinary generosity and keen insight. Once again, Linda O’Bryant typed every word of this manuscript, from the fi rst draft to the fi nal revisions, catching and correcting many of my mistakes along the way. I am grateful for her assistance. In addition, I thank Lloyd Chapin for his support, especially the funds with which I hired my research assistants: Dianna Bass- Campolo, Betony Beddingfi eld, Carly Berdine, Meghann Carey,

Description:
What do we mean when we say, "I made the time pass more quickly," or, "I'm creating some 'me' time"? In The Textures of Time, Michael Flaherty examines how we alter or customize our experience of time. His detailed analysis reveals different strategies we use to try to manipulate time, further descr
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