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The Sublime in Schopenhauer’s Philosophy PDF

202 Pages·2015·5.457 MB·English
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The Sublime in Schopenhauer’s Philosophy Also by Bart Vandenabeele A COMPANION TO SCHOPENHAUER ( editor ) GABRIËLLA CLEUREN Brave New Old Worlds ( with Gabriëlla Cleuren and Ann Smets ) HISTORIES OF THE SUBLIME (e dited with Christophe Madelein and J ürgen Pieters ) SEDUCTION, COMMUNITY, SPEECH ( edited with Frank Brisard and Michael Meeuwis ) The Sublime in Schopenhauer’s Philosophy Bart Vandenabeele Ghent University, Belgium © Bart Vandenabeele 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-57829-0 ISBN 978-1-137-35869-1 (eBook) DOI 10.1057/9781137358691 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Vandenabeele, Bart. The sublime in Schopenhauer’s philosophy / Bart Vandenabeele, Ghent University, Belgium. pages cm Includes bibliographical references and index. 1. Schopenhauer, Arthur, 1788–1860. 2. Sublime, The. I. Title. B3149.A4V36 2015 1119.85092—dc23 2015018346 To Veerle, Sarah, and Eline, who have raised a tent of shelter Contents Acknowledgements viii Abbreviations and References to Works by Schopenhauer x Introduction 1 Part I Aesthetic Contemplation 1 Pessimism, Aesthetic Experience, and Genius 15 2 Sensory Perception and Aesthetic Contemplation 33 Part II The Beautiful and the Sublime 3 The Aesthetics of the Beautiful 59 4 The Aesthetics of the Sublime 83 5 A Psychological Alternative to Schopenhauer’s Theory of the Sublime 128 Part III Values of the Sublime 6 Tragedy, Ethics, and the Sublime 145 7 The Existential and Metaphysical Value of the Sublime 1 63 Bibliography 179 Index 187 vii Acknowledgements This study is the result of many years of reflection on Schopenhauer’s philosophy and the topic of the sublime. A large part of it was written in splendid isolation, during a period of research leave granted by the Faculty of Arts and Philosophy of Ghent University. The work towards what eventually became this book began some 20 years ago. Over the years I have greatly benefited from numerous questions, comments, and suggestions, and much encouragement on the part of friends, colleagues, students, and audiences all over the world, and I wish to thank all of them. Some parts of this book started life elsewhere. The following published articles and chapters contain material in common with parts of the book, sometimes substantially revised: ‘Schopenhauer on Aesthetic Contemplation’, in Oliver Hallich and Matthias Kossler, eds, Arthur Schopenhauer: D ie Welt a ls W ille und V orstellung , Klassiker Auslegen, Band 42 (Berlin: De Gruyter, 2014), 101–118; ‘Schopenhauer on Aesthetic Understanding and the Values of Art’, E uropean Journal of P hilosophy 16, 2008, 194–210, reprinted under the same title in Alex Neill and Christopher Janaway, eds, B etter Consciousness: S chopenhauer’s P hilosophy of V alue (Oxford: Wiley-Blackwell, 2009), 41–57; ‘Schopenhauer on Empirical and Aesthetic Perception and Cognition’, in Alan Schrift and Tomas Nenon, eds, History of Continental Philosophy (8 vols.), Volume 1: K ant, K antianism, and I dealism (Durham/Chicago: Acumen Press/ University of Chicago Press), 2010, 187–210; ‘Beauty, Disinterested Pleasure, and Pure Contemplation: Schopenhauer’s Response to Kant’, Schopenhauer- Jahrbuch 93, 2013, 241–256; ‘Aesthetic Disinterestedness in Kant and Schopenhauer’, Estetika: Central European Journal of Aesthetics 5, 2012, 45–70. I am grateful to the editors and publishers for permission to reprint and rework material that has already appeared in their pages. I also wish to thank the editors at Palgrave Macmillan, especially Esme Chapman and Brendan George, for their very helpful suggestions and the reviewers for their acute comments. I have benefited immensely from discussion with Chris Janaway (whose publications stimulated me to start studying Schopenhauer’s thought a long time ago), Daniel Came, Paul Crowther, Paul Guyer, Matthias Kossler, Simon May, Alex Neill, Sandy Shapshay, and Günter viii Acknowledgements ix Zöller. Without the insights from our conversations and their writings, my thinking would be seriously impoverished. I would also like to thank and remember the late Patricia De Martelaere, whose generous support of my work still means very much to me. Special thanks are owed to the Carmelite friars at Ghent and to Bea and Kristien for their kindness and hospitality, and to my brother, Stijn, for the numerous chats and his invaluable moral support. To my wife, the irreplaceable Veerle Rotsaert, and our sweet daughters, Sarah and Eline, I owe the greatest debt of gratitude. Without their love, the present book would never even have materialised. I wholeheartedly dedicate this book to Veerle and to Sarah and Eline, the sublime Vandenabeele sisters.

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