PARADOX OR DIALECTIC? Slavoj Žižek John Milbank EDITED BY CRESTON DAVIS The Monstrosity of Christ Short Circuits Slavoj Žižek, editor The Puppet and the Dwarf: The Perverse Core of Christianity, by Slavoj Žižek The Shortest Shadow: Nietzsche’s Philosophy of the Two, by Alenka Zupancˇicˇ Is Oedipus Online? Siting Freud after Freud, by Jerry Aline Flieger Interrogation Machine: Laibach and NSK, by Alexei Monroe The Parallax View, by Slavoj Žižek A Voice and Nothing More, by Mladen Dolar Lacan and Subjectivity: A Philosophical Introduction, by Lorenzo Chiesa The Odd One In: On Comedy, by Alenka Zupancˇicˇ The Monstrosity of Christ: Paradox or Dialectic? by Slavoj Žižek and John Milbank, edited by Creston Davis The Monstrosity of Christ Paradox or Dialectic? Slavoj Žižek John Milbank edited by Creston Davis The MIT Press Cambridge, Massachusetts London, England © 2009 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected] or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Copperplate 33BC and Joanna by Graphic Composition, Inc. Printed and bound in the United States of America. Library of Congress C ataloging- in- Publication Data Žižek, Slavoj. The monstrosity of Christ : paradox or dialectic? / Slavoj Žižek and John Milbank ; edited by Creston Davis. p. cm.—(Short circuits) Includes bibliographical references and index. ISBN 978-0-262-01271-3 (hardcover : alk. paper) 1. Philosophical theology. 2. Christianity—Philosophy. 3. Hegel, Georg Wilhelm Friedrich, 1770–1831. 4. Milbank, John. 5. Žižek, Slavoj. I. Milbank, John. II. Davis, Creston. III. Title. BT40.Z59 2009 230—dc22 2008035984 10 9 8 7 6 5 4 3 2 1 Contents Series Foreword vii Introduction: Holy Saturday or Resurrection Sunday? Staging an Unlikely Debate 2 Creston Davis The Fear of Four Words: A Modest Plea for the Hegelian Reading of Christianity 24 Slavoj Žižek The Double Glory, or Paradox versus Dialectics: On Not Quite Agreeing with Slavoj Žižek 110 John Milbank Dialectical Clarity versus the Misty Conceit of Paradox 234 Slavoj Žižek Index 307 Series Foreword A short circuit occurs when there is a faulty connection in the network—faulty, of course, from the standpoint of the network’s smooth functioning. Is not the shock of s hort-c ircuiting, therefore, one of the best metaphors for a criti- cal reading? Is not one of the most effective critical procedures to cross wires that do not usually touch: to take a major classic (text, author, notion) and read it in a short- circuiting way, through the lens of a “minor” author, text, or conceptual apparatus (“minor” should be understood here in Deleuze’s sense: not “of lesser quality,” but marginalized, disavowed by the hegemonic ideol- ogy, or dealing with a “lower,” less dignifi ed topic)? If the minor reference is well chosen, such a procedure can lead to insights which completely shatter and undermine our common perceptions. This is what Marx, among others, did with philosophy and religion (short- circuiting philosophical speculation through the lens of political economy, that is to say, economic speculation); this is what Freud and Nietzsche did with morality (short-c ircuiting the high- est ethical notions through the lens of the unconscious libidinal economy). What such a reading achieves is not a simple “desublimation,” a reduction of the higher intellectual content to its lower economic or libidinal cause; the aim of such an approach is, rather, the inherent decentering of the interpreted text, which brings to light its “unthought,” its disavowed presuppositions and consequences. And this is what “Short Circuits” wants to do, again and again. The under- lying premise of the series is that Lacanian psychoanalysis is a privileged in- strument of such an approach, whose purpose is to illuminate a standard text or ideological formation, making it readable in a totally new way—the long history of Lacanian interventions in philosophy, religion, the arts (from the visual arts to the cinema, music, and literature), ideology, and politics justifi es this premise. This, then, is not a new series of books on psychoanalysis, but a d r o w series of “connections in the Freudian fi eld”—of short Lacanian interventions e r in art, philosophy, theology, and ideology. o f “Short Circuits” wants to revive a practice of reading which confronts a s e classic text, author, or notion with its own hidden presuppositions, and thus i r e reveals its disavowed truth. The basic criterion for the texts that will be pub- s lished is that they effectuate such a theoretical short circuit. After reading a book in this series, the reader should not simply have learned something new: the point is, rather, to make him or her aware of another—disturbing—side of something he or she knew all the time. Slavoj Žižek The Monstrosity of Christ