Table Of Content

AUTHOR INDEX,VOLUME LIV Amdahl, Gary. San Luis el Brujo, Part One, (story) 2:187; San Luis el Brujo, Part Two, (story) 3:523; San Luis el Brujo, Part Three, (story) 4:711 Anyaegbuna, Jekwu. The Waiting Stool, (story) 1:26 Ashbery, John. Corona, (art) 4: front cover; From I will look at. . ., (translator) 4:602; From Real Location and Theatre, (translator) 4:608 Bachelder, Chris. The Princess Doctrine, (story) 1:9 Bailey, Radcliffe. Clay Model; Work in Progress, (art) 3:484 Balakian, Peter. Silk Road, (poem) 1:155 Bazzett, Michael. The Goat, (poem) 2:200 Bego, Elvis. The Selected Works of Alessandro Pope, (story) 2:250 Bellows, Nathaniel. The Bargain, (poem) 2:313 Berke, Judith. Holes, (poem) 2:293 Booth, Alexander. Culmitzch, (translator) 2:185 Boruch, Marianne. Tears in Reverse, (poem) 2:246 Bray, Tara. Inlaw, (poem) 3:522 Bush, Peter. The Transparency of Evil, (translator) 2:174; Fires, Ashes, Forgetfulness and Beauty Untamed, (translator) 2:257 ‘iepiela, Catherine. The Translator I and the Translator II, (translator) 1:75 ‘lancy, Kelly. Who are not, but could be, (essay) 2:217 ‘ollins, Martha. Tiny Women, (poem) 3:521 00k, Rebecca. Anna Grace, (poem) 4:577 ‘orin, Lucy. Godzilla versus the Smog Monster, (story) 1:51 Cummings, Gillian. Peau, (poem) 1:84 Davis, Geffrey, My Last Love Poem for a Crackhead, #23, What I Mean When I Say Farmhouse, Divorce Means, (poems) 3:506 Domina, Lynn. That Delicious Word, (poem) 4:678 Du Bois,W . E. B. A Negro Student at Harvard at the End of the 19th Century, (essay) 3:364 Duval, Pete. Adhesion, (essay) 1:78; Meat, (story) 4:653 Ellis, Thomas Sayers. |M ake My Own Money, (photography) 2: front cover, From The Offense of “Regular” Black Self (photography) 2: back cover;“So A’Feared Of” See Also, (photography) 2:201—16; Selections from Crank Shaped Notes, (prose and photography) 3:510—520 Espada, Martin. The Doer of Things We Dreamed of Doing: Big Papi and the Lost Year of 2012, (essay) 4:572 Evans, CJ. Crow, (poem) 1:107 Evans, Mary. Held February 23, 2013, (art) 3:486-7 Fagan Yellin, Jean. Du Bois’s Crisis and Woman's Suffrage, (essay) 3:399 Fernandes, Brendan. In The End, (art) 3:488-9 Fleming, David. The Lost Meadows of Northampton, (essay) 1:115 Fogel, Alice B. House of Footfalls, (poem) 4:732 Frazier, Ruby Latoya. LRF U.S.S. Edgar Thomson Steel Works & Monongahela River and Born by Water and Spirit, Ninth and Washington Avenue, (photography) 3:490-91 AUTHOR INDEX,VOLUME LIV Amdahl, Gary. San Luis el Brujo, Part One, (story) 2:187; San Luis el Brujo, Part Two, (story) 3:523; San Luis el Brujo, Part Three, (story) 4:711 Anyaegbuna, Jekwu. The Waiting Stool, (story) 1:26 Ashbery, John. Corona, (art) 4: front cover; From I will look at. . ., (translator) 4:602; From Real Location and Theatre, (translator) 4:608 Bachelder, Chris. The Princess Doctrine, (story) 1:9 Bailey, Radcliffe. Clay Model; Work in Progress, (art) 3:484 Balakian, Peter. Silk Road, (poem) 1:155 Bazzett, Michael. The Goat, (poem) 2:200 Bego, Elvis. The Selected Works of Alessandro Pope, (story) 2:250 Bellows, Nathaniel. The Bargain, (poem) 2:313 Berke, Judith. Holes, (poem) 2:293 Booth, Alexander. Culmitzch, (translator) 2:185 Boruch, Marianne. Tears in Reverse, (poem) 2:246 Bray, Tara. Inlaw, (poem) 3:522 Bush, Peter. The Transparency of Evil, (translator) 2:174; Fires, Ashes, Forgetfulness and Beauty Untamed, (translator) 2:257 ‘iepiela, Catherine. The Translator I and the Translator II, (translator) 1:75 ‘lancy, Kelly. Who are not, but could be, (essay) 2:217 ‘ollins, Martha. Tiny Women, (poem) 3:521 00k, Rebecca. Anna Grace, (poem) 4:577 ‘orin, Lucy. Godzilla versus the Smog Monster, (story) 1:51 Cummings, Gillian. Peau, (poem) 1:84 Davis, Geffrey, My Last Love Poem for a Crackhead, #23, What I Mean When I Say Farmhouse, Divorce Means, (poems) 3:506 Domina, Lynn. That Delicious Word, (poem) 4:678 Du Bois,W . E. B. A Negro Student at Harvard at the End of the 19th Century, (essay) 3:364 Duval, Pete. Adhesion, (essay) 1:78; Meat, (story) 4:653 Ellis, Thomas Sayers. |M ake My Own Money, (photography) 2: front cover, From The Offense of “Regular” Black Self (photography) 2: back cover;“So A’Feared Of” See Also, (photography) 2:201—16; Selections from Crank Shaped Notes, (prose and photography) 3:510—520 Espada, Martin. The Doer of Things We Dreamed of Doing: Big Papi and the Lost Year of 2012, (essay) 4:572 Evans, CJ. Crow, (poem) 1:107 Evans, Mary. Held February 23, 2013, (art) 3:486-7 Fagan Yellin, Jean. Du Bois’s Crisis and Woman's Suffrage, (essay) 3:399 Fernandes, Brendan. In The End, (art) 3:488-9 Fleming, David. The Lost Meadows of Northampton, (essay) 1:115 Fogel, Alice B. House of Footfalls, (poem) 4:732 Frazier, Ruby Latoya. LRF U.S.S. Edgar Thomson Steel Works & Monongahela River and Born by Water and Spirit, Ninth and Washington Avenue, (photography) 3:490-91 Freccero, Yvonne. The Kulak’s Son, (translator) 2:230;The Einaudi Primer, (essay) 4:612 Fulton, Bruce and Ju-Chan. Pig on Grass, (translator) 2:334 Garcia,J .M alcolm. Displaced Person, (essay) 1:70; Nothing Went to Waste, (essay) 1:146 Garfinkle, Deborah. Sisyphus’s Wife, (translator) 1:77 Goldman, Michael. Monday, (translator) 4:730 Goulet, John. Rise Up, Beloved, (story) 2:248 Heinzelman, Kurt. Lust, at Your Age, (poem) 4:753 Hester, Katherine L. Plenty, (story) 2:285 Hickey, Nora. Morning Rituals, (poem) 2:284 Hicks, Jim. Notes for a Book Series on Moral Investigation, (translator) 4:624 Hope Franklin, John. W. E. B. Du Bois: A Personal Memoir, (essay) 3:381 Hundt, Paul R. Horseshoe Crabs and the Sargasso Sea, (essay) 4:746 Husic, Vedran. Hand in Glove, (story) 2:269 Kahn, Peter. Of Useless Knowledge, (translator) 3:537 Koritz, Laura. Christ in a Ditch, (poem) 1:145 Kupersmith, Violet. The Red Veil, (story) 4:679 Lee, Karen An-Hwei. Meditation on Skin, (poem) 3:505 Lindberg, KathryneV . W. E. B. Du Bois’s Dusk of Dawn and James Yates’s Mississippi to Madrid, (essay) 3:410 Loss, Jacqueline. Mercy, (translator) 4:674 Louis, Adrian C. Kenmore Square, 1968, (poem) 4:571 Lumley, Justin and Dubnov, EugeneT.h e Fusiform Face Area, (translator) 4:735 Matthews, SebastianT.h e Dead Man Returns Disguised as a Tour Guide to an improvised Reenactment of HisO wn Demise and To You Who Lost Your Father, (poems) 4:733 McCabe, Melanie. Mercies, (poem) 4:628 McCallum, Shara. Hystory and Myth, (poem) 2:199 Mehretu, Julie. Algorithms, Apparitions, and Translations, (art) 492-3 Messner, Ann. Photocopy of redacted FBI files on Du Bois with redacted areas excised, (art) 3:494-5 Milton, Jay.M oscow 2013: Reveries of a Solitary Walker, (translator) 4:754 Murray, Sabina, and Heller, Yehudit. Adolescence, (translator) 4:710 Murray, Sabina. Literary Imagination and Living History, (essay) 1:41 Nurkin, Andrew. Triptych, (poem) 3:538 Page, Max. The Arc of Memory and the Arc of Justice, (essay) 2:238 Peterson, Dale E. Notes from the Underworld: Dostoevsky, Du Bois, and the Discovery of Ethnic Soul, (essay) 3:433 Phillips, Carl. The Darker Powers and Correction, (poems) 1:24 Pinder, Jefferson. Veiled Woman and Fire (video stills) 3:496—97 Pitts, Bill. Night Man, (story) 2:315 Plum, Hilary. Oil Rises, (novel excerpt) 1:82 Powell Lartigue, Rebecca. Grand Jury, (story ) 1:87 Reed Corey, Matthew. As the Fool, (poem) 2:256 THE MASSACHUSETTS REVIEW Rojas, Andres. October, (poem) 4:673 Rollins, Tim and K.O.S. Darkwater—of Beauty and Death (after W.E.B. Du Bois), (art) 3:498 RosenqueJ.s Wtesl,ey . For Second Lieutenant, (poem) 1:40 Rukeyser, RebeccaT.h e Engineers, (story) 4:697 Scalise, Jessica. Jack and the Skunk, (story) 2:295 Scheffler, Adam. Ghazal, (poem) 1:68 Sneed, Christine. Ask an Expert, (story) 1:91 Spencer, Molly. Grete, Florida, 1978, (poem) 1:85 Stavans, Ilan. Ode to Ironing, (translator) 2:346 and Ode to the Great Wall in the Fog, (translator) 2:171 Tavel, Adam. From Her Deathbed Harriet Bailey Chronicles the Fifth and Final Trek to Her Son Frederick Douglass, (poem) 3:556 Thacker, David. What a Woman Knows, (poem) 2:228 Thelwell, Ekwueme Michael. Du Bois in His Time (and Ours), (essay) 3:454 Thomas, Mickalene. Hair Portrait Series #4 and Hair Portrait Series #5, (art) 3:500-01 Viren, Sarah. The Adventures of Mrs. Ema, (translator) 4:719 Walker, Kara. Signal Station, Summit of Maryland Heights, (art) 1: cover Wasserman, Rosanne, and Richie, Eugene. “All the Things One Wants”: John Ashbery’s French Translations, (essay) 4:578 Watkins, ChristopherT.h e Clock Hands of a Child, (poem) 1:86 Weems, Carrie Mae. A Garden For Du Bois, (art) 3:503 Woolard, Amy. After the Witch, (poem) 4:677 Wuertz, Yoojin Grace. The Apartment, (story) 1:108 Young, Elizabeth. Mourning Pictures and Magic Glasses, Part One, (essay) 3:539, Part Two, (essay) 4:629 Zhicheng-Mingdé, Desmond Kon. dang tou bang hé : this is a timely warning, (poem) 3:536 Statement required by the Act of August 24, 1912, as Paragraphs 22 and 3 include,i n cases where the amended by the acts of March 3, 1933, July 2, 1956, stockholder or security holder appears upon the and June 11, 1960, showing the ownership, manage books of the company as trustee or in any other ment, and circulation of THE MASSACHUSETTS fiduciary relation, the name of the person or cor REVIEW, published quarterly at Amherst for poration for whom such trustee is acting; also the winter 2013 statements in the two paragraphs show the affiant’s full knowledge and belief as to the circumstances The names and addresses of the publisher, edi and conditions under which stockholders and tors, and managing editor are: Publisher, The security holders who do not appear upon the Massachusetts Review, Inc., South College, books of the company as trustees, hold stock and University of Massachusetts, Amherst, MA 01003: securities in a capacity other than that of bona Editors, James Hicks, Ellen Doré Watson, Michael fide owner Thurston; all of South College, University of The average number of copies of each issue of this Massachusetts, Amherst, Massachusetts 01003 publication sold or distributed through the mails The owner is The Massachusetts Review, Inc., or otherwise to paid subscribers during the twelve South College, University of Massachusetts, months preceding the date shown above was 1500 Ambherst, Massachusetts 01003 The known bondholder, mortgagee, and other security holders, owning or holding 1 percent or more of total amount of bonds, mortgages, James Hicks or other securities are: none Editor