The Journal of Aesthetics and Art Criticism 2013: Vol 71 Index & Table of Contents

2013·0.94 MB·English

Index: Volume 71
Titles: Articles, Discussions, & Symposia
Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation, The BARBARA GAIL MONTERO
Artistic Value and Sentimental Value: Reply to Robert Stecker JULIAN DODD
Broad View of Aesthetic Experience, The ALAN H. GOLDMAN
Can American Popular Vocal Music Escape the Legacy of Blackface LEE B. BROWN
Minstrelsy?
Canonicity and Normativity in Massive, Serialized Collaborative Fiction ROY T. COOK
Case for Song: Against an (Exclusively) Recording-Centered Ontology of FRANKLIN BRUNO
Rock, A
Concatenationism and Anti-architectonicism in Musical Understanding ERKKI HUOVINEN
Dancing Around the Issue: Prospects for an Empirically Grounded DAVID DAVIES
Philosophy of Dance
Defusing Dualism: John Martin on Dance Appreciation GRAHAM MCFEE
Dialogue between Words and Music in the Composition and Comprehension DAVID DAVIES
of Songs, The
Doing It Their Way: Rock Covers, Genre, and Appreciation MICHAEL RINGS
Ephemeral Media, Ephemeral Works, and Sonny Boy Williamson’s “Little JUSTIN LONDON
Village”
Ethical Criticism in Perspective: A Defense of Radical Moralism ALESSANDRO GIOVANNELLI
Ethics of Singing Along: The Case of “Mind of a Lunatic,” The AARON SMUTS
How to Frame Serial Art CHRISTY MAG UIDHIR
Hume and the Joint Verdict of True Judges JAMES SHELLEY
Introduction: Dance Art and Science RENEE M. CONROY AND JULIE
C. VAN CAMP
Introduction: Making a Space for Song JEANETTE BICKNELL AND
JOHN ANDREW FISHER
Jazz Vocal Interpretation: A Philosophical Analysis JERROLD LEVINSON
Judging Covers CRISTYN MAGNUS, P.D.
MAGNUS, AND CHRISTY
MAG UIDHIR
Kinesthetic Understanding and Appreciation in Dance NOEL CARROLL AND
WILLIAM P. SEELEY
Levinson on the Aesthetic Ideal NICHOLAS RIGGLE
Meanings of Songs and Meanings of Song Performances THEODORE GRACYK
Merited Response Argument and Artistic Categories, The ANDREA SAUCHELLI
Monism and Pluralism in the History of Aesthetics PAUL GUYER
Nonsense in Public Places: Songs of Black Vocal Rhythm and Blues or DAVID GOLDBLATIT
Doo-wop
Ontology and the Challenge of Literary Appropriation DARREN HUDSON HICK
Opera Singing and Fictional Truth NINA PENNER
Philosophy versus Literature? Against the Discontinuity Thesis BENCE NANAY
Realistic Song in the Movies PETER KIVY
Reply to Carroll: The Artistic Value of a Particular Kind of Moral Flaw A.W. EATON
Reply to Riggle: Aesthetic History, Personality, and Profile JERROLD LEVINSON
Responding Bodily RENEE M. CONROY
Rough Heroes: A Response to A.W. Eaton NOEL CARROLL
Satire, Analogy, and Moral Philosophy NICHOLAS DIEHL
“Strange Fruit”: Music between Violence and Death JOHN M. CARVALHO
Testing Artistic Value: A Reply to Dodd ROBERT STECKER
Why Serials Are Killer HENRY JOHN PRATT
The Journal of Aesthetics and Art Criticism 71:4 Fall 2013
© 2013 The American Society for Aesthetics
404 The Journal of Aesthetics and Art Criticism
Authors: Articles, Discussions, Symposia, & Book Reviews
BACH, KENT, Review of Douglas Burnham and Ole Martin Skilleas, The Aesthetics of Wine
BAKER, AL, Review of Aaron Meskin and Roy T. Cook, eds, The Art of Comics: A Philosophical Approach
BICKNELL, JEANETTE and JOHN ANDREW FISHER, Introduction: Making a Space for Song
BROWN, LEE B., Can American Popular Vocal Music Escape the Legacy of Blackface Minstrelsy?
BRUNO, FRANKLIN, A Case for Song: Against an (Exclusively) Recording-Centered Ontology of Rock
CARROLL, NOEL, Rough Heroes: A Response to A.W. Eaton
CARROLL, NOEL, and WILLIAM P. SEELEY, Kinesthetic Understanding and Appreciation in Dance
CARTER, CURTIS L., Review of Noél Carroll, Living in an Art World: Reviews and Essays on Dance
erformance, Theater, and the Fine Arts in the 1970s and 1980s
ARVALHO, JOHN M., “Strange Fruit”: Music between Violence and Death
‘HODAT, ROBERT, Review of Stein Haugm Olsen and Anders Patterson, eds., Why Literary Studies?
Raisons D’étre of a Discipline
CLIFTON, W. SCOTT, Review of Keith Lehrer, Art, Self, and Knowledge
COCHRANE, TOM, Review of Timothy M. Costelloe, ed., The Sublime: From Antiquity to the Present
CONROY, RENEE M., Responding Bodily
CONROY, RENEE M. and JULIE C. VAN CAMP, Introduction: Dance Art and Science
COOK, ROY T., Canonicity and Normativeity in Massive, Serialized Collaborative Fiction
DAVIES, DAVID, Dancing Around the Issue: Prospects for an Empirically Grounded Philosophy of Dance
DAVIES, DAVID, The Dialogue between Words and Music in the Composition and Comprehension of Songs
DIEHL, NICHOLAS, Satire, Analogy, and Moral Philosophy
DODD, JULIAN, Artistic Value and Sentimental Value: Reply to Robert Stecker
EATON, A.W., Reply to Carroll: The Artistic Value of a Particular Kind of Moral Flaw
FISHER, JOHN ANDREW and JEANETTE BICKNELL, Introduction: Making a Space for Song
FOKT, SIMON, Review of Hans Maes and Jerrold Levinson, Art and Pornography: Philosophical Essays
GIOVANNELLI, ALESSANDRO, Ethical Criticism in Perspective: A Defense of Radical Moralism
GOLDBLATT, DAVID, Nonsense in Public Places: Songs of Black Vocal Rhythm and Blues or Doo-wop
GOLDMAN, ALAN H., The Broad View of Aesthetic Experience
GOODMAN, JEFFREY, Review of Peter Alward, Empty Revelations: An Essay on Talk about, and Attitudes
toward, Fiction
GRACYK, THEODORE, Meanings of Songs and Meanings of Song Performances
GRITTEN, ANTHONY, Review of Lawrence Kramer, /nterpreting Music
GUYER, PAUL, Monism and Pluralism in the History of Aesthetics
HAMILTON, JAMES R., Review of Peter Kivy, Once-Told Tales: An Essay in Literary Aesthetics
HICK, DARREN HUDSON, Ontology and the Challenge of Literary Appropriation
HOWELL, ROBERT, Review of Virgil Charles Aldrich, My Century and Philosophical Reflections
HUDDLESTON, ANDREW, Review of Amy Coplan and Peter Goldie, Empathy: Philosophical and
Psychological Perspectives
HUOVINEN, ERKKI, Concatenationism and Anti-architectonicism in Musical Understanding
IRWIN, WILLIAM, Review of Kalle Puolakka, Relativism and Intentionalism in Interpretation: Davidson,
Hermeneutics, and Pragmatism
KLAYMAN, CHARLES, Review of Arnold Berleant. Aesthetics beyond the Arts: New and Recent Essays
KIVY, PETER, Realistic Song in the Movies
LEDDY, THOMAS W., Review of Scott R. Stroud, John Dewey and the Artful Life: Pragmatism, Aesthetics,
and Morality
LEVINSON, JERROLD, Jazz Vocal Interpretation: A Philosophical Analysis
LEVINSON, JERROLD, Reply to Riggle: Aesthetic History, Personality, and Profile
LONDON, JUSTIN, Ephemeral Media, Ephemeral Works, and Sonny Boy Williamson’s “Little Village”
MAGNUS, CRISTYN, P.D. MAGNUS, and CHRISTY MAG UIDHIR, Judging Covers
MAGNUS, P.D., CRISTYN MAGNUS, and CHRISTY MAG UIDHIR, Judging Covers
MAG UIDHIR, CHRISTY, How to Frame Serial Art
MAG UIDHIR, CHRISTY, CRISTYN MAGNUS, and P.D. MAGNUS, Judging Covers
MCFEE, GRAHAM, Defusing Dualism: John Martin on Dance Appreciation
MELCHIONNE, KEVIN, Review of Thomas Leddy, The Extraordinary in the Ordinary: The Aesthetics of
Everyday Life
MILLER, JASON, Review of Michael Kelly, A Hunger for Aesthetics: Enacting the Demands of Art
MONTERO, BARBARA GAIL, The Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation
MOORE, RONALD, Review of Damien Freeman, Art's Emotions: Ethics Expression and Aesthetic Experience
MOSER, SHELBY, Review of G. James Daichendt, Stay Up! Los Angeles Street Art
MULHERIN, THOMAS J., Review of Charles O. Nussbaum, The Musical Representation: Meaning, Ontology,
and Emotion
Index
MULLIS, ERIC C., Review of Richard Shusterman, Thinking through the Body: Essays in Somaesthetics
NANAY, BENCE, Philosophy versus Literature? Against the Discontinuity Thesis
NATHAN, DANIEL O., Review of John Maynard, Literary Intention, Literary Interpretation, and Readers
PENNER, NINA, Opera Singing and Fictional Truth
PRATT, HENRY JOHN, Why Serials Are Killer
RIGGLE, NICHOLAS, Levinson on the Aesthetic Ideal
RINGS, MICHAEL, Doing It Their Way: Rock Covers, Genre, and Appreciation
SAUCHELLI, ANDREA, The Merited Response Argument and Artistic Categories
SEELEY, WILLIAM P. and NOEL CARROLL, Kinesthetic Understanding and Appreciation in Dance
SHELLEY, JAMES, Hume and the Joint Verdict of True Judges
SMUTS, AARON, The Ethics of Singing Along: The Case of “Mind of a Lunatic”
STECKER, ROBERT, Testing Artistic Value: A Reply to Dodd
VAN CAMP, JULIE C. and RENEE M. CONROY, Introduction: Dance Art and Science
WIEAND, JEFFREY, Review of Walter Simmons, The Music of William Schuman, Vincent Persichetti, and
Peter Mennin: Voices of Stone and Steel
WINCHESTER, JAMES J., Review of Louis A. Ruprecht, Jr., Winckelmann and the Vatican’s First Profane
Museum
Book Reviews
ALDRICH, VIRGIL CHARLES, My Century and Philosophical Reflections (Robert Howell)
ALWARD, PETER, Empty Revelations: An Essay on Talk about, and Attitudes toward, Fiction (Jeffrey
Goodman)
BERLEANT, ARNOLD, Aesthetics beyond the Arts: New and Recent Essays (Charles Klayman)
BURNHAM, DOUGLAS and OLE MARTIN SKILLEAS, The Aesthetics of Wine (Kent Bach)
CARROLL, NOEL, Living in an Art World: Reviews and Essays on Dance, Performance, Theater, and the Fine
Arts in the 1970s and 1980s (Curtis L. Carter)
COPLAN, AMY and PETER GOLDIE, Empathy: Philosophicaalnd Psychological Perspectives (Andrew
Huddleston)
COSTELLOE, TIMOTHY M.., ed., The Sublime: From Antiquity to the Present (Tom Cochrane)
DAICHENDT, G. JAMES, Stay Up! Los Angeles Street Art (Shelby Moser)
FREEMAN, DAMIEN, Art’s Emotions: Ethics, Expression and Aesthetic Experience (Ronald Moore)
KELLY, MICHAEL, A Huneger for Aesthetics: Enacting the Demands of Art (Jason Miller)
KIVY, PETER, Once-Told Tales: An Essay in Literary Aesthetics (James R. Hamilton)
KRAMER, LAWRENCE, /nterpreting Music (Anthony Gritten)
LEDDY, THOMAS, The Extraordinary in the Ordinary: The Aesthetics of Everyday Life (Kevin Melchionne)
LEHRER, KEITH, Art, Self, and Knowledge (W. Scott Clifton)
MAES, HANS and JERROLD LEVINSON, eds., Art and Pornography: Philosophical Essays (Simon Fokt)
MAYNARD, JOHN, Literary Intention, Literary Interpretation, and Readers (Daniel O. Nathan)
MESKIN, AARON and ROY T. COOK, eds., The Art of Comics: A Philosophical Approach (A\ Baker)
NUSSBAUM, CHARLES O., The Musical Representation: Meaning, Ontology and Emotion (Thomas J.
Mulherin)
OLSEN, STEIN HAUGOM and ANDERS PATTERSON, eds., Why Literary Studies? Raisons D’étre of a
Discipline (Robert Chodat)
PUOLAKKA, KALLE, Relativism and Intentionalism in Interpretation: Davidson Hermeneutics and
Pragmatism (William Irwin)
RUPRECHT, JR., LOUIS A., Winckelmann and the Vatican’s First Profane Museum (James J. Winchester)
SHUSTERMAN, RICHARD, Thinking through the Body: Essays in Somaesthetics (Eric C. Mullis)
SIMMONS, WALTER, The Music of William Schuman, Vincent Persichetti, and Peter Mennin: Voices of Stone
and Steel (Jeffrey Wieand)
STROUD, SCOTT R., John Dewey and the Artful Life: Pragmatism, Aesthetics, and Morality
(Thomas W. Leddy)