The Journal of Aesthetics and Art Criticism 2008: Vol 66 Index & Table of Contents

2008·1.6 MB·English

Index: Volume 66
Titles: Articles, Discussions, & Symposia
Aesthetic Deception: On Encounters with the Past CAROLYN KORSMEYER
Aesthetic Obligations MARCIA MUELDER EATON
Desire-Frustration Theory of Suspense, The \ ARON SMUTS
Expression and Extended Cognition TOM COCHRANI
In and Out: The Dynamics of Imagination in the Engagement with
Narratives ALESSANDRO GIOVANNELLI
Instrumentality of Music, The PHILIP ALPERSON
Intentionality of Judgments of Taste in Kant’s Critique of Judgment, The JOSEPH CANNON
Kant’s Justified Dismissal of Artistic Sublimity UYGAR ABACI
Limits of the Sublime, the Sublime of Limits: Hermeneutics as a Critique
of the Postmodern Sublime, The JEROME CARROLI
Lopes on the Ontology of Japanese Shrines RAFAEL DE CLERCO
Modest Defense of Aesthetic Testimony, A BRIAN LAETZ
On the Conundrum of Form and Material in Adorno’s Aesthetic Theory GERALD L. BRUNS
Ontology and Aestheticso f Digital Art PAUL CROWTHER
Opticality of Pictorial Representation, The KATERINA BANTINAKI
Rational Justification of Aesthetic Judgments, The MARIA JOSE ALCARAZ LEON
Reference, Ontology, and Architecture: Response to Rafael De Clercq DOMINIC MCIVER LOPES
Reflections on Comic Reconciliations: Ethics, Memory, and Anxious
Happy Endings MICHAEL J. MEYER
Reply to Paisley Livingston, A DARREN HUDSON HICK
Roleo f Imaginingi n Seeing-In, The KATHLEEN STOCK
Scratching an Itch SHERRI IRVIN
Specter of Manet: A Contribution to the Archaeology of Painting, The JOSEPH J. TANKE
Sympathy and Insight in Aristotle’s Poetics PAUL A. TAYLOR
Tempus Fugit: Voice, Intentionality, and Formal Invention in Augustine
and Monteverdi STALE WIKSHALAND
Third-Party Uses of Music and Musical Pragmatics JUSTIN LONDON
What Do We See In Film? ROBERT HOPKINS
When a Work of Art Is Finished: A Response to Darren Hudson Hick PAISLEY LIVINGSTON
When Is a Work of Art Finished? DARREN HUDSON HICK
Authors: Articles, Discussions, Symposia, & Book Reviews
ABACI, UYGAR, Kant’s Justified Dismissal of Artistic Sublimity
ALCARAZ LEON, MARIA JOSE, The Rational Justification of Aesthetic Judgments
\LPERSON, PHILIP, The Instrumentality of Music
BANTINAKI, KATERINA, The Opticality of Pictorial Representation
The Journal of Aesthetics and Art Criticism 66:4 Fall 2008
©) 2008 The American Society for Aesthetics
432 The Journal of Aesthetics and Art Criticism
BROAD, LISA K., review of David Baggett and William A. Drumin, eds., Hitchcock and Philosophy: Dial M for
Metaphysic s
BROWN, LEE B., review of Howard S. Becker, Robert R. Faulkner, and Barbara Kirshenblatt-Gimblett, eds., Ar
from Start to Finish: Jazz, Painting, Writing, and Other Improvisations
BRUNS, GERALD L., On the Conundrum of Form and Material in Adorno’s Aesthetic Theory
BUCKNER, CLARK, review of Claire Bishop, ed., Participation
BUCKNER, CLARK, review of David Joselit, Feedback: Television against Democracy
CANNON, JOSEPH, The Intentionality of Judgments of Taste in Kant’s Critique of Judgment
CARROLL, JEROME, The Limits of the Sublime, the Sublime of Limits: Hermeneutics as a Critique of the
Postmodern Sublime
CARTER, CURTIS L., review of Richard Shusterman, Body Consciousness: A Philosophy of Mindfulness and
Somaesthetics
COCHRANE, TOM, Expression and Extended Cognition
CONROY, RENEE, review of Sally Banes, Before, Between, and Beyond: Three Decades of Dance Writing
COPLAN, AMY, review of Alvin Goldman, Simulating Minds: The Philosophy, Psychology, and Neuroscience of
Mindreading
CROWTHER, PAUL, Ontology and Aesthetics of Digital Art
DAVIES, DAVID, review of Peter Kivy, The Performance of Reading: An Essay in the Philosophy of Literature
DE CLERCQ, RAFAEL, Lopes on the Ontology of Japanese Shrines
EATON, MARCIA MUELDER, Aesthetic Obligations
ENGSTROM, TIMOTHY H., review of Peter Jones, Ove Arup: Master Builder of the Twentieth Century
FORRY, JOAN GRASSBAUGH, review of Hans Ulrich Gumbrecht, Jn Praise of Athletic Beauty
GIBSON, JOHN, review of David Davies, Aesthetics and Literature
GIOVANNELLI, ALESSANDRO, In and Out: The Dynamics of Imagination in the Engagement with Narratives
GOLDBLATT, DAVID, review of Arindam Dutta, The Bureaucracy of Beauty: Design in the Age of Its Global
Reproducibility
GRACYK, THEODORE, review of Katya Mandoki, Everyday Aesthetics: Prosaics, the Play of Culture and Social
Identities
GRACYK, THEODORE, review of Yuriko Saito, Everyday Aesthetics
GRITTEN, ANTHONY, review of Peter Kivy, Music, Language, and Cognition: And Other Essays in the Aesthetics
of Music
GRITTEN, ANTHONY, review of Stephen Benson, Literary Music: Writing Music in Contemporary Fiction
HICK, DARREN HUDSON, A Reply to Paisley Livingston
HICK, DARREN HUDSON, When Is a Work of Art Finished?
HOPKINS, ROBERT, What Do We See In Film?
IRVIN, SHERRI, Scratching an Itch
JENKINS, PHIL, review of Mark Turner, ed., The Artful Mind: Cognitive Science and the Riddle of Human Creativity
JUDKINS, JENNIFER, review of Lawrence Kramer, Why Classical Music Still Matters
KANIA, ANDREW, review of Julian Dodd, Works of Music: An Essay in Ontology
KORSMEYER, CAROLYN, Aesthetic Deception: On Encounters with the Past
LAETZ, BRIAN, A Modest Defense of Aesthetic Testimony
LAVIGNE, MICHELLE, review of Paul Crowther, Defining Art, Creating the Canon: Artistic Value in an Era of Doubt
LIVINGSTON, PAISLEY, When a Work of Art Is Finished: A Response to Darren Hudson Hick
LONDON, JUSTIN, Third-Party Uses of Music and Musical Pragmatics
LOPES, DOMINIC MCIVER, Reference, Ontology, and Architecture: Response to Rafael De Clercq
McCRACKEN, CHAD, review of Eric Wertheimer, Underwriting: The Poetics of Insurance in America, 1722-1872
MEYER, MICHAEL J., Reflections on Comic Reconciliations: Ethics, Memory, and Anxious Happy Endings
MIKKONEN, JUKKA, review of John Gibson, Fiction and the Weave of Life
NATHAN, DANIEL O., review of Nick Zangwill, Aesthetic Creation
NEUFELD, JONATHAN, review of Hilde Hein, Public Art
PARSONS, GLENN, review of Amy Dempsey, Destination Art
PARSONS, GLENN, review of John Sallis, Topographies
PATRIDGE, STEPHANIE, review of Tzachi Zamir, Double Vision: Moral Philosophy and Shakespearean Drama
RIBEIRO, ANNA CHRISTINA, review of Grace M. Ledbetter, Poetics Before Plato: Interpretation and Authority in
Early Greek Theories of Poetry
ROBINSON, JENEFER, review of Daniel J. Levitan, This Is Your Brain on Music: The Science of a Human Obsession
Index
ROELOFS, MONIQUE, review of Alexander Nehamas, Only a Promise of Happiness: The Place of Beauty in a World
of Art
SEELEY, WILLIAM P, review of Peter Goldie and Elisabeth Schellekens, eds., Philosophy and Conceptual Art
SHINER, LARRY, review of Alain de Botton, The Architecture of Happiness
SHINER, LARRY, review of Edward Winters, Aesthetics and Architecture
SMUTS, AARON, The Desire-Frustration Theory of Suspense
STECKER, ROBERT, review of Berys Gaut, Art, Emotion, and Ethics
STOCK, KATHLEEN, The Role of Imagining in Seeing-In
TANKE, JOSEPH J., The Specter of Manet: A Contribution to the Archaeology of Painting
TAYLOR, PAUL A., Sympathy and Insight in Aristotle’s Poetics
TEREZAKIS, KATIE, review of Jane K. Brown, The Persistence of Allegory: Drama and Neoclassicism from
Shakespeare to Wagner
THOMSON-JONES, KATHERINE, review of Noél Carroll, The Philosophy of Motion Pictures
VAILLANCOURT, DAN, review of AleS Erjavec, ed., Filozofski vestnik: The Revival of Aesthetics
VAILLANCOURT, DAN, review of Ronald Moore, Natural Beauty: A Theory of Aesthetics Beyond the Arts
VAUGHAN, HUNTER M., review of Garrett Stewart, Framed Time: Toward a Postfilmic Cinema
VERSTEGEN, IAN, review of James A. W. Heffernan, Cultivating Picturacy: Visual Art and Verbal Interventions
WIKSHALAND, STALE, Jempus Fugit: Voice, Intentionality, and Formal Invention in Augustine and Monteverdi
WISEMAN, MARY BITTNER, review of Garrett Stewart, The Look of Reading: Book, Painting, Text
WOODRUFF, PAUL, review of Paul Ricoeur, On Translation
WOODRUFF, PAUL, review of John Sallis, On Translation
ZAMIR, TZACHI, review of James R. Hamilton, The Art of Theater
Book Reviews
BAGGETT, DAVID and WILLIAM A. DRUMIN, eds., Hitchcock and Philosophy: Dial M for Metaphysics (Lisa K. Broad)
BANES, SALLY, Before, Between, and Beyond: Three Decades of Dance Writing (Renee Conroy)
BECKER, HOWARD S., BARBARA KIRSCHENBLATT-GIMBLETT, and ROBERT R. FAULKNER, eds., Art from Start to
Finish: Jazz, Painting, Writing, and Other Improvisations (Lee B. Brown)
BENSON, STEPHEN, Literary Music: Writing Music in Contemporary Fiction (Anthony Gritten)
BISHOP, CLAIRE, ed., Participation (Clark Buckner)
BROWN, JANE K., The Persistence of Allegory: Drama and Neoclassicism from Shakespeare to Wagner (Katie
Terezakis)
CARROLL, NOEL, The Philosophy of Motion Pictures (Katherine Thomson-Jones)
CROWTHER, PAUL, Defining Art, Creating the Canon: Artistic Value in an Era of Doubt (Michelle LaVigne)
DAVIES, DAVID, Aesthetics and Literature (John Gibson)
DE BOTTON, ALAIN, The Architecture of Happiness (Larry Shiner)
DEMPSEY, AMY, Destination Art (Glenn Parsons)
DODD, JULIAN, Works of Music: An Essay in Ontology (Andrew Kania)
DRUMIN, WILLIAM A. and DAVID BAGGETT, eds., Hitchcock and Philosophy: Dial M for Metaphysics (Lisa K. Broad)
DUTTA, ARINDAM, The Bureaucracy of Beauty: Design in the Age of Its Global Reproducibility (David Goldblatt)
ERJAVEC, ALES, ed., Filozofski vestnik: The Revival of Aesthetics (Dan Vaillancourt)
FAULKNER, ROBERT R., HOWARD S. BECKER, and BARBARA KIRSCHENBLATT-GIMBLETT., eds., Art from Start to
Finish: Jazz, Painting, Writing, and Other Improvisations (Lee B. Brown)
GAUT, BERYS. Art, Emotion, and Ethics (Robert Stecker)
GIBSON, JOHN, Fiction and the Weaveo f Life (Jukka Mikkonen)
GOLDIE, PETER and ELISABETH SCHELLEKENS, eds., Philosophy and Conceptual Art (William P. Seeley)
GOLDMAN, ALVIN, Simulating Minds: The Philosophy, Psychology, and Neuroscience of Mindreading (Amy Coplan)
GUMBRECHT, HANS ULRICH, In Praise of Athletic Beauty (Joan Grassbaugh Forry)
HAMILTON, JAMES R., The Art of Theater (Tzachi Zamir)
HEFFERNAN, JAMES A. W., Cultivating Picturacy: Visual Art and Verbal Interventions (lan Verstegen)
HEIN, HILDE, Public Art (Jonathan Neufeld)
JONES, PETER, Ove Arup: Master Buildero f the Twentieth Century (Timothy H. Engstré6m)
JOSELIT, DAVID, Feedback: Television against Democracy (Clark Buckner)
KIRSHENBLATT-GIMBLETT, BARBARA, HOWARD S. BECKER, and ROBERT R. FAULKNER, eds., Art from Start to
Finish: Jazz, Painting, Writing, and Other Improvisations (Lee B. Brown)
434 The Journal of Aesthetics and Art Criticism
KIVY. PETER, Musc, Language, and Cognition: And Other Essays in the Aesthetics of Music (Anthony Gritten) 314
KIVY, PETER, The Performance of Reading: An Essay in the Philosophy of Literature (David Davies) 89
KRAMER, LAWRENCE, Why Classical Music Still Matters (Jennifer Judkins) 418
LEDBETTER, GRACE M., Poetics Before Plato: Interpretation and Authority in Early Greek Theories of Poetry
(Anna Christina Ribeiro) 412
LEVITAN, DANIEL J., This Is Your Brain on Music: The Sciencoef aH uman Obsession (Jenefer Robinson) 91
MANDOKI, KATYA, Everyday Aesthetics: Prosaics, the Play of Culture and Social Identities (Theodore Gracyk) 422
MOORE, RONALD, Natural Beauty: A Theory of Aesthetics Beyond the Arts (Dan Vaillancourt) 303
NEHAMAS, ALEXANDER, Only a Promise of Happiness: The Place of Beauty in a World of Art (Monique Roelofs) 399
RICOEUR, PAUL, On Translation (Paul Woodruff) 197
SAITO, YURIKO, Everyday Aesthetics (Theodore Gracyk) 422
SALLIS, JOHN, On Translation (Paul Woodruff) 197
SALLIS, JOHN, Topographies (Glenn Parsons) 321
SCHELLEKENS, ELISABETH and PETER GOLDIE, eds., Philosophy and ConceptuaAlrt (William P. Seeley) 203
SHUSTERMAN, RICHARD, Body Consciousness: A Philosophy of Mindfulness and Somaesthetics (Curtis L. Carter) 419
STEWART, GARRETT, Framed Time: Toward a Postfilmic Cinema (Hunter M. Vaughan) 210
STEWART, GARRETT, The Look of Reading: Book, Painting, Text (Mary Bittner Wiseman) 409
TURNER, MARK, ed., The Artful Mind: Cognitive Science and the Riddle of Human Creativity (Phil Jenkins) 319
WERTHEIMER, ERIC, Underwriting: The Poetics of Insurance in America, 1722-1872 (Chad McCracken) 407
WINTERS, EDWARD, Aesthetics and Architecture (Larry Shiner) 305
ZAMIR, TZACHI, Double Vision: Moral Philosophy and Shakespearean Drama (Stephanie Patridge) 208
ZANGWILL, NICK, Aesthetic Creation (Daniel O. Nathan) 416
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