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Science, Technology and Innovation Studies Ilya Kiriya Panos Kompatsiaris Yannis Mylonas Editors The Industrialization of Creativity and Its Limits Values, Politics and Lifestyles of Contemporary Cultural Economies Science, Technology and Innovation Studies SeriesEditors LeonidGokhberg Moscow,Russia DirkMeissner Moscow,Russia Science, technology and innovation (STI) studies are interrelated, as are STI policies and policy studies. This series of books aims to contribute to improved understanding of these interrelations. Their importance has become more widely recognized,astheroleofinnovationindrivingeconomicdevelopmentandfostering societal welfare has become almost conventional wisdom. Interdisciplinary in coverage, the series focuses on the links between STI, business, and the broader economy and society. The series includes conceptual and empirical contributions, which aim to extend our theoretical grasp while offering practical relevance. RelevanttopicsincludetheeconomicandsocialimpactsofSTI,STIpolicydesign and implementation, technology and innovation management, entrepreneurship (and related policies), foresight studies, and analysis of emerging technologies. The series is addressed to professionals in research and teaching, consultancies andindustry,governmentandinternationalorganizations. Moreinformationaboutthisseriesathttp://www.springer.com/series/13398 (cid:129) (cid:129) Ilya Kiriya Panos Kompatsiaris Yannis Mylonas Editors The Industrialization of Creativity and Its Limits Values, Politics and Lifestyles of Contemporary Cultural Economies Editors IlyaKiriya PanosKompatsiaris NationalResearchUniversity NationalResearchUniversity HigherSchoolofEconomics HigherSchoolofEconomics Moscow,Russia Moscow,Russia YannisMylonas NationalResearchUniversity HigherSchoolofEconomics Moscow,Russia ISSN2570-1509 ISSN2570-1517 (electronic) Science,TechnologyandInnovationStudies ISBN978-3-030-53163-8 ISBN978-3-030-53164-5 (eBook) https://doi.org/10.1007/978-3-030-53164-5 ©SpringerNatureSwitzerlandAG2020 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpartofthe materialisconcerned,specificallytherightsoftranslation,reprinting,reuseofillustrations,recitation, broadcasting,reproductiononmicrofilmsorinanyotherphysicalway,andtransmissionorinformation storageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilarmethodology nowknownorhereafterdeveloped. Theuseofgeneraldescriptivenames,registerednames,trademarks,servicemarks,etc.inthispublication doesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfromtherelevant protectivelawsandregulationsandthereforefreeforgeneraluse. The publisher, the authors, and the editorsare safeto assume that the adviceand informationin this bookarebelievedtobetrueandaccurateatthedateofpublication.Neitherthepublishernortheauthorsor theeditorsgiveawarranty,expressedorimplied,withrespecttothematerialcontainedhereinorforany errorsoromissionsthatmayhavebeenmade.Thepublisherremainsneutralwithregardtojurisdictional claimsinpublishedmapsandinstitutionalaffiliations. ThisSpringerimprintispublishedbytheregisteredcompanySpringerNatureSwitzerlandAG. Theregisteredcompanyaddressis:Gewerbestrasse11,6330Cham,Switzerland Acknowledgments InJune2017,scholarsandpractitionersfromseveralcountries,includingRussia,the UK, France, Croatia, Italy, Greece, Switzerland, South Korea, the USA, and Peru, gatheredattheSaintPetersburgbranchoftheNationalResearchUniversityHigher School of Economics (NRU-HSE) to present studies on the contemporary economies, ethics, and aesthetics of creativity. The volume at hand brings together a selection of the conference papers highlighting the constantly developing and multidimensionalpracticesassociatedwithcreativityatdisparategeographicalcon- textsaroundtheworldinthecurrenttime.Theeventwasorganizedbymembersof theSchoolofMedia,NRU-HSE,inMoscow.Wewouldliketowarmlythankallthe participantsofthisconferenceaswellasallthecontributorswhomadepossiblethe publicationofthisvolume. Moscow March,2020 v Contents 1 TheIndustrializationofCreativityandItsLimits:Introducing Concepts,Theories,andThemes. . . . . . . . . . . . . . . . . . . . . . . . . . . 1 IlyaKiriya,PanosKompatsiaris,andYiannisMylonas PartI Sustainability:CreativeGrowth,Labor,andSkills 2 TowardsPost-GrowthCreativeEconomies?BuildingSustainable CulturalProductioninArgentina. . . . . . . . . . . . . . . . . . . . . . . . . . 17 MarkBanksandPaulaSerafini 3 CreativeWorkersinPermanentCrisis:LaborintheCroatia’s ContemporaryArtsandCulture. . . . . . . . . . . . . . . . . . . . . . . . . . . 31 JakaPrimorac,ValerijaBarada,andEdgarBuršić 4 TheOnlyPlaceWhereOneCanFeelConnected toanInternationalContextandStillSpeakRussian:Hybrid CreativeWorkinPost-SovietContemporaryArtInstitutions. . . . . 49 MargaritaI.Kuleva 5 CreativeWritingCoursesAreUseless:CreativeWriting ProgramsandtheItalianLiterarySystem. . . . . . . . . . . . . . . . . . . 61 CeciliaGhidotti PartII Ideology:CreativeSelf-ExpressionandAesthetics 6 TheArtBiennial’sDilemma:PoliticalActivismasSpectaclein AestheticCapitalism. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 PanosKompatsiarisandNadaEndrissat 7 CreativityintheServiceofEconomicRecoveryand“National Salvation”:DispatchesfromtheGreekCrisisSocialFactory. . . . . 95 YiannisMylonas vii viii Contents 8 ProductionofCulturalPolicyinRussia:Authority andIntellectualLeadership. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 TatianaRomashko 9 ManifestosofRuptureandReconciliation:Do-it-Yourself(DiY) MusicPractices,EthicsandtheQuestforAuthenticity intheCulturalIndustries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 EvangelosChrysagis PartIII Industrialization:CreativeMarketsandTechnologies 10 CreativeIndustries,aLargeOngoingProject,StillInaccurate andAlwaysUncertain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 BernardMiège 11 FromCrafttoIndustry:IndustrializingtheMarginal DomainsofCulturalIndustries. . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 IlyaKiriya 12 IntellectualPropertyRightsandtheProductionofValue ina“CreativeEconomy”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 VincentBullich 13 InnovationandMedia:GooglizationandLimitedCreativity. . . . . . 189 Patrick-YvesBadilloandDominiqueBourgeois Afterword:EmphasizingtheLimits. . . . . . . . . . . . . . . . . . . . . . . . . . . . 205 Contributors Patrick-YvesBadillo UniversityofGeneva,Geneva,Switzerland Mark Banks CAMEo Research Institute for Cultural and Media Economies, UniversityofLeicester,Leicester,UK ValerijaBarada DepartmentofSociology,UniversityofZadar,Zadar,Croatia DominiqueBourgeois UniversityofFribourg,Fribourg,Switzerland VincentBullich GRESEC(GroupedeRechercheSurlesEnjeuxdelaCommuni- cation—ResearchGroupontheChallengesofCommunication,UniversitéGrenoble Alpes,Grenoble,France Edgar Buršić Faculty of Interdisciplinary, Italian and Cultural Studies, Juraj DobrilaUniversityofPula,Pula,Croatia EvangelosChrysagis UniversityofEdinburgh,Edinburgh,Scotland,UK Buršić Edgar Faculty of Interdisciplinary, Italian and Cultural Studies, Juraj DobrilaUniversityofPula,Pula,Croatia NadaEndrissat BernUniversityofAppliedSciences,Bern,Switzerland Cecilia Ghidotti Institute for Media and Creative Industries, Loughborough Uni- versityLondon,London,UK IlyaKiriya NationalResearchUniversityHigherSchool ofEconomics, Moscow, Russia Panos Kompatsiaris National Research University Higher School of Economics, Moscow,Russia Margarita Kuleva National Research University Higher School of Economics, SaintPetersburgh,Russia Bernard Miège Emeritus, Gresec, University Grenoble Alpes, Saint-Martin- d'Hères,France ix x Contributors Yannis Mylonas National Research University Higher School of Economics, Moscow,Russia Jaka Primorac Institute for Development and International Relations, Zagreb, Croatia TatianaRomashko UniversityofJyväskylä,Jyväskylä,Finland Paula Serafini CAMEo Research Institute for Cultural and Media Economies, UniversityofLeicester,Leicester,UK

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209 Pages·2020·3.049 MB·English

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Author:	Ilya Kiriya, Panos Kompatsiaris, Yiannis Mylonas
Publication Year:	2020
ISBN:	2866948
Pages:	209
Language:	English
File Size:	3.049
Format:	PDF
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