The Gateway Arch Tracy Campbell The Gateway Arch a biography New Haven & London frontispiece: “Topping Out” Day, October 28, 1965. Arthur Witman Photographic Collection, State Historical Society of Missouri Research Center–St. Louis. Copyright © 2013 by Tracy Campbell. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail [email protected] (U.S. office) or [email protected] (U.K. office). Set in Janson type by Integrated Publishing Solutions. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Campbell, Tracy, 1962– The Gateway Arch: a biography / Tracy Campbell. pages cm. — (Icons of America) Includes bibliographical references and index. ISBN 978-0-300-16949-2 (cloth : alkaline paper) 1. Gateway Arch (Saint Louis, Mo.)—History. 2. Saint Louis (Mo.)—Buildings, structures, etc. 3. Arches—Missouri—Saint Louis— Design and construction. I. Title. F474.S265G372 2013 977.8'65—dc23 2012045255 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 Icons of America Mark Crispin Miller, Series Editor Icons of America is a series of short works written by leading scholars, critics, and writers, each of whom tells a new and innovative story about American history and culture through the lens of a single iconic individual, event, object, or cultural phenomenon. The Statue of Liberty: A Transatlantic Story, by Edward Berenson The Hollywood Sign: Fantasy and Reality of an American Icon, by Leo Braudy Joe DiMaggio: The Long Vigil, by Jerome Charyn The Big House: Image and Reality of the American Prison, by Stephen Cox Andy Warhol, by Arthur C. Danto Our Hero: Superman on Earth, by Tom De Haven Fred Astaire, by Joseph Epstein Wall Street: America’s Dream Palace, by Steve Fraser No Such Thing as Silence: John Cage’s 4′33″, by Kyle Gann Frankly, My Dear: Gone with the Wind Revisited, by Molly Haskell Alger Hiss and the Battle for History, by Susan Jacoby Nearest Thing to Heaven: The Empire State Building and American Dreams, by Mark Kingwell Unwarranted Influence: Dwight D. Eisenhower and the Military-Industrial Complex, by James Ledbetter The Liberty Bell, by Gary Nash The Hamburger: A History, by Josh Ozersky Gypsy: The Art of the Tease, by Rachel Shteir King’s Dream, by Eric J. Sundquist Jackson Pollock, by Evelyn Toynton Inventing a Nation: Washington, Adams, Jefferson, by Gore Vidal Bob Dylan: Like a Complete Unknown, by David Yaffe Small Wonder: The Little Red Schoolhouse in History and Memory, by Jonathan Zimmerman To the memory of Shearer Davis Bowman Contents Acknowledgments ix Introduction: Saarinen’s Cathedral 1 one The New York of the West 8 two Getting Things Done 25 three The St. Louis Municipal Parking Lot 44 four A Peculiarly Happy Form 61 five The Architect 87 Contents six The Laughingstock of the World 109 seven “Got It Made” 125 eight Expendable Culture 146 nine Symbol and Symptom 161 Notes 175 Bibliography 199 Index 211 viii Acknowledgments I am grateful for the assistance provided by a host of people who work in the following libraries and archives: The State Historical Society of Missouri at the University of Missouri–Columbia; the Cranbrook Archives; the Archives of American Art at the Smith- sonian; the College of Wooster; the State Historical Society of Missouri Research Center, University of Missouri–St. Louis; the Missouri History Museum; the University of Kentucky; and the Jef- ferson National Expansion Memorial Archives. I especially thank Sonya Rooney of Special Collections at Washington University in St. Louis and Laura Tatum, formerly of the Archives and Manu- scripts Department at Yale University Library, for their help. Roger Griffin of Oxford Brookes University kindly worked on my behalf to obtain the image of the Adalberto Libera arch. Pierluigi Serraino, AIA, generously shared Saarinen interview materials conducted in 1959 by the Institute of Personality Assessment and Research. My agent, John W. Wright, is a steadfast friend who believed in this project from the very beginning. My thanks to Jaya Aninda ix
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