T T T a Tim Waterman studied landscape The Fundamentals of Landscape i h i n Other architecture titles architecture in the United States at the Architecture provides an introduction to the m W e F m W ot oraf ningtee irnecsltu idne A:VA’s Academia University of Idaho and went on to become basic premises and functions of this broad a u a h a Master of Landscape Architecture at field. From climate change to sustainable t n t e The Visual Dictionary of the Rhode Island School of Design. His communities, landscape architecture is at e d e r Architecture r a r primary interest is in urbanism, especially the forefront of today’s most crucial issues. m m m i The Visual Dictionary of Interior how individuals use their imaginations to It serves as a guide to the many a e a n Architecture form a comprehensible image of the city. specialisations within landscape n n n t The Fundamentals of Architecture t He has had a restless background as a architecture, such as landscape strategy a h The Fundamentals of and urban design. l e Interior Architecture writer, artist, community activist and s A now urbanist. He has lived all over the This book explains the process of designing o v Basics Architecture: US and Europe and this has shaped his for sites, including historical precedents, f a Representational Techniques passion for landscapes. He now lives and evolving philosophies and how a project L A Basics Architecture: works in London, where he has worked moves from concept to design and finally, a c Construction and Materiality n on numerous large-scale strategic and to realisation. This book will be valuable d a Basics Landscape Architecture: master planning projects. Tim lectures for young adults making career choices, s d Urban Design c e in landscape architecture at the Writtle design students in foundation courses, a m Basics Interior Architecture: School of Design. and professionals of all types seeking to p i Form and Structure gain a better understanding of landscape e a Basics Interior Architecture: architecture as it gains importance and A r AOT s Context and Environment prominence internationally. e c RFH h r Basics Interior Architecture: i C LE i Drawing out the Interior t e H e AF s c I . NU t . T u DN . r E e SD C CA T AM U PE R EN ISBN13: 978-2-940373-91-8 E ava publishing sa T [email protected] A www.avabooks.ch L S 9 782940 373918 £19.95 CCCCoooovvvveeeerrrr 00001111222233333333__..iinnCCdd22dd..ii nn dd22dd 11 3333////113333//00//009999 11 3311::::00114488::::44221155 PPAAMMMM UK JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 21nstd PPrrooooff Page:cover T I M W A T E R M A N ALT RAH CNE HD F IS U TC N EA D C P A TE M U E R N E T A L S O F 000000001111----111199992222 00001111222233333333____CCCC3333....iiiinnnndddddddd 1111 3333////22227777////00009999 4444::::11113333::::22333377 PPPPMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 22nndd PPrrooooff PPaaggee::11 An AVA Book Design by Anne Odling-Smee, O-SB Design Published by AVA Publishing SA Rue des Fontenailles 16 Cover image by Latz + Partner Case Postale 1000 Lausanne 6 Production by Switzerland AVA Book Production Pte. Ltd Tel: +41 786 005 109 Singapore Email: [email protected] Tel: +65 6334 8173 Fax: +65 6259 9830 Distributed by Thames & Hudson Email: [email protected] (ex-North America) 181a High Holborn All reasonable attempts have been made London WC1V 7QX to trace, clear and credit the copyright Tel: +44 20 7845 5000 holders of the images reproduced in this Fax: +44 20 7845 5055 book. However, if any credits have been Email: [email protected] inadvertently omitted, the publisher will www.thamesandhudson.com endeavour to incorporate amendments in future editions. Distributed in the USA & Canada by: Ingram Publisher Services Inc 1 Ingram Blvd La Vergne, TN 37086 USA Tel: +1 866 400 5351 Fax: +1 800 838 1149 Email: customer.service@ ingrampublisherservices.com English Language Support Office AVA Publishing (UK) Ltd Tel: +44 1903 204 455 Email: [email protected] © AVA Publishing SA 2009 All rights reserved. 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ISBN 978-2-940373-91-8 10 9 8 7 6 5 4 3 2 1 000000001111----111199992222 00001111222233333333....iiiinnnndddddddd 2222 2222////5555////00009999 11110000::::55550000::::33223300 AAAAMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 11sstt PPrrooooff PPaaggee::22 THE FUNDAMENTALS OF LANDSCAPE ARCHITECTURE TIM WATERMAN 000000001111----111199992222 00001111222233333333....iiiinnnndddddddd 3333 2222////5555////00009999 11110000::::55550000::::33223300 AAAAMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 11sstt PPrrooooff PPaaggee::33 1 2 3 HISTORY AND IDEAS 12 SITE AND CONTEXT 50 INHABITING THE LANDSCAPE 84 Yesterday and today 14 Landscape: site and context 52 Site planning and development 86 Before the ancient world 16 Climate 58 The view of the landscape 92 The ancient world 22 Land 64 Landscape planting 96 The Middle Ages 26 Water 68 Flow: circulation and access 100 The Renaissance and baroque 30 Plants 72 Structures and habitation 104 The nineteenth century 38 Topography 76 Community planning 108 The twentieth century 42 Landscape character 80 Millennial landscapes 48 How to get the most out of 6 Conclusion 180 this book Glossary 182 Introduction 8 Contacts and useful resources 186 Bibliography 189 Index 190 Acknowledgements and 192 picture credits Working with ethics 193 000000001111----111199992222 00001111222233333333__..iinnCCdd22dd..ii nn dd44dd 44 2233//55//11//00//009999 11 3300::::11554400::::55228800 PPAAMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 12sntd PPrroooof f PPaaggee::44 4 5 6 REPRESENTATION 112 THE ANATOMY OF A PROJECT 140 CAREERS 164 The sketch 114 The Coventry Phoenix Initiative 142 Design and vision 166 Orthographic projection 118 The project timeline 144 Planning the landscape 168 Perspective 122 1. Brief 146 Management and 3D images 124 2. Concept 148 conservation 170 Models 126 3. Analysis 150 Historic conservation 172 Computer-aided design (CAD) 130 4. Synthesis 152 The science of landscape 174 Storyboards 132 5. Detail development 158 Cities and towns 176 The moving image 134 6. Construction 160 Gardens and parks 178 Presentation 136 7. Maturation 162 The portfolio 138 000000001111----111199992222 00001111222233333333__..iinnCCdd22dd..ii nn dd55dd 55 2233//55//11//00//009999 11 3300::::11554400::::55229900 PPAAMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 12sntd PPrroooof f PPaaggee::55 HOW TO GET THE MOST OUT OF THIS BOOK 6 3 84 INHABITING THE LANDSCAPE Construction of Ken Smith’s 85 Museum of Modern Art Roof When we live in a place, make a home in it, GThaer dtreann, sNfoerwm Yaotriokn from a a permanent investment, we are said to ftehaattu craepletusrse esx tphaen ismea tgoi an aptliaocne. inhabit it. A good place is one in which we feel comfortable, that fits us like a K pair of worn jeans. Landscape architects OO don’t merely make photogenic or sculptural S B dsepsaicgens.e dT hfeoyr mlaivkein lga nind,s caanpde osf ttheant t ahree I resulting designs are hardly noticeable. H Like that pair of jeans, they might not even T be noticed unless they’re mentioned. F O T U O T S O M E H T T E G O T W O H Images Photographs, diagrams and illustrations from an array of professional practices bring the text to life. Chapter introductions Captions Provide a brief outline of the key Supply contextual information concepts and ideas that the chapter about the images and help connect will explore. the visuals with those key concepts discussed in the body copy. 000000001111----111199992222 00001111222233333333..__iinnCCdd22dd..ii nn dd66dd 66 2233//55//22//00//009999 11 4400::::00559900::::44442299 PPAAMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 21nstd PPrrooooff PPaaggee::66 7 ORTHOGRAPHIC PROJECTION Section drawings These simple sections show terraces being built. The dump truck in the image helps establish scale. 118 Oprrothdougcrinagp hai ‘ct rpureo’j erecptiroens eisn mtaetaiosnu oref da dsirtaew ing SCALE 119 otgreeercp nohrbeenrjseaiceclalntyl tt mdahrtaeaitoaw innsi ns ot ogfc a .rs Oe ctahrattrlhieeno.eg Ig-t ard ia sitmp wahelosin-cods p ciimroaonlejlaeenlcd sst iiiootenn ao lr paTtrhrhnaeeondy gdfa euwor cloeoel ufi ol dnswdrtc iabeanwnelgi dea nssepg cdapsa lno loindefe lts ydph . arte reTo sesh gi eemiznsevetere a oe staflci yfaso eilineten loesdir itw ncmoogaa uw tfplhio dsivr ice tz,hhe .e 4. REPRESENTATION|| THE SKETCH« ORTHOGRAPHIC PROJECTION »PERSPECTIVE odsehohilAotelaoSmoihonnrbrranCaeo so Aett ocjecasrtdAtehhke i hhbio ewgp Lzcwsgioocnaux jiolEteeinggtneahatigtnn. locrrechan eec tBttaasntrtr h remattii,pp,ut yeso hi erhlwrjs ihh e sunpaedtlyae diiinha.ss io lr ccik ptglIeg ate ts t vwancpplh rh o wlaeiatrsooitrrtotfkwernpiioo ,wn d-ontaa e sfjjptodisoneeg o nch epa eiuipwc c.nlamdeax r allsIltto loatn tbhatwrii le swoojitcpws oniaecnhlisnnt ldviieoetocsla nce.she ytsn it iecospgt.h o a. wt i eeft rwTt nhnino hnihsb hhmateadifes rtreet ec lseoshe tah rrpm c?rvmiuaesoretluu eHaye gduee aavrcr nch .tateanoiynt eyIt as’it arttds o.opiwe hun nsos P bnhhe eryde hb lajtsoeos a errdhojs l dw esafoncidiwierntis cwfts moi etsh nt ta ioim o t nagpn rbrg l aatedusin o i l nd. pmo1m1111111111,ri0::::::::::eiu I1g11111n225550cc,,:00,h 0000 1e0o00h0 0,,00t,00 r 000 ,0 o tmbd000000if0m,e ,e000 op000, 0rure0a00. et s0sA00po e ‘0 se zsf dmoriit,t fo elNEABGCCCCWaaoamii ucueoaool arlnlttrirsrtuu aetaeyyldgo udnn rsrtd dpahpettsg phht- rlbenyrceaheeoo yo ar lsa sus ujktipenirctetzec’ healr es itoa lfo cecoerna cod os l htvfeioze i1st era:e 1is, nc s,au0gttncsa0 ahd no0 satfd wihtsgaeio nr1snud: is 2ful-idc0scsa 0ibaezl n eee t d attrfchaetfSAotoehhiayrnbn Eu tbsepnrteetjsC m euhoeiap d eunsoTcanectaseeirbgIetrtrnt neonoi jeO ds otoaea pscft h N nfengtc nh yldiraSue nna t toasrtins.r hlmc oam thalaB oueac wdo slede urp sasepwii.eecminnp nisHootsasagte ienspi iotgeutmsga ii lhiwnrotns ynnraeiae fe igoep mrn dtsg p ehnvorhtgc iaoooeh ,enfec h o knwprlrtia oo,egmenhe orearpomhe irysapar slkvte- a ae hnat siepdtcnhnl to netrslaitgtsamaotpiel negeyi tn sar-cmred h xr pd.tranip ne tnrIeewrolst,aldso t r sowet iieioieupdshglorsnnin ceotpehcnasd h edrvyteate ateths si wdnllwieti de n eoohstotwnoa.h nifpgrowas, -doeear ttl noi h u dhcttn uoegoo,ee nrh nsay d , pvsaSS‘pteeeltaeohheevllbsEireleeoceeiree cCocntmvtky srvthpTvtuca iiyeaiineeoelIrinotta pte oyginnOhgnfionl oob t Nworeii dne nnsnorjtf sreo,lmEh g ust eota hauchLa h’navn,waotsl Eateabddpsetw iaiVt itne , spsdv id iA efbnggsio eeapoitTvr ui enea.awln reeI nlcAtso r irpOic dwoitna,l, jng lt ieeNitow lo irisosg strcSosfeneihhso otthlnbc leqep odd e rb.etsn duewi rlTxlhenhya a ecahsu li koewonnotnicep miwlniwddctvie nwanl ee smpt.ynttpgah ,cho ldot p eryw–ea ohrttd an cpah shelowsritaweee inne.sscil tAeeia ndllahnnhey, lritms o egsd cbct asethmt.a heu i alcTmzon iitenttnhes eibenecsoeecrete ny ooest , unfl y r al The Fundamentals of Landscape Architecture ndscape Architecture Scale is the medium through which it is possible area, such as a large housing development. Maps dimensional, measured technical drawing are pictured in exact scale regardless of their a to create orthographic projections. It is generally zoom out even further. The city of Florence can showing the distances between these elements. distance from the section line. Section elevations L epfuxrlopl-drseuiszcseee dadi dm arsea naw sfiniroagnc astti oo afn sa opnre oacb rifjaeictci oftr.. a AItc sitsico uansle oe dfd tr thaowe ing bItea lwy emlli gchotv enreeedd a at sthcea lsec oafl e1: o1f,0 10:102,0,50000. , but all of Bssheecogtwiinosnn oi ninsgl yt wh teihtnho s paer so eijmleecpmtleeed nli tunspe tw ohnaar ttd hasep. ppAel saaenrc ,p atri oenci sely caannd parroev viedrey a u vseerfyu cl foomr tpelesttein igm daegseig onf sa. project, s of awrath tlieiofre eo saf i1sz: ea2 w dorroa 1uw l/di 2n b.g e a att h aa slfc laiflee soifz 1e: 1w ooru 1ld / b1e, at a PAonL p AtlahNneS rseuprrfaecsee notfs t hthee g sroituen ads, irte isg imsteearisnugr ethde ooelrne p tmheerasntp ltisen cseth.i Avoe ws. enSc eotcniot aino pdnlosa enas ra enr uoe tsi nse hfauoplwp tor ao vnpeyrr idiafetyep t thha t ntal horizontal distances between objects. It is a two- human scale, especially when people are e dimensional measured technical drawing. Plans included in the drawing. It can be particularly m abdreuest ieagxrnce ei utlssleeunlaft.l lBtyoe vocelasr uyf ospreo c toohrm etoym oplulsan fciocera t tthhineeg v w iaeo dwreke sori fign n , hionre pvlpaafrruiaell dlteo tl o,s pphaoorwgtri aac pushleayrri.le Tysh w oehf s eserereci etthiso ebnrusei tlidsh srino uutpeg rahe sat sinitge nda u F e h T Box outs Colour coding Contain more detailed and contextual Denotes the chapter. information about those landscape architects or practices that are referred to in the body copy. Navigation Diagrams Chapter navigation helps you Help to explain landscape determine which chapter unit you architectural theory and concepts in are in and what the preceding and more detail. following sections are. 000000001111----111199992222 00001111222233333333____CCCC3322....iiiinnnndddddddd 7777 3333//11//2233////00009999 4433::::00559988::::44224466 PPPPMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 23nrdd PPrrooooff PPaaggee::77 INTRODUCTION climate and ecology. It also includes a knowledge 8 ‘ If there’s sky, it’s mine.’ of structures and how they are built, such as Kathryn Gustafson, roads and bridges, walls, paving and even the Landscape architect occasional building. Landscape architects are broad thinkers who thrive on the big picture. Landscape architects are playing an increasingly important role in solving the great WHAT IS LANDSCAPE ARCHITECTURE? N issues of our day, such as dealing with climate O When asked where landscape architects work, TI change and providing sustainable communities. C many people might point out their back door to U They are working on urban regeneration OD the garden. It would be more accurate, however, R and master-planning projects, tackling T to look out the front door. The landscape is IN environmental hazards, designing Olympic anywhere and everywhere outdoors, and sites, and creating the public squares, parks and landscape architects are shaping the face of streets we all use. the Earth across cities, towns and countryside Landscape architecture is increasingly a field alike. Landscape architecture involves shaping that requires natural leaders who can utilise their and managing the physical world and the natural wide-ranging knowledge to lead large projects. systems that we inhabit. Landscape architects It still, however, provides plenty of opportunities do design gardens, but what is critical is that the to make a substantial difference on a smaller garden, or any other outdoor space, is seen in scale as well. It is simply not possible to give context. All living things are interdependent, and a satisfactory short definition of landscape the landscape is where they all come together. architecture, because of the incredible breadth Context is social, cultural, environmental and of the field – but far from being a shortcoming, historical, amongst other considerations. this is landscape architecture’s great strength. Landscape architects are constantly zooming For those who crave both variety and a challenge, in and out from the details to the big picture to and are curious about everything that makes ensure that balance is maintained. the world go around, a career in landscape Landscape architecture combines art and architecture is ideal. science to make places. The art provides a vision for a landscape, using drawings, models, computer imaging and text. The elements of design, such as line, shape, texture and colour, are used to create these images, and the process allows the designer to both communicate with an audience and to visualise the site in order to act upon it. The science includes an understanding of natural systems, including geology, soils, plants, topography, hydrology, 000000001111----111199992222 00001111222233333333__..iinnCCdd22dd..ii nn dd88dd 88 2233//55//11//00//009999 11 3300::::11559933::::44009999 PPAAMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 12sntd PPrroooof f PPaaggee::88 Fresh Kills Lifescape, Staten Island, New York, Field Operations, 2001–2005 Fresh Kills is an artificial topography created by half a century’s worth of New York garbage. It shows the great range of landscape architecture in one project, from the need to mitigate pollution, clean groundwater and trap escaping methane while creating a public park for people and wildlife. 9 e ur ct e hit c r A e p a c s d n a L of s al nt e m a d n u F WHERE DO LANDSCAPE ARCHITECTS WORK? e h T Landscape architects work within an incredibly Historic places – historic monuments, diverse number of places. Anywhere humans heritage landscapes, historic urban areas have a hand in shaping the landscape, you may Scholarly places – universities, botanic find a landscape architect at work. Some may gardens, arboreta specialise in a specific area, but many will have Contemplative places – healing gardens, sensory the opportunity to work with a wide variety of gardens, cemeteries fields over the course of a career. Productive places – community gardens, storm water management, agricultural land Everyday places – schoolyards, parks, streets Industrial places – factories and industrial Monumental places – Olympic campuses, grand development, mining and mine reclamation, public squares, waterfront developments reservoirs and hydroelectric installations Play places – resorts, golf courses, playgrounds, Travel places – highways, transportation theme or amusement parks corridors and structures, bridges Natural places – national parks, wetlands, The entire place – new towns, urban regeneration forests, environmental preserves and housing projects Private places – gardens, courtyards, corporate campuses, science or industrial parks 000000001111----111199992222 00001111222233333333..__iinnCCdd22dd..ii nn dd99dd 99 2233////5522////00009999 11110011::::55444411::::55550033 AAAAMMMM JJoobb::0011223333 TTiittllee:: TThhee FFuunnddaammeennttaallss ooff LLaannddssccaappee AArrcchhiitteeccttuurree ((AAVVAA)) 21nstd PPrrooooff PPaaggee::99
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