THE FLAGELLATION OF CHRIST: A STUDY IN I<30 NO GRAPH Y by Paul David Running A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, In the Department of Art, in the Graduate College of the State University of Iowa August, 1951 ProQuest Number: 10310988 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10310988 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106 - 1346 ACKNOWLTOGI^EHTS I wish to thank Dr* Longman, as well as the other members of th© faculty and staff who have been my mentors, and ©specially Dr* Heckscher, who has guided m© in the preparation of this dissertation* ii FORWARD The research for this dissertation was begun as a study of the Hew Testament Illustrations in the ninth century Utrecht Psalter* After a period of time thus engaged, and with the counsel of Dr* Heckscher, it was decided to shift the consideration to a single Gos pel theme, the Flagellation of Christ, at the same time broadening the scop© to Include its representation in western art through the period of the Renaissance* A survey of the subject undertaken in connection with the Utrecht Psalter example, had convinced me that there were numerous iconographical aspects yet to b© explored* I feel that my investigations have been rewarded with a not unprofitable harvest, the recording of which I hop© may prove useful to other students of Christian iconog raphy* Included as an appendix is a brief discussion of the iconography of a related topic, Christ at the Column, which I believe is often falsely interpreted as Christ at th© column of His Flagellation* TABLE OP CONTENTS Chapter Page INTRO DUCT ION.......... ....................... 1 I THE SETTING FOR THE FLAGELLATION OP CHRIST... 15 THE TIME OF DAY.......... 15 THE TIME OF YEAR........................ 16 THE PRAETORIUM OF PONTIUS PILATE....... 18 PILATE*S THRONE, THE STONES OF JUDGE MENT, AND OTHER DETAILS.............. 31 II THE ATTENDANT FIGURES IN CHRIST’S FLAGELLA TION............. 38 PILATE, AND THE SCOURGERS....... 38 CONVENERUNT IN (JNTOS..................... 54 THE VIRGIN MARY, JOHN, AND OTHER SAINTS. 58 OTHER FIGURES IN THE SCOURGING......... 61 III THE INSTRUMENTS OF THE SCOURGING............ 64 THE COLUMN.............................. 64 ROD, SCOT/RGB, AND SWITCH...... 05 IV THE FIGURE OB’ CHRIST IN FLAGELLATION ICON OGRAPHY.................................... 91 HIS NUDITY.............................. 91 THE INFLUENCE OF GREGORY*S CHRIST...... 95 HIS BLOOD AND WOUNDS.................... lOO CONCIBSIQNt THE STUDY IN RETROSPECT......... 110 tv Page FOOTNOTES....... 112 ILLUSTRATIONS............................... 146 APPENDIX,............... ......... 225 APPENDIX FOOTNOTES. .................. 231 BIBLIOGRAPHY................................ 234 INDEX OF ARTISTS............................ 252 TABLE OF ILLUSTRATIONS Figure Fag© 1* Utrecht; Psalter* Detail of illustration for the Canticle of Habacac* oa« 832~83S. ••••**•••••• 1)46 2* Utrecht Psalter* Detail of illustration for Psalm 25, ca. 832-3S*............. •••II46 3* Utrecht Psalter* Detail of Illustration for Psalm 21, ca* 832-835. ....... . * )? 1 4 U* Guido d© Siena, The Fla&&11ation of Christ* Altenburg Museum, & a rly "X jStii' cent u ry * .... ***** lif? 5. Christ Carrying the 0roa3 , Christ Crowned* Guarcis' vfatcSlnK at"*tne 'FoWo» Chris't;~ni3e?or© F'XIate* roarcophagus7"Xateran. aearn,' "Jitii century ««*••*••••••••*•«•**••**•*•*«•••*• * * llj.8 6* Two of the thirty statues of the king found in the tomb of Tut-ankh-amen * Egypt, Hew Empire ***** lij.8 7* The Crowning with rhorns» Fresco, Cimitero di Fretestato, Home , 2nd century* * * *.......... Xh9 8* The Thrashing of a, Slave* Greek Phlyakes Vase, Berlin, 1 ate i|.th ’or'’early 3rd century*...... *li,t9 9* Overseer, Prisoner, Old Woman* Greek Phlyakes W se , "MetropoXItan Museum, ca. J4.OO B*C* ********* *150 10* Junius B&ssus Sarcophagus* Home, Crypt of St* Peter*s, ca* 300 A.*D ....... *150 11* Floor plan of the Church of St* Zion, or The Cenacl©, in Jerusalem* Modern copy from a 3©da Codex in Namur, 9th century* *............ 151 12# Detail from plan of Jerusalem, ca* Xl80* Mod- m m drawing of a lljth or 15th century copy....... 151 vi Figure Pag® 13. Flan of Jerusalem* Modern drawing from the original in Munich, K&aigl* Bibliothek, Cod* iconogr* 172, second half of l£th century* •••****152 llj.* A 16th century sketch of the stag© for the l£th century Donaueschlngen mystery play*••«*•«**152 15* Stag© for the Mystere d© la Passion from Valenciennes, 1 5 after a miniature by Hubert Caillaau and Jacquew d© Mobiles. Biblioth&que du Baron James de Rothschild*•••••*••*•*••***.*.*153 16* The Passion of Christ* From Biblia d© F&rfa, Rome", Vatican Library, Cod* Lat* 5729, fol* 369v * » 10th century * «•*•«•••••«•*•#**••••••*••*•* 153 17. The Fla gellation of Christ* from the bron&© 'doors "of "the ' ciiurcH "of" 'San Zeno, Vefona, llth century. ..... l$k 18* Jesus Led before P Hate and The F la ye 1 lat ion * Baae relief from the portal of St* Gilies- du-Gard, last quarter of 12th century * * * * * ...... 154 19* (L) The 0rownfoB with Thorns * (R) The Flare l-» lation* Santla goncle" "0ompostella, Tympanum of the Tpuerta do las Platerlas, 1103•»*•#**••••••••• 155 20* The Flagellation of Christ* Ivory carving, Sn©yd Colleetion, 3ritlsh^Musourn, X2th century*•*155 21* The Flagellation of Christ and The Visit to the Tomb* From the crucifix of Guill'iejLmus aTSBlnza, **.....*...... *..... 1138 **.156 22* Villard d© Ho rrnecourt, Sketches for The Flagellation of Christ* 13th century* »••*••*•••• .156 3* The Mocking of Christ and Flagellation of Christ* 2 DetaiIs from a French tvory '&Iptych, BerTin, Kaiser Friedrich Museum, end of 13th century* •*• *157 24* Bonmont Psalter, The FI ago Hat Ion of Christ* Middle-Rhenish, Besancon, ca* 12 50-1300*.* * * *•* * *157 vii Figure Page 25* Thm Flagellation of Christ* Breviary of King Ren© d© LorraTne ' "(XrS©nal no# oOl) , li+th century# • •••«»•*•••**•••,••**,* « *#158 26, The Flagellation of Christ# Panel from re t able of M or'w 1 c h Cathedral, ca# llj-OG* .... .158 27* Israel van Meckenom, The Christ of St# Gregory the Great# Engraving, Cabinetmd©s Estampes, 3#H# , second half 15 th century# * *...... 159 fFlagellation of Christ# Miniature from IK© Pe111es"lleu'res du'^uc'^de Berry*•*****#*•••*•« 160 ^9* Flagellation of Christ# Detail from a French ivory" 'd'lptych," "Paris, Gran jean Col lection, second half of llpth century# ...... 160 3-0# The Arrest of Christ, The FlagellqitIon of Christ, ffSr1aE 0arry%3jg~11'¥K~Cross»'r£ e f ' slet© of the Pamient of iiarbonne, Louvre, ca* 137^** • * * * *l6l 31# Pol d© Limbourg and brothers, The Plage 1- lat Ion of Christ# From the Tree Riches Heures du Suede Berry"j»' 11-^.0 9**ll|l6*•••##*«»••***#*•••**••••*' 16 1 32* The Flagellation of Christ# Detail from altar panel "f rom Hes7 0rway, Bergen Museum, li^th century* ***#**,#•••»#••*•«##.•#•••••••»**••• 162 33* The Flagellation and Crucifixlon of Christ* Details from "a French’ ivory" diptych,’New York, Metropolitan Museum, middle of 15th century#••» * .163 3iu Duccio* The Flagellation of Christ* Siena, early l^tlTcHnturyTTTTTT.77.777777........ l6i>_ 35* Bottega of Turone, The Flagellation of Christ* Verona, Muaeo Civico, lljth century# * . . # *........ #loh 36. Ghiberti, The FIigellatlon of Christ * Panel from the Borth Doors {cleaned)'7 'Florenc© Bapistry, ca* llj.19-25* viii Figure Pag© 37 * Donatello (attributed to), The Flagellation of Christ. Drawing, Florence, tiff Izi ..... . 165 38* Donatello (attributed to), The Flagellation, of Christ» Marble relief, Berlin, Kaiser Friedrich Museum, ca* lU35* .....•............. 166 39* Donatello, Christ before Pilate. Detail of Morth pulpit, San Eoronzo," "Florence, ca* lI|6o. . *. 166 4o. Fra Angelico, The Flagellation of Christ, Formerly in S. Annunzlato, Florence, now in Academy, * ........ 167 4l* S&ssetta, The Fla go Hat 1 on of Christ, flanked, by The Maa^yrdpjp1'"of a'T'emale Saint"' "and St. Je rome .r n'A pre<f© lia . Bos ■£on , ""Mu s©urn of PTn© Arts, second quarter 15th century,..,.*....... ,,.167 42 m Workshop of Piero della Francesca, The Fla zze Ilat Ion of Christ. From the prad© 11a of 7 1©2*0 'deITaTPrancIscaTs Ma&onna della Mlseri- cordla, ca, l445~l4$0.* *•* *•.• • 1 6 8 43* Piero della Francesca, The Flagellation of Christ, U rb ino , ca, ’S455~i4So* ,» . # * • ..***•••* .168 44* Piero della Francesca, The- Fiage 11ation of Christ. D© tail, £J rb ino , ca , I455-14SG-. ,169 45* Piero della Francesca, Sjt. August in©. The panels on the cope are studio work..... ,170 46. The Plage Hat ion of Christ. Florentine engraving, ca. 1475-i4£0,*••*•.••*••••«.,*•..«•*,171 47* Antonio Pollaiuolo, Ten Nudes Fight Ing for the Chain. Engraving, last quarter 'of'' ifTfch century.« ,1?1 48* Signorelli, The Flugellat ion of Christ. Early 16th century * .... 172 ix