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The David Story: A Translation With Commentary of 1 and 2 Samuel PDF

450 Pages·1999·7.09 MB·English
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Preview The David Story: A Translation With Commentary of 1 and 2 Samuel

THE DAVID S T O RY A L SO BY R O B E RT A L T ER GENESIS: TRANSLATION AND COMMENTARY HEBREW AND MODERNITY THE WORLD OF BIBLICAL LITERATURE NECESSARY ANGELS: TRADITION AND MODERNITY IN KAFKA, BENJAMIN, AND SCHOLEM THE PLEASURES OF READING IN AN IDEOLOGICAL AGE THE LITERARY GUIDE TO THE BIBLE (coeditor with Frank Kermode) THE INVENTION OF HEBREW PROSE THE ART OF BIBLICAL POETRY MOTIVES FOR FICTION THE ART OF BIBLICAL NARRATIVE A LION FOR LOVE: A CRITICAL BIOGRAPHY OF STENDHAL DEFENSES OF THE IMAGINATION PARTIAL MAGIC: THE NOVEL AS SELF-CONSCIOUS GENRE MODERN HEBREW LITERATURE AFTER THE TRADITION FIELDING AND THE NATURE OF THE NOVEL ROGUE'S PROGRESS: STUDIES IN THE PICARESQUE NOVEL THE DAVID STORY A TRANSLATION WITH COMMENTARY OF 1 AND 2 SAMUEL R O B E RT A L T ER W W- NORTON & COMPANY, INC NEW YORK LONDON Copyright © 1999 by Robert Alter All rights reserved Printed in the United States of America First Edition The author gratefully acknowledges permissionf romY ehuda Amichaifbr use of the four-line poem that begins "When Samuel was born. ..." (PATUAH SAGUR PATUAH, Tel Aviv, 1998, p. 34) onp.xv of the Introduction, translation by the author. For information about permission to reproduce selectionsf romt his book, write to Permissions, W. W. Norton & Company, Inc., 500 Fiflh Avenue, New York, NY lono The text of this book is composed in 11/14-5 aru^ 10/12 Fairfield LH Light with the display set in Bodega Serif Light Composition and manufacturing by the Haddon Craftsmen, Inc. Book design by Margaret M. Wagner Library of Congress Cataloging-in-Publication Data Bible. O.T. Samuel. English. Alter. 1999. The David story : a translation with commentary of 1 and 2 Samuel 1 Robert Alter. p. cm. Includes bibliographical references and index. ISBN 0-393-04S03-9 i.Bible. O.T. Samuel—Commentaries. I. Alter, Robert. II. Title. BS1323.A48 1999 222'. 4077—den 99-21116 CIP W. W. Norton & Company, Inc. 500 Fiflh Avenue, New York, N.Y. 10110 www.wwnorton.com W. W. Norton & Company Ltd. 10 Coptic Street, London WCiA iPU '234567890 In memory of Judah M. Eisenberg (1938-1998) Man of science and humane culture Cherished friend of my youth Mt (pilboa HogeXli- . V^eth-sha glletwl 7/l«(iflnaim? * wh-shemtsh I fyUsti^ ; .Qfltk ,· JKnWi ".Är e « \ ^ 3 \ -s if" ieer-Ägbfl H t y y £ s • Sfiiiok CO. principal Sites tomatfoaun v C 'X M_ V. f - of the I Traditional bouhf/arul itfj?^? \oftheTribt(#1}^y(imin/'· ^David Story Kiriath-jömmx,,^ ^.l^S^it />- ^— V - ; • - 'r v \ "1 ·' " L ——-It/,"'.'"r 3D mil« 8etfMfcemetfv" Cfiazaui TO THE READER I. THE STORY OF SAMUEL, SAUL, AND DAVID T lie major sequence that runs, according to the conventional book and Chapter divisions of later editorial traditions, from i Samuel i to i Kings JL is one of the most astounding pieces of narrative that has come down to us from the ancient world. The story of David is probably the great- est single narrative representation in antiquity of a human life evolving by slow stages through time, shaped and altered by the pressures of political life, public institutions, family, the impulses of body and spirit, the eventual sad decay of the flesh. It also provides the most unflinching insight into the cruel processes of history and into human behavior warped by the pursuit of power. And nowhere is the Bible's astringent narrative economy, its ability to define characters and etch revelatory dialogue in a few telling strokes, more brilliantly deployed. It must also be said, after nearly two centuries of excavative scholar- ship, that the precise literary history and authorship of this great narra- tive remain beyond recovery. To specialists who have exercised painstaking analysis in order to expose an intricate patchwork of sources and historical layers in the book as a whole and in most of its episodes, it may seem a provocation or an expression of ignorance to speak at all of the story of Samuel, Saul, and David. Even a reader looking for unity must concede that certain passages are not of a piece with the rest. The most salient of these is the coda placed just before the end of the David story (2 Samuel: 21-24), which comprises mater- ial from four different sources, none of them reflecting the style or per- spective of the David story proper. It may be unwise to think of these disparate passages as intrusions because creating a purposeful collage 1 x

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