T H E C ROW S OF AG R A A BIRBAL MYSTERY S H A R AT H KOM A R R AJ U An imprint of India Book Distributors (Bombay) Limited (cid:27)www.amazingreads.in(cid:27) India Book Distributors (Bombay) Limited Corporate and Editorial Offi ce 1007 – 1008, Arcadia, 195, Nariman Point Mumbai – 400021 Copyright © Sharath Komarraju 2015 ALL RIGHTS RESERVED No part of this book may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, except as may be expressly permitted in writing by the publisher. 978-81-929109-5-6 10 9 8 7 6 5 4 3 2 Typeset in Dante MT Std by R. Ajith Kumar Printed by VSSU GRAPHICS 36 Ideal Industrial Estate, Lower Parel (West) Mumbai – 400013 For Sales Queries: Please contact any branch offi ce of India Book Distributors (Bombay) Limited OFFICES: BENGALURU • CHENNAI • DELHI • HYDERABAD KOLKATA • MUMBAI • PUNE www.ibdwebstore.com For Uncle Mohan Manja and Aunty Shubhalakshmi Manja with love n e d ar G m w oo od edrWin B or o or D m Do Main oo et Outer Wall Living Room Window Bedr oldier & Weapons Cabin Corridor Garden Chambers Tin S en’s M all ater Fountain Garden Gazebo htaP enotS Towards W W d d ar ar y y Garden m Court m Court Garden e e ar ar H H m m m m o o o o o o o o n R R R R n Garde Gulbadan’s Ruqaiya’s Salima’s ham Anga’s Garde a M A NOTE TO THE READER THIS IS A work perhaps best described as historical fi ction, but it makes no claims to being free of inaccuracies. Depending on your knowledge and love of history, you will fi nd a few (or many) details in the book that are inconsistent with known facts of how the Mughals lived. All the characters that populate these pages—though they have names and appearances that resemble the originals— are entirely my creations, and possess motivations and traits that I made up to fulfi l the demands of my tale. They have little historical basis. The architecture and fl oor plans of the harem, Bairam Khan’s chambers and the emperor’s room, as they are described in this book, are products of my imagination. The protagonist, Mahesh Das, who, by the end, earns Akbar’s favour and becomes Birbal, has been drawn straight out of folklore. No historical truths here, either. Some of these liberties are intentional. Many of them are not. I apologize for them all. Maybe I could better persuade you to focus more on the vi A Note to the Reader story than on its historicity by not calling it historical fi ction. Maybe ‘a murder mystery with a historical fl avour’ is more appropriate. Maybe just ‘murder mystery’ is better still. I don’t know. You decide. PROLOGUE BAIRAM KHAN DISMOUNTED his horse. He dragged the body off the saddle onto his shoulders with a grunt. He swayed like a drunk, and it wasn’t because of the weight he was carrying. Bairam Khan had been fighting without food or sleep for three days straight. His right thigh had taken a deep dagger cut on the first day, but he had socked it with a piece of horse hide and carried on fighting. The wound had begun to ooze pus, and every time he took a step, it burned his flesh, making him wince in pain. He tightened his grip on the Hindu infidel. His very blood reeked of blasphemy. The first thing Bairam Khan had done on discovering Hemu in the battlefield was to snatch the locket of idols that hung around the king’s neck and kick it into the dirt. He had wanted to take of his rings too, one by one, with his pocket-knife, but he had resisted. Let the boy take a look at him too, he had thought. Let him see what strange monsters he must battle if he was to become the emperor of Hindustan. Bairam Khan became aware of a faint rising and falling 2 Sharath Komarraju against the back of his neck. Good. The man was still alive. It would serve the boy well to slash Hemu’s throat with his own sword; it would give him the taste of things to come. Bairam Khan did not think it beyond young Akbar’s ability to divest life from a living being; he had seen him hunt down cheetahs with nothing but a spear and a shield. But this was a human being. Would he keep his nerve, or would he, like his father, turn out to be a sheep? With each step, the battle ground of Panipat sank beneath his feet, sometimes squishing into flesh, sometimes cracking against bone. On both sides of his path lay the severed heads of horses, their eyes gouged out. If Bairam Khan could still look up at the yellow rising moon on the horizon and allow himself a smile, it was because such scenes were not new to him. Out of his fifty-four years almost forty had been spent either in battle or in preparation for it. He knew enough about the nature of war to feel sorry for those whose lives had been lost. The good thing was that it was over now. Yes, from tomorrow it would all be back to normal—until the next time of course. As evening fell, a murder of crows swooped down upon the corpses, cawing in raucous delight. At the entrance to the emperor’s tent Bairam Khan stood for a moment, watching the shadows move behind the white curtain. He let the lance drop to one side with a thud. The murmurs inside the tent stopped. Bairam Khan rubbed his nose with a bruised hand and announced himself. ‘I have brought the prize, Jahanpanah,’ he said. Akbar’s thin voice returned. ‘Bring him in, Khan Baba.’ The Crows of Agra 3 When they laid Hemu on the carpet and turned him on his back, he appeared to be larger than he was. Bairam Khan stripped him of his armour with three or four deft swings of his knife and cast it aside. He lifted the dying man’s hand and held it up to the light so that Akbar could see the rings on Hemu’s fingers. ‘Idols,’ said Bairam Khan in disgust. ‘These men are pagans. Look at their gods, my king. Is it any wonder that they lost to us, that we have vanquished them even though our numbers are small? We have Allah’s mercy on our wings, whereas these wretches have their rocks looking after them.’ The boy did not seem to look at the hand at all. Instead, his gaze was fixed on the bleeding empty socket where Hemu’s left eye ought to have been, where the arrow that felled him had struck. The fallen king’s chest rose and fell more evenly now, even though blood flowed unhindered from the gash under his chest. Bairam Khan thought he saw a smile flicker on Hemu’s face, but it was just a trick of the shadows cast by the oil lamps. ‘This man is half dead,’ said Akbar. ‘Take him away and let him die in peace.’ Bairam Khan let Hemu’s hand drop and stood face to face with his protégé. He drew his sword and held it out. ‘Take it, my king,’ he said. ‘Kill this infidel and proclaim this war over. Claim your victory. Let your blade taste the blood of your enemy.’ Akbar looked up at him, then at the unconscious man at his feet. ‘There is no honour in killing one who is already dead,’ he said. ‘If I were to claim my victory, I should care 4 Sharath Komarraju for this man, nurse him back to health, and then defeat him in single combat. That would be honour.’ Still a boy, thought Bairam Khan. Emperor only in name. He saw shades of Humayun in this boy—that same false sense of honour and bravado, that furtive darting of the eyes in speech, that weak voice, that flinch and grimace at the sight of human blood. He turned his back on Akbar and placed the sword on Hemu’s neck for all to see. ‘The first thing you need to learn about war, my king,’ he said, ‘is that you never, ever pardon your enemies.’ With that, he raised his weapon and struck down on Hemu’s bare throat, severing the wind pipe and eliciting one last, tired groan from the victim. Bairam Khan knelt and held a finger to Hemu’s nose, and after ascertaining that he was dead, got to his feet. Two more well-aimed strikes severed the Hindu king’s head from his body. ‘Hoist his head to the mast on the battlefield,’ he instructed his soldiers, ‘and let tomorrow be declared a day of prayer and gratitude to Allah for giving us this victory.’ He turned to Akbar and presented him his sword. ‘The kingdom of Hindustan is now yours, Jahanpanah,’ he said. But he thought: he’s just a boy.
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