THE AUDIOPHILE’S PROJECT SOURCEBOOK THE AUDIOPHILE’S PROJECT SOURCEBOOK G. Randy Slone Copyright © 2002 by The McGraw-Hill Companies, Inc. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. ISBN: 978-0-07170622-3 MHID: 0-07-1706224 The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-137929-8, MHID: 0-07-137929-0. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. 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THE WORK IS PROVIDED “AS IS.” McGRAW-HILL AND ITS LICENSORS MAKE NO GUARANTEES OR WARRANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM USING THE WORK, INCLUDING ANY INFORMATION THAT CAN BE ACCESSED THROUGH THE WORK VIA HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. McGraw-Hill and its licensors do not warrant or guarantee that the functions contained in the work will meet your requirements or that its operation will be uninterrupted or error free. Neither McGraw-Hill nor its licensors shall be liable to you or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting therefrom. McGraw-Hill has no responsibility for the content of any information accessed through the work. Under no circumstances shall McGraw-Hill and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages. This limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise. CONTENTS Preface Acknowledgments Chapter 1 Establishing the Basics The Psychological Tie Between Sound and the Human Mind Why Audio Electronics? The Goal of High-Performance Audio Equipment Harmonic Distortion What About Intermodulation Distortion? Noise Frequency Response (Bandwidth) Slew Rate Phase Considerations Additive Effects in Audio Systems A Final Word on Performance Safety Considerations Chapter 2 Beginning at the Beginning To Balun or not to Balun? That Is the Question! Solid-State Balun Variations Jumping from the Pot onto the Step Ladder Chapter 3 Audio Preamplifier Systems Passive Preamplifiers in an Active World Conventional Preamplifier Systems Chapter 4 Audio Filter Circuits Domestic Hi-Fi Considerations Professional Considerations Audio Filter Circuit Projects Chapter 5 Headphone Amplifiers Why Listen to Music through Headphones? Generalities of Headphone Systems Headphone Amplifier Projects Chapter 6 Audio Power Amplifiers Audio Power Amplifier Performance Goals Audio Power Amplifier Classes Vacuum Tube Power Amplifiers versus Solid-State Power Amplifiers Audio Power Amplifier Fundamentals Audio Power Amplifier Cookbook Designs Bias Adjustment Without the Use of a Distortion Analyzer Some Final Thoughts on Audio Power Amplifier Construction Chapter 7 Power Supplies Power Supplies for Audio Power Amplifiers An Evaluation of the Three Main Types of Power Amplifier Power Supplies Choosing a Power Supply Type for an Audio Power Amplifier Application Power Transformer Considerations Transformer EMI Problems Rectification Power Supply Fusing Reservoir Capacitors Typical Power Supply Designs for Audio Power Amplifiers Power Supply Calculations Power Supplies for Signal-Processing Applications Chapter 8 Protection Circuits DC and Transient Speaker Protection Soft-Start Circuits Clip Detection Circuits Chapter 9 Miscellaneous Audio Circuits Display Circuits Phase Control Delay Effects Chapter 10 General Construction Information Hum, Noise, and Grounding Considerations General Wiring Considerations Printed Circuit Board Construction Techniques Making Printed Circuit Boards by Hand Making Printed Circuit Boards by Computer/Photographic Methods Heatsinks Project Enclosures Appendix A Audio Electronics Terminology Appendix B Sources of Information and Materials Appendix C PC Board Artwork Index PREFACE The Audiophile’s Project Sourcebook is intended for electronics hobbyists and audiophiles who enjoy constructing their own “high-end” audio equipment, and who also desire a more complete understanding of the fundamentals involved with audio design. In addition, the information contained in this book will equip audio enthusiasts with the practical knowledge for experimentation and modifications to existing audio equipment, as well as clarifying issues of application compatibility. A well-rounded variety of domestic and professional audio projects is provided, including preamplifiers, filter circuits, headphone amplifiers, power amplifiers, effects circuits, power supplies, protection circuits, and display circuits. For the most part, these projects represent the state of the art in performance capabilities, and will exceed the performance parameters of most commercially available equipment. In addition to the complete schematics and technical descriptions, I have provided the PC board artwork and layout illustrations for many of the more complex designs. I have assumed that the reader is experienced in the fundamentals of electronics and electronic construction, but I have made few assumptions regarding the reader’s expertise relating specifically to audio electronics. Appendix A provides a reasonably exhaustive clarification of audio electronics terms and modern “buzz” words as a further barrier against confusion. The Audiophile’s Project Sourcebook is for hobbyists and audiophiles who have been discouraged by the apparent schism between audio professionals and extravagant esoterics. It is designed to help anyone experience the ultimate in sonic quality at a reasonable expense. The concepts and principles presented are not subjective, mythical, or traditional; they are scientific and extensively supported with provable analysis. Many readers will be pleasantly surprised at the low cost involved with even the best audio systems. Above all, I have directed this book toward people who want to experience the fun, satisfaction, and fulfillment of superb and practical electronic projects (not to mention the significant cost savings). This text is not infested with watered-down demonstration or educational projects—it is a sourcebook of impressive, high-performance designs that lend legitimacy to the reader’s construction efforts. I sincerely hope that many will enjoy it and benefit from it.
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