The Art of Understanding Art The Art of Understanding Art Irina D. Costache A John Wiley & Sons, Ltd., Publication This edition first published 2012 © 2012 Blackwell Publishing Ltd Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of Irina D. Costache to be identified as the author of this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought. Library of Congress Cataloging-in-Publication Data Costache, Irina Dana. The art of understanding art / Irina D. Costache. p. cm. Includes bibliographical references and index. ISBN 978-0-470-65832-1 (hardcover : alk. paper) – ISBN 978-0-470-65834-5 (pbk. : alk. paper) 1. Art–Textbooks. I. Title. N7425.C67 2011 701'.1–dc23 2011036426 A catalogue record for this book is available from the British Library. Set in 11/13pt on Dante by Toppan Best-set Premedia Limited 1 2012 To all unknown “Van Goghs” Contents Acknowledgments xiii Why Should Art Matter to You? A Message to Art Beginners xv Introduction: What Is Art? xvi Navigating the Book: A User’s Guide xxi Why Is Art Made? The Purposes of Art: A Brief Overview from A to Z xxiv The Anatomy of a Work of Art xxxii PART ONE MAKING ART 1 1 Artists and Patrons 3 Artists and Creators 3 Originality, Authorship, Authenticity 4 Appropriations 8 Attributions and Studio Practices 9 Collaborations 11 Artists and Multiple Works 12 Artists and Artisans 12 Anonymous Artists 13 The Creative Process: Inspiration and Influences 14 Self-Reflections 14 The Formative Years: Education, Family Life, and Personal Values 15 Patronage 17 Private Patronage 17 Religious Patronage 18 Royal Patronage 19 State, City, and Community Patronage 19 Today’s Patronage: Corporations, Institutions, Foundations, and Grants 20 Summary 21 Notes 21 viii Contents 2 Environment, Materials, and Other Resources 22 Environment 23 Natural Resources 23 Location 24 Climate 24 Dialogues between the Environment and Art 25 Materials, Tools, and Technology 27 Materials and Artistic Values 27 The Attributes of Materials 28 The “Purity” of Materials and Mixed Media 29 Materials as Sources for Meaning 29 “Unusual” Art Materials 31 Found Objects 32 The Body as Art Material 32 Tools and Technology 34 Other Resources: Knowledge and Information 36 Summary 37 Notes 37 3 Context 38 Cultural Context 39 Artistic Context 39 Art Organizations, Institutions, and Events 40 Culture, Science and Ideas 41 Historical, Political, and Religious Context 43 Historical Context and Current Events 43 Political Context 44 Religious Context 47 Societal Context 48 Everyday Life 49 The Mass Media 49 Moral Values 50 Social Context 51 Summary 52 Notes 52 Conclusion to Part One 53 PART TWO DISSEMINATING ART 55 4 The Dissemination of Original Art 57 Institutions 57 Contents ix Museums 57 Collections and Foundations 67 Galleries 68 Academic-Affiliated Art Institutions 70 Beyond Institutional Walls 71 Alternative Spaces 71 Public Art 71 Propaganda Art 72 Art and Business 73 The Art Market and other Financial Matters 73 Art Patrons, Collectors, Dealers, and Sponsors 74 Artists and Business 75 Summary 76 Notes 76 5 The Dissemination of Art through Reproductions, and Other Issues 77 Publications, Presentations, and Lectures 78 Books, Catalogues, and Periodicals (Articles, Essays, and Reviews) 78 Lectures, Courses, and Presentations 79 The Mass Media 80 Films, Documentaries, and DVDs 80 The Web 82 Art and Popular Culture 84 Copyright 86 Today’s Art World 86 The Decontextualization of Art 87 Original Context and Contemporary Times 88 “The Art World” 89 Summary 89 Notes 90 Conclusion to Part Two 90 PART THREE ANALYZING ART 91 6 Visual Resources Used to Analyze Art 93 The Work of Art 94 Form and Content 94 The Physical Condition of the Work of Art 98 Originals and Reproductions 100 The Preservation and Conservation of Art 101 Scientific Tools 103
Description: