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The Art and Craft of Wood: A Practical Guide to Harvesting, Choosing, Reclaiming, Preparing, Crafting, and Building with Raw Wood PDF

163 Pages·2017·28.34 MB·English
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ArtCraftWood_interiors_12111.indd 1 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 1 13/3/17 2:31 PM Edited by Foxit PDF Editor Copyright (c) by Foxit Software Company, 2004 For Evaluation Only. Woodworking can be a dangerous activity. Failure to follow safety procedures may result in serious injury or death. This book provides useful instruction, but we cannot anticipate all of your working conditions or the characteristics of your materials and tools. For your safety, you should use caution, care, and good judgment when following the procedures described in this book. Consider your own skill level and the instructions and safety precautions associated with the various tools and materials shown. The publisher cannot assume responsibility for any damage to property or injury to persons as a result of misuse of the information provided. © 2017 Quarto Publishing Group USA, Inc. All rights reserved. No part of this book Quarry Books titles are also available Text © 2017 Tiny Chair Pictures, LLC may be reproduced in any form without at discount for retail, wholesale, Photography © 2017 Tiny Chair Pictures, written permission of the copyright promotional, and bulk purchase. For LLC owners. All images in this book have details, contact the Special Sales been reproduced with the knowledge and Manager by email at specialsales@ First published in the United States of prior consent of the artists concerned, quarto.com or by mail at The Quarto America in 2017 by and no responsibility is accepted by Group, Attn: Special Sales Manager, Quarry Books, an imprint of producer, publisher, or printer for any 401 Second Avenue North, Suite 310, The Quarto Group infringement of copyright or otherwise, Minneapolis, MN 55401, USA. 100 Cummings Center arising from the contents of this Suite 265-D publication. Every effort has been made 10 9 8 7 6 5 4 3 2 1 Beverly, Massachusetts 01915-6101 to trace the copyright holders and ensure Telephone: (978) 282-9590 that credits accurately comply with ISBN: 978-1-63159-297-3 Fax: (978) 283-2742 information supplied. We apologize for Digital edition: 978-1-63159-414-4 QuartoKnows.com any inaccuracies that may have occurred Softcover edition: 978-1-63159-297-3 Visit our blogs at QuartoKnows.com and will resolve inaccurate or missing Digital edition published in 2017 information in a subsequent reprinting of the book. Library of Congress Cataloging-in- Publication Data is available. Design: Paul Burgess at Burge Agency Artwork: Archie Strong at Burge Agency Photography: Tiny Chair Pictures, LLC CC 22 1 1 Printed in China ofof oo rr PP ArtCraftWood_interiors_12111.indd 2 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 2 Text JJoobb:: 1122111111 TTiittllee:: 222244559911AArrtt CCrraafftt WWoooodd ((RRoocckkppoorrtt))13/3/17 2:31 PM SSLLCC JJIIMMMMYY((LLCCHH)) PPaaggee::22 CC 22 1 1 of of oo rr PP ArtCraftWood_interiors_12111.indd 3 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 3 JJoobb:: 1122111111 TTiittllee:: 222244559911AArrtt CCrraafftt WWoooodd ((RRoocckkppoorrtt))13/3/17 2:31 PM Text SSLLCC JJIIMMMMYY((LLCCHH)) PPaaggee::33 CONTENTS PPAARRTT OONNEE PPAARRTT TTWWOO CCHHOOOOSSIINNGG MMIILLLLIINNGG AANNDD Introduction 6 WWOOOODD SSEEAASSOONNIINNGG The Tools 12 FFOORR YYOOUURR PPRROOJJEECCTT Safety Considerations 18 WWoorrkksshhoopp MMiilllliinngg 3388 BBaacckkyyaarrdd MMiilllliinngg 4466 IIddeennttiiffyyiinngg aanndd SSoouurrcciinngg WWoooodd 2266 UUssiinngg aa SSaawwyyeerr 5522 GGaatthheerriinngg WWoooodd 3300 SSeeaassoonniinngg LLuummbbeerr 5566 CC 22 1 1 of of oo rr PP ArtCraftWood_interiors_12111.indd 4 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 4 JJoobb:: 1122111111 TTiittllee:: 222244559911AArrtt CCrraafftt WWoooodd ((RRoocckkppoorrtt))13/3/17 2:31 PM Text SSLLCC JJIIMMMMYY((LLCCHH)) PPaaggee::44 PPAARRTT TTHHRREEEE PPAARRTT FFOOUURR PPAARRTT FFIIVVEE CCRRAAFFTTIINNGG FFIIRREEWWOOOODD TTHHEE Acknowledgments 152 AANNDD LLEEFFTTOOVVEERRSS BBUUIILLDDIINNGG About the Authors 153 CChhooppppiinngg FFiirreewwoooodd 113388 PPRROOJJEECCTTSS AAnniimmaall BBeeddddiinngg 114455 Index 154 SSttaacckkiinngg FFiirreewwoooodd 114400 MMuullcchh 114466 TThhee BBoottttllee OOppeenneerr 6644 GGaarrddeenn PPaatthhwwaayy TThhee PPoosstteerr FFrraammee 7700 CCoovveerr 114488 TThhee MMiinniimmaalliisstt SShheellff 7766 FFiirree SSttaarrtteerrss 115500 TThhee SSeerrvviinngg TTrraayy 8844 TThhee EEddiissoonn LLaammpp 9922 TThhee CCooffffeeee TTaabbllee 110000 TThhee DDiinniinngg TTaabbllee 111166 CC 22 1 1 of of oo rr PP ArtCraftWood_interiors_12111.indd 5 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 5 JJoobb:: 1122111111 TTiittllee:: 222244559911AArrtt CCrraafftt WWoooodd ((RRoocckkppoorrtt))13/3/17 2:31 PM Text SSLLCC JJIIMMMMYY((LLCCHH)) PPaaggee::55 INTRODUCTION Makers of all kinds know the incredible come crashing down. We found a sawmill rewards of creating something with their in the heart of our busy city. We did our own hands. Regardless the medium— best to dry the wood without it warping. wood, fabric, metal, clay, concrete, We flattened the wonky boards with a glass—designing, creating, and building homemade router jig and then flattened something yourself feels good. What if them again when they continued to this feeling didn’t only come from the warp. We called in favors to help plane end product, but came from the creation and sand the wood. We designed two and processing of the building material tables and finally got to work putting itself? A common trait of makers is the them together. ongoing and ever deepening appreciation Before we came along, the log was for the raw materials they are using. being cut up into chunks to be thrown As filmmakers and authors, we seek to piece by piece into a landfill. With this create pieces with intrinsic value from book, you will see pieces of art others the materials right through to the don’t see. What another person may finished product. view as a worthless dead tree, you will We have also come to discover this see an opportunity to make something joy of production working with raw great. It is a huge undertaking and, wood. One hot summer in Arizona, we honestly, we didn’t exactly know what came across a storm-downed tree in we were getting ourselves into. But someone’s front yard. This tree, in this when the sawdust settled, we had two moment, was begging to be something incredible works of art that tell a story of more. We managed to save the tree redemption and display the value of hard from the landfill and began a journey to work. That’s what The Art and Craft of fully transform it. In fact, we became Wood is all about. so inspired by this idea that we made a The hardest part of the process is documentary film about it. deciding to go for it. Large tree trunks CC 22 We had the two-ton (1,814 kg) log and even small limbs can be intimidating, 1 1 hauled off the driveway where it had and (not to discourage you . . . ) they of of oo rr PP 6 THE ART AND CRAFT OF WOOD ArtCraftWood_interiors_12111.indd 6 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 6 JJoobb:: 1122111111 TTiittllee:: 222244559911AArrtt CCrraafftt WWoooodd ((RRoocckkppoorrtt))13/3/17 2:31 PM Text SSLLCC JJIIMMMMYY((LLCCHH)) PPaaggee::66 “ Being a maker is about doing things with intention. By focusing on possibilities, you can turn nature’s discards into beautiful works of art. ” CC 22 1 1 of of oo rr PP ArtCraftWood_interiors_12111.indd 7 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 7 JJoobb:: 1122111111 TTiittllee:: 222244559911AArrtt CCrraafftt WWoooodd ((RRoocckkppoorrtt))13/3/17 2:31 PM Text SSLLCC JJIIMMMMYY((LLCCHH)) PPaaggee::77 “ Typically, urban lumber comes from near where people live. We aren’t talking about chopping down trees. ” take an enormous amount of work to Being a maker is about doing things lumber that is produced by individuals process. But why should it be easy? with intention. With hard work, you can from trees that wouldn’t normally be Being a maker is about doing things with turn trash into beautiful works of art. used as commercial lumber. Urban intention. Through some hard work and Even though the process can be lumber comes from near where people resourcefulness, you can turn a log into difficult and frustrating at times, it isn’t live. We aren’t talking about chopping a beautiful piece of furniture. It’s not the rocket science. Like anything else, there down trees just to use for lumber. These easy way to make furniture, but you’ll are manageable steps to getting started. are trees that have come down in a storm gain a sense of satisfaction from the You don’t have to choose the biggest or must be removed because they are labor of your hands, the skills you log. You don’t have to dive in with a dead, dying, or unwanted. learn, and the connections you make major project, but you do have to dive in Typically, when local trees are in the process. somewhere. This book addresses urban removed, they are chopped up by a lumber, which is a term encompassing tree removal company and never seen CC 22 1 1 of of oo rr PP 8 THE ART AND CRAFT OF WOOD ArtCraftWood_interiors_12111.indd 8 13/3/17 2:32 PM ArtCraftWood_interiors_12111.indd 8 JJoobb:: 1122111111 TTiittllee:: 222244559911AArrtt CCrraafftt WWoooodd ((RRoocckkppoorrtt))13/3/17 2:31 PM Text SSLLCC JJIIMMMMYY((LLCCHH)) PPaaggee::88

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