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Spectres of the Self: Thinking about Ghosts and Ghost-Seeing in England, 1750-1920 PDF

288 Pages·2010·4.523 MB·English
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Spectres of the Self SpectresoftheSelf isafascinatingstudyoftherichculturessurrounding theexperienceofseeingghostsinEnglandfromtheEnlightenmentto the twentieth century. Shane McCorristine examines a vast range of primary and secondary sources, showing how ghosts, apparitions and hallucinationswereimagined,experiencedanddebatedfromthepages of fiction to the case reports of the Society for Psychical Research. Byanalysingabroadrangeofthemesfromtelepathyandghost-hunting tothenotionofdreamingwhileawakeandthequestionofwhyghosts wore clothes, Dr McCorristine reveals the sheer variety of ideas of ghost-seeing in English society and culture. He shows how the issue of ghosts remained dynamic despite the advance of science and secu- larism,andarguesthattheghostultimatelyrepresentedaspectreofthe self,asymbolofthepsychologicalhauntednessofmodernexperience. shane mccorristine is a postdoctoral fellow at Ludwig- Maximilians-Universita¨t Mu¨nchen and a visiting research fellow at theInstituteofEnglishStudies,UniversityofLondon. Spectres of the Self: Thinking about Ghosts and Ghost-Seeing in England, 1750–1920 Shane McCorristine cambridge university press Cambridge,NewYork,Melbourne,Madrid,CapeTown,Singapore, Sa˜oPaulo,Delhi,Dubai,Tokyo CambridgeUniversityPress TheEdinburghBuilding,CambridgeCB28RU,UK PublishedintheUnitedStatesofAmericaby CambridgeUniversityPress,NewYork www.cambridge.org Informationonthistitle:www.cambridge.org/9780521747967 #ShaneMcCorristine2010 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithout thewrittenpermissionofCambridgeUniversityPress. Firstpublished2010 PrintedintheUnitedKingdomattheUniversityPress,Cambridge AcataloguerecordforthispublicationisavailablefromtheBritishLibrary LibraryofCongressCataloging-in-PublicationData McCorristine,Shane,1983– Spectresoftheself:thinkingaboutghostsandghost-seeinginEngland, 1750–1920/ShaneMcCorristine. p. cm. ISBN978-0-521-76798-9(Hardback)–ISBN978-0-521-74796-7(pbk.) 1. Ghosts–England–History. 2. Parapsychology. I. Title. BF1472.G7M3852010 133.10942–dc22 2010020689 ISBN978-0-521-76798-9Hardback ISBN978-0-521-74796-7Paperback CambridgeUniversityPresshasnoresponsibilityforthepersistenceor accuracyofURLsforexternalorthird-partyinternetwebsitesreferredto inthispublication,anddoesnotguaranteethatanycontentonsuch websitesis,orwillremain,accurateorappropriate. Contents List of illustrations pagevii Acknowledgements viii List ofabbreviations x Introduction 1 I. Thedreams of theghost-seers 25 1. The haunted mind, 1750–1850 27 Ghostsreformed 27 Thephantasmagoricdislocation 31 ThecaseofNicolai 40 Thespectralillusionsmodel 43 HallucinationsandillusionsinFrenchpsychiatry 52 AChristmasCaroland‘TheHauntedMind’ 61 2. Seeing is believing: hallucinations and ghost-seeing 66 ThedreamsoftheGeistersehers:KantandSchopenhauer onghost-seeing 66 Hallucinations,spiritualismandpathology 75 Theclothesofghosts 90 II. A science of thesoul 101 3. Ghost-hunting in the Society for Psychical Research 103 TheSocietyforPsychicalResearch 103 Ghost-huntingintheSocietyforPsychicalResearch 114 Thesociologyofthepsychicalghoststory 127 4. Phantasms of the living and the dead 139 Phantasmsoftheliving 139 CriticismsofPhantasmsoftheLiving 162 Phantasmsofthedead 172 Ascienceofthesoul? 182 v vi Contents 5. The conceptof hallucination in late Victorianpsychology 192 TheconceptofhallucinationintheSocietyforPsychicalResearch 192 The‘ReportontheCensusofHallucinations’ 194 Dreamingwhileawake 202 Someconclusions 210 Epilogue: towards1920 218 Appendix 229 Bibliography 244 Index 271 Illustrations 1. The Ghost Illusion.Source:Jean-Euge`ne-Robert Houdin, The Secrets of StageConjuring,ed. and trans.ProfessorHoffmann[Angelo JohnLewis] (London, 1881). Courtesyof the UniversityLibrary, Cambridge. page34 2. FranciscoJose´ de GoyayLucientes, El Suen˜ode la RazonProduce Monstruos (1799). Courtesyof the Trustees of the British Museum. 38 3. Robert W.Buss, Dickens’ Dream(1875). Courtesy of the Charles DickensMuseum. 64 4. GeorgeCruikshank,Alas, Poor Ghost! Source: GeorgeRaymond, The LifeandEnterprisesof Robert WilliamElliston, Comedian (London, 1857). In author’s collection. 94 5. Spirit photographs of deceasedfamilymembers alongside Georgiana Houghton. Source:Miss [Georgiana] Houghton,Chronicles of the Photographs of Spiritual Beings and Phenomena Invisibleto the Material Eye:Interblended with Personal Narrative (London, 1882). Courtesyof the UniversityLibrary, Cambridge. 225 6. Mrs Shawand Mrs Coates’ Daughter, Agnes Tweedale Simpson.Source:JamesCoates,Photographing the Invisible: Practical Studies in Spirit Photography, Spirit Portraiture,andOther Rare but Allied Phenomena (London andChicago, 1911).# the British Library Board.Shelfmark 08637.i.38. 226 vii Acknowledgements I wish to acknowledge the support and funding I received from the HumanitiesInstitute of Ireland: as an HII doctoral scholar, researching the PhD thesis from which this book came functioned as merely one element in a broader academic and social environment that was always stimulating and a pleasure to be a part of. I would therefore like to extendmythankstoDrMarcCaball,ProfessorAnneFuchsandValerie Norton.IwouldliketothankmysupervisorDrDavidKerr,myinternal supervisorDrJudithDevlin,andmyexternalsupervisorProfessorRoger Luckhurst for offering interesting angles, problems and perspectives which influenced my research. The support of the staff in the School of History and Archives during my postgraduate years has always been appreciated: I would like especially to thank Kate Breslin, Professor HowardClarke,DrDeclanDowney,DrElvaJohnston,DrSueSchulze and Eiriol Townsend. For assistance in attending conferences in 2006, IwishtoacknowledgethetravelgrantprovidedbytheSchoolofHistory and Archives and the graduate student travel grant provided by the Collegeof Arts andCeltic Studies. The staff and curators at the libraries I attended over the years have been very helpful. I wouldliketo thank the staff of: the British Library, London; the National Library of Ireland, Dublin; the Society for Psychical Research, London; the College of Psychic Studies, London; the Harry Price Library at Senate House, London; the Wellcome Institute, London; the Wren Library, Trinity College, Cambridge; the University Library, Cambridge; Trinity College, Dublin (especially the staff at the Early Printed Books Department); the James Joyce Library, UniversityCollegeDublin(especiallyAvrilPattersonattheinter-library loandesk whowentoutof herwaytosourcesomeof themoreunusual booksIrequested).IwishtothanktheanonymousreadersatCambridge UniversityPressforofferingsuchfruitfulcriticismofmyoriginalmanu- script. Thanks are also due to Michael Watson, Helen Waterhouse and Joanna Garbutt at the Press, and Rebecca du Plessis, for expertly guiding me through the editingprocess. viii

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