S O U N D O F W O R S H I P A Handbook of Acoustics and Sound System Design for the Church DOUGLAS R. JONES AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher ’ s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein. Library of Congress Cataloging-in-Publication Data Jones, Douglas Sound of worship : a handbook of acoustics and sound system design for the church / Douglas Jones. p. cm. ISBN 978-0-240-81339-4 1. Public worship. 2. Sound—Recording and reproducing. I. Title. BV15.J66 2011 264—dc22 2010031032 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. For information on all Focal Press publications visit our website at www.elsevierdirect.com 11 12 13 14 15 5 4 3 2 1 Printed in the United States of America Dedication This work is dedicated to the memory of my father, the Reverend Lyman H. Jones. Thanks Dad, for teaching me to love God and the Church and to value hard work. Although my work was very different from yours, thank you for your support and for your pride in my accomplishments. This page intentionally left blank CONTENTS v C ONTENTS A cknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xi Chapter 1 The Sound of Worship . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Chapter 2 The Early Roots of the Church: From AD 32 to AD 313 . . . . . . . . . 3 T he Christians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Early Church Architecture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 T he Church Organized . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 T he Time of Persecution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Chapter 3 The Formative Years of the Church: AD 313 to AD 1054 . . . . . . 19 Constantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Early Ecumenical Councils . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Jerome and Augustine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Council of Chalcedon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Rise of Monasticism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 T he Church in Northern Europe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Section 1 CELEBRATORY WORSHIP Chapter 4 The Celebratory Worship Style: Worship the Lord in the Beauty of Holiness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 T he Sacraments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Sacred Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 T he Worship Service . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Chapter 5 The Catholic – Orthodox Split . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 T he Great Schism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 T he Crusades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 vi CONTENTS Chapter 6 Catholic Reform . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Response to the Reformation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 V atican II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Chapter 7 The Acoustics of Celebratory Churches . . . . . . . . . . . . . . . . . . . 67 Case Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 4 Section 2 EVANGELICAL WORSHIP Chapter 8 The Evangelical Style of Worship: So That All May Hear . . . . 81 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 T ypical Evangelical Worship Service . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 T ypical Architecture of Evangelical Style Church . . . . . . . . . . . . . . . . . . . 89 Historical Evolution of the Evangelical Worship Style . . . . . . . . . . . . . . . 92 Chapter 9 The Sixteenth Century Reformers: Luther, Zwingli, and Calvin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 T he Renaissance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Early Protestant Movement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Martin Luther . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Ulrich Zwingli (1484 – 1531) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 02 John Calvin (1509 – 1564) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 04 Chapter 10 The Reformation in England . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 W illiam Tyndale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Chapter 11 The Modern Evangelical Church . . . . . . . . . . . . . . . . . . . . . . . 119 T he Baptist Church . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 T he Methodists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 Chapter 12 Acoustics of the Evangelical Style Church . . . . . . . . . . . . . . 125 T he Acoustics of Preaching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Intelligibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 CONTENTS vii Noise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Reverberation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Refl ecting/Focusing Surfaces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Sound-System –F riendly Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 A coustics for Congregational Singing . . . . . . . . . . . . . . . . . . . . . . . . . . 130 A coustics for Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 Case Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 Section 3 EXPERIENTIAL WORSHIP Chapter 13 The Experiential Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143 T he Pentecostal Church . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 Chapter 14 The Pentecostals and the Charismatic Movement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 T he Pentecostals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 T he Charismatic Movement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 A frican – American Churches. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 Chapter 15 Acoustics of the Experiential Style Church . . . . . . . . . . . . . . 159 Music in Experiential Worship . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 A coustics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162 T he Repurposed Church . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 Case Study . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 Section 4 COMMUNITY WORSHIP Chapter 16 The Community Worship Style: Let Me Be as Christ to You . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 T ypical Community Worship Service . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177 Chapter 17 The Anabaptists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Menno Simons (1496 – 1561) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 viii CONTENTS Chapter 18 The Acoustics of the Community Church . . . . . . . . . . . . . . . . 187 A rchitecture of the Community Church . . . . . . . . . . . . . . . . . . . . . . . . . 188 Case Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 91 Section 5 RESOURCES Chapter 19 Introduction to Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Chapter 20 Elements of Church Sound Systems . . . . . . . . . . . . . . . . . . . . . 209 Introduction: The Case For Systems Design . . . . . . . . . . . . . . . . . . . . . . 209 Five Questions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211 Programming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 Microphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217 Consoles/Mixers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218 Signal Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221 A mplifi ers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 Loudspeaker Cable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 Chapter 21 Reverberation and Time Response . . . . . . . . . . . . . . . . . . . . . . 233 Reverberation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233 T ime Response . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244 Reverberance (EDT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245 Clarity (C80) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 W armth (BR) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248 Listener Envelopment (LEV) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 Chapter 22 Noise and Isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251 Noise Criteria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256 T ransmission Loss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 Sound Transmission Class . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261 Impact Isolation Class . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263 CONTENTS ix Chapter 23 Intelligibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265 Subjective/Statistical Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267 Measurement Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267 Standards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275 Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277 Photo Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Description: