W M A S I R I L L I B E Y W m R O BE . " W a 0 1 1 ! m " 0 ai ’ w 9 c x s s e . W M A S I R I L L I H A B E E C E Y R . . , W R O B E R T S . OI NT AUTHOR O N Y AUTHOR “ M J O F R E AN D OF THE - , O HU NT ON DON OR I A " “ M M B O K E R I N L E L S - , CH I TI " ’ OF R S E S ETC , . IK PJ I ) (3 C) . W N F Y O RK C HA RL ES SC RI B N E R’S SO N S : 0 1 9 7 P R E F A C E m m W i s on e o f the d i s S B M a I L L I A EE CH E Y n y a rti sts o f the arly n l ish sc ho ol wh ose i i h d E E t u ng s e g m e ri ts hav e n ot be e n s u fi c i en tl y rec o n i sed an d t h e f g , obj ec t of thi s b i s t o sh o w th at th i s ne l e c t i s k oo g u nj u sti fi ed I t i s n ot cl ai m ed that ran k s sid e B h eec ey . by si d e w i th Josh u a eyn old s Gai n sbo rou h an d S i R r g , o m n ey b u t j u st as o fi ce rs i n an arm y can n ot be ll f R a ; — — Gene ral s the sam e ti m e at al l e v en ts i t m ay be t a so , u r d that m e n o f the sec on d ran k are i nd i spe n s bl e a ge . w i th su ch m en as O p i e North cote an d m an y B h e ec ey , , , othe rs re atl y hel ped t o co nsol i date t o co n tin u e d a g n th e po si ti o n an d w ork be u n by the fe w me n who e g s fam e h as to so m e d e ree o ve rsh d o we d the m eri ts an d a g ac h ie v m e n t o f t he l esse r arti sts e s . Th i s m on o raph i s b i o raph i ca l i con o raph i ca l d a g g n g rathe r than c ri ti c l ac h en erati o n h as i ts fo rm ul as E a g . an d sch oo ls of art cri ti ci s m b u t the op i n i o n o f to day - , o fte bec om es the arch ai c cu ri os i ty o f to m orro w I n - . h av e th e refo re ta k e n u p on m ysel f th e l e s a m b i ti ou s s bu t th i n k the m o re perm an e ntl y u sefu l o fi c o f I f e , , c ro n i cl e r M y o w n p re feren c e w o u l d h av e bee n a h . o o f w o rk i t i s i n th i s C l R i é B h ’ d t a a u a a og e s n n e e c ey s n , fo rm that m y m ate ri al was fi rst a ran ed b u t i t w ou l d r g ; i P R E F A CE v n ot have fal l en i n w i th th e e ne ral schem e o f the se ri es g i n w h ich thi s v o l u m e appears m y S C l t a a u o og e . m ay be c on ven i ently postpon ed an d an R i é a sonn , exh au sti v e I ndex se rve here i n i ts s te d a . The m ate ri al i n co nn ecti o n w i th and h i s B h ee c ey pi ctu res i s m u ch m ore v o u m i n ou s than h ad an ti ci l I p ated For o ver si xty ye ars h i s bru sh w as n e v er id l e . , an d h e h ad as s i tte rs m ore than an a v ra e share o f th e e g i sti n u i she d an d w eal thy e opl e of th e l as t q u arte r o f d g p th e e i htee n th c en t ury an d o f the fi rs t th i rty n i ne yea rs g - o f the n i netee nth ent u ry an d so i t w ou d n ot be l c ; d c u t to co m pi l e a boo k i n con ne cti on w i th h i s w ork iffi l and h i s cl i e n ts at l eas t t w i ce the si ze o f t i s A s a fi rs t h . atte m pt ho we v er perhap s my bo ok w i l l be fou nd , , s u ci ently ex hau sti ve an d u se fu l ffi . i n ce the w ork w as co m m en ced an d a ter m u ch o f i t S f , i n type m any fre sh fac ts have c om e u nder my wa s , n oti ce h ad o verl oo k ed the ac cep tabl e beq u est by I . W i l l i am Th o m as and by to the Nati on al Po rtrai t S Gal le ry i n J ul y 0 nam el y p o rt raits o f h i s 1 9 4 B h ’ ee c ey s , , ol d fri en d Pau l and b pai nted i n an d Thom as S 1 7 89 y , , an dby p ai nt ed i n T ese th e t wo po rtrai ts S 1 7 92 h a re . w h i ch w e re e xh i bi t d at th e oy al Acade m y o f the R e res pec ti v e ye ars Th e po rt rai t o f M rs i l ey m e n ti on ed R . . , o n p a e i s m o re f ll y descri bed o n pa e and 1 4 6 1 92 u g g - , , w as l e n t t o the rece n t exh i bi ti o n o f Ol d M as te rs at B url i n t o n H o u se No by I si do re p i el m an n ( S i S g r . . T he ro u p w i th the ti tl e o f Chi l d re n at Pl ay Oddi e g w as reprod u ced i n col o u rs fro m the en ravi n by T Par k g g . i n o v ol i i p a e and a si m i l ar Th C i 7 e nno sse ur g , . . P R E F A C E W re prod u cti on i l k i n s e n av i n w i th the l e en d f ’ o gr g g H e re Poor B oy w i tho u t a H at tak e th i s H a’p en ny , pa e 0 w as p u bl i she d i n th e s m e m a azi n e o f ( 1 4 ) a g g No v e m be r 0 The l ate B aron ess B u rdett C ou tts 1 9 6 - . e xh i bi ted at the G rafto n Gal l ery 1 8 94 (No 1 7 2 A ) , . , on e of m any port rai ts o f h i s w i fe The B h ’ ee c ey s . p u bl i cati o n of th e o f Ge or e s H an o ve r R i t S t ’ eg s e rs g . , qu are has re veale d the exact date u n k n o wn to m e S , , u nt i l afte r the earl i er sheet s we re p ri nted of ff B h ’ o e e c ey s , sec on d m arri a e g . hav e re ce i v ed ass i sta nc e fro m s o m any fri en ds an d I co rresp nde n ts that s pe ci c e n u m e rati on i s d i fi cu l t fi f o . M y speci al th an k s are d ue t o se veral m e m be rs o f the arti st s desce n dants p art i cu l arly t o M r rn est ' E B h e e c ey , . an d hi s u ncl e th e l ate Can on Vi n cen t for S t B h e ec e y , . , the l oan o f l e tters t o M r yd ney C han ce ll or an d t o th e S ; . Pres i de n t an d C o u nc i l o f the oyal A cade m y for pe r R m i ss i o n t o copy the i r extre m el y i n te resti n and v al u abl e g mm Acco u n t Bo o k s to M rs Cham p i o n Jon es to B h e e c ey ; . , M rs C li to M rs F A H opk i ns to M r H erbe rt o e n e . , . . . , . Jack son fo r k i n dn esses o f v ari o us k i nd s al l o f w h i c h , , are ac k n owl ed e ho we ver feebly i n th e res pe ti v e d g c , , p l ac s Th e arl o f A l tam o n t h as b ee n o od e n ou h E e g g . to ta k e a kee n i n tere st i n the bo ok an d h as settl ed , — s everal p o i n ts abou t wh i ch was i n d ou bt n o tabl y i n I c on nect i on w i th th e rou p exh i bi ed at the oyal R t g Acade my i n 0 p a e No o m e o f the 1 8 9 ( 62 S g . . pape rs of the peri o d descri be d th i s p ic ture as rep resen t W M rs an d M i s s etherel l an d othe rs as o f M rs i n g . , . an d M i ss Coc kerel l Lo rd Al ta m o n t tel l s m e that i t .
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