SIMPLE SCENE SENSATIONAL SHOT SIMPLE SCENE SENSATIONAL SHOT Artistic photogrAphy iN ANy ENViroNMENt SIMON BOND Focal Press is an imprint of Elsevier Inc. 225 Wyman Street, Waltham MA 02451, USA Copyright © 2012 The Ilex Press Ltd. All rights reserved This book was conceived, designed, and produced by Ilex Press Limited 210 High Street, Lewes, BN7 2NS, UK Publisher: Alastair Campbell Associate Publisher: Adam Juniper Creative Director: James Hollywell Managing Editor: Natalia Price-Cabrera Editor: Tara Gallagher Specialist Editor: Frank Gallaugher Senior Designer: Kate Haynes Design: Lee Suttey Color Origination: Ivy Press Reprographics No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher. 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ISBN: 978-0-240-82110-8 For information on all Focal Press publications visit our website at: www.focalpress.com Printed and bound in China 10 11 12 13 14 5 4 3 2 1 IntroductIon 6 1. BasIcs: EquIpmEnt 10 4. ExplorIng wIth your camEra 100 Cameras 12 Location scouting 102 Camera settings 16 Seeing photographs 104 Lenses 20 Return visits 106 Accessories 22 Models 110 The right equipment 24 Dusk & night 112 Computers 26 Alternative plans 114 Software 28 Black & white 116 Limited light 118 Focal point 120 Telling a story 122 2. makIng thE ordInary ExtraordInary 30 At home 124 Your neighborhood 126 Ordinary scene, extraordinary photograph 32 The small picture 44 Case study: Building site 46 Case study: Urban neighborhood 48 5. post-procEssIng 128 Case study: Rural neighborhood 50 Case study: Umbrellas 52 Black & white 130 Case study: Roadside 54 Dodging & burning 132 Case study: City lights 56 Increasing contrast 134 Case study: Macro 58 Emphasizing color 136 HDR 138 Selective softening 144 Selective sharpening 146 3. tEchnIquEs that transform 60 Refraction 62 Zoom burst 64 6. organIzatIon & dIsplay 148 Silhouettes 66 Long exposures 68 Preparation 150 Point of view 70 Grouping 152 Lines 72 Sharing 154 Patterns 74 Exposure 156 Cropping 76 Bokeh 78 Minimalism 80 Index 158 Reflections 82 Acknowledgments 160 Infrared 84 Picture credits 160 Color contrast 86 Street photography 88 HDR imaging 92 Panning 94 Light painting 96 Shadows 98 INTRODUCTION Introduction This is just about one of the most clichéd things I could say, but right now, wherever you are in the world, you are surrounded by many potentially amazing photographic opportunities—all you have to do is see and not just look. I witness many people looking without seeing, but with this book I hope to change the way that you view the world, giving you a perspective that allows you to see things. For example, until I became “serious” about photography I never really noticed just how beautifully made a lot of movies and TV programs are. A good videographer will be adept at using bokeh, time lapse, tilt-shift, or close-ups, to name just a few techniques. The more you see, the more you will realize that your favorite TV dramas and movies utilize the exact same techniques that you can use as a photographer to create stunning scenes. But let’s get off the couch and stop watching TV—it’s time to get some proper exercise for your eyes. Just as your body will deteriorate if you don’t head to the gym on a regular basis, so too will your ability to see a photo if you don’t dedicate yourself to getting out there and taking pictures. While you might not start out taking the greatest photos in the first few months, do not give up trying—the eye needs to be trained, and there really is only one way to do this. ElEctric anglEs the lines and geometry created by an electricity pylon can be used as a striking design element. 6 X-AANY-LVBK-006-009_US.indd 6 22/03/2012 10:45 DEMOGRAPHI INTRODUCTION lost soul this photo shows a woman seated on the ground, with two umbrellas abandoned in the foreground. the woman sits rather like cinderella after midnight has passed. 7 X-AANY-LVBK-006-009_US.indd 7 22/03/2012 10:45 X-AANY-LVBK-006-009_US.indd 8 22/03/2012 10:45 DEMOGRAPHI INTRODUCTION Once you’re out of the house, look around for photo opportunities. You don’t need to look far. Your front door could make a good frame for a portrait. Or how about that brick wall you pass by every day and don’t really notice anymore? That wall might have great texture and repeating patterns that could be used as a background or an abstract shot in its own right. A little farther down the street you might get to that electricity pylon that you thought was an eyesore, but look closer: Is there an angle that will enable you to take a striking shot using the pylon’s natural geometry? Then there’s that puddle again. It’s just a puddle, right? Wrong! Water can create great reflections, and when used correctly will make a super shot. This is just the start, and despite traveling only a few yards from your house you should already have your eyes wide open, starting to see the beauty in the world around you. as dull as ditch watEr? with a little creativity this puddle was turned into something altogether more colorful. 9 X-AANY-LVBK-006-009_US.indd 9 22/03/2012 10:45