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Signs of Life: Bio Art and Beyond (Leonardo Books) PDF

433 Pages·2006·4.35 MB·English
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Signs Of Life Bio Art and Beyond Leonardo RogerF.Malina,ExecutiveEditor SeanCubitt,Editor-in-Chief TheVisualMind,editedbyMicheleEmmer,1993 LeonardoAlmanac,editedbyCraigHarris,1994 DesigningInformationTechnology,RichardCoyne,1995 Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser with Douglas MacLeod,1996 Technoromanticism:DigitalNarrative,Holism,andtheRomanceoftheReal,RichardCoyne,1999 ArtandInnovation:TheXeroxPARCArtist-in-ResidenceProgram,editedbyCraigHarris,1999 TheDigitalDialectic:NewEssaysonNewMedia,editedbyPeterLunenfeld,1999 TheRobotintheGarden:TeleroboticsandTelepistemologyintheAgeoftheInternet,editedbyKenGold- berg,2000 TheLanguageofNewMedia,LevManovich,2001 MetalandFlesh:TheEvolutionofMan:TechnologyTakesOver,OllivierDyens,2001 UncannyNetworks:DialogueswiththeVirtualIntelligentsia,GeertLovink,2002 InformationArts:IntersectionsofArt,Science,andTechnology,StephenWilson,2002 VirtualArt:FromIllusiontoImmersion,OliverGrau,2003 Women,Art,andTechnology,editedbyJudyMalloy,2003 Protocol:HowControlExistsafterDecentralization,AlexanderR.Galloway,2004 At aDistance: Precursors to Art and Activism onthe Internet, editedbyAnnmarie Chandler andNorie Neumark,2005 TheVisualMindII,editedbyMicheleEmmer,2005 CODE:CollaborativeOwnershipandtheDigitalEconomy,editedbyRishabAiyerGhosh,2005 TheGlobalGenome:Biotechnology,Politics,andCulture,EugeneThacker,2005 MediaEcologies:MaterialistEnergiesinArtandTechnoculture,MatthewFuller,2005 New Media Poetics: Contexts, Technotexts, and Theories, edited by Adalaide Morris and Thomas Swiss, 2006 AestheticComputing,editedbyPaulA.Fishwick,2006 DigitalPerformance:AHistoryofNewMediainTheater,Dance,PerformanceArt,andInstallation,Steve Dixon,2006 MediaArtHistories,editedbyOliverGrau,2006 FromTechnologicaltoVirtualArt,FrankPopper,2007 META/DATA:ADigitalPoetics,MarkAmerika,2007 SignsofLife:BioArtandBeyond,editedbyEduardoKac,2007 Signs Of Life Bio Art and Beyond Eduardo Kac, editor TheMITPress Cambridge,Massachusetts London,England (2007MassachusettsInstituteofTechnology Allrightsreserved.Nopartofthis bookmaybereproducedinanyformbyanyelectronicorme- chanical means (including photocopying, recording, or information storage and retrieval) without permissioninwritingfromthepublisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use.Forinformation,pleasee-mailspecial_sales@mitpress.mit.eduorwritetoSpecialSalesDepart- ment,TheMITPress,55HaywardStreet,Cambridge,MA02142. ThisbookwassetinGaramond3andBellGothicon3B2byAscoTypesetters,HongKong,and wasprintedandboundintheUnitedStatesofAmerica. LibraryofCongressCataloging-in-PublicationData Signsoflife:bioartandbeyond/EduardoKac,editor. p. cm.—(Leonardo) Includesbibliographicalreferencesandindex. ISBN978-0-262-11293-2(hardcover:alk.paper) 1.Biotechnologyinart. 2.Artandscience. 3.Art—Moralandethicalaspects. 4.Science— Moralandethicalaspects. I.Kac,Eduardo. N72.B56S54 2007 7000.105—dc22 2006035537 10 9 8 7 6 5 4 3 2 1 Contents SeriesForeword ix AcknowledgmentsandCredits xi Introduction ArtthatLooksYouintheEye:Hybrids,Clones,Mutants,Synthetics,and Transgenics 1 EduardoKac I BiotechCulture 29 1 OpenSourceDNAandBioinformaticBodies 31 EugeneThacker 2 OrnamentalBiotechnologyandParergonalAesthetics 43 GunalanNadarajan 3 EmbodyingtheChimera:BiotechnologyandSubjectivity 57 BernardAndrieu 4 TheTransgenicInvolution 69 RichardDoyle 5 LifeArt 83 LouisBec II Bioethics 93 6 BioethicsandthePosthumanistImperative 95 CaryWolfe 7 BloodandBioethicsintheBiotechnologyAge 115 DorothyNelkin 8 ArtasaPublicPolicyMedium 125 LoriB.Andrews 9 LiberatingLifefromItself:BioethicsandAestheticsofAnimality 151 DominiqueLestel III BioArt 161 10 LifeTransformation—ArtMutation 163 EduardoKac 11 WhyIBreedPlants 185 GeorgeGessert 12 ChlorophyllApparitions 199 HeatherAckroydandDanHarvey 13 GoodandEvilontheLongVoyage 211 PaulPerry 14 Art:invivoandinvitro 215 MartadeMenezes 15 Semi-LivingArt 231 OronCattsandIonatZurr 16 CasesforGeneticArt 249 JoeDavis 17 VivoArts 267 AdamZaretsky 18 TheRelativeVelocityInscriptionDevice 277 PaulVanouse 19 Proteins 285 ReginaTrindade 20 SkinCulture 291 Object-OrientedArt(MarionLaval-JeantetandBenoˆıtMangin) 21 REPRODUCTION 295 davidkremers 22 OneTree 301 NatalieJeremijenko Contents vi 23 TheArtofUnnaturalSelection 303 BrandonBalleng´ee 24 GenomicPortrait 309 MarcQuinn IV BiologyandArtHistory 313 25 TheOriginsofLa´szlo´Moholy-Nagy’sBiocentricConstructivism 315 OliverA.I.Botar 26 TheGrowthofMicroorganismsonPaper 345 AlexanderFleming 27 EdwardSteichen’s1936ExhibitionofDelphiniumBlooms:AnArtofFlower Breeding 347 RonaldJ.Gedrim 28 OnScience 371 Vil´emFlusser 29 FromGeneticPerspectivetoBiohistory:TheAmbiguitiesofLookingDown, Across,andBeyond 373 BarbaraMariaStafford 30 ArtandBiotechnology 387 YvesMichaud Contributors 395 Index 401 Contents vii Series Foreword Thearts,science,andtechnologyareexperiencingaperiodofprofoundchange.Explosive challenges to the institutions and practices of engineering, art making, and scientific re- search raise urgent questions of ethics, craft, and care for the planet and its inhabitants. Unforeseen forms of beauty and understanding are possible, but so too are unexpected risks and threats. A newly global connectivity creates new arenas for interaction between science, art, and technology but also creates the preconditions for global crises. The Leonardo Book series, published by the MIT Press, aims to consider these opportunities, changes, and challenges in books thatare both timely and of enduring value. Leonardo books provide a public forum for research and debate; they contribute to the archive of art-science-technology interactions; they contribute to understandings of emer- gent historical processes; and they point toward future practices in creativity, research, scholarship, and enterprise. To find more information about Leonardo/ISAST and to order our publications, go to Leonardo Online at hhttp://lbs.mit.edu/i or e-mail [email protected]. Sean Cubitt Editor-in-Chief, Leonardo Book series Leonardo Book Series Advisory Committee: Sean Cubitt, Chair; Michael Punt; Eugene Thacker; Anna Munster; Laura Marks; Sundar Sarrukai; Annick Bureaud Doug Sery, Acquiring Editor Joel Slayton, Editorial Consultant

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Bio art is a new art form that has emerged from the cultural impact and increasing accessibility of contemporary biotechnology. Signs of Life is the first book to focus exclusively on art that uses biotechnology as its medium, defining and discussing the theoretical and historical implications of bi
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