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Shifting Shape, Shaping Text Shifting Shape, Shaping Text Philosophy and Folklore in the Fox Kòan Steven Heine University of Hawai‘i Press HONOLULU ©1999UniversityofHawai‘iPress Allrightsreserved PrintedintheUnitedStatesofAmerica 040302010099 54321 LibraryofCongressCataloging-in-PublicationData Heine,Steven1950– Shiftingshape,shapingtext:philosophyandfolkloreintheFoxkòan /StevenHeine. p. cm. Includesbibliographicalreferencesandindex. ISBN0–8248–2150–5(alk.paper).—ISBN0–8248–2197–1(paper: alk.paper) 1.Koan. 2.Hui-hai,720–814. 3.Zenmeditations. 4.Zen Buddhism—Folklore. 5.Karma. I.Title. BQ9289.5.H44 1999 294.3(cid:1)927—dc21 99–24368 CIP UniversityofHawai‘iPressbooksareprintedonacid-free paperandmeettheguidelinesforpermanenceand durabilityoftheCouncilonLibraryResources. DesignedbyNortheasternGraphicServices,Inc. PrintedbyTheMaple-VailBookManufacturingGroup Contents Preface vii Abbreviations xi Part One: Shape-Shifting 1.PuttingtheFoxBackintheFoxKòan 3 2.TheKòan’sMultivalentDiscursiveStructure 41 Part Two: Text-Shaping 3.PhilosophicalParadigmofParadoxicality 67 4.DeepFaithinCausality 105 5.FolkloreMorphologyandtheIssueofRepentance 131 6.UnconcludingMethodologicalReflections 177 AppendixI:TranslationsofFoxKòanCommentaries 201 AppendixII:Translationof“Pai-chang’sMonasticRules” 217 Notes 223 ListofSino-JapaneseTerms 261 Bibliography 000 Index 000 v Preface Ittakesafoxtoknowafox. —Ts’ung-junglu,case24 T his book draws on my fascination with the complex vari- etiesandmultiplemeaningsoftheshape-shiftingwildfox—asymbolof liminality in East Asian folklore—in order to analyze the theory and practiceofCh’an/ZenBuddhisminitsformativeperiodinChinaandJa- pan.ThebookdevelopsawiderangeofimplicationsaboutearlyZenby examiningaspecificexampleofthekòantraditionknownas“Pai-chang (J.Hyakujò)andthewildfox”or“Pai-chang’swildfoxkòan,”whichisin- cludedasthesecondcaseintheWu-menkuanandnumerousothercol- lections. While most interpretations comment on the philosophy of causality,myaimistoshowhowthefoxkòandealswiththedoctrineof karma in terms of a generally overlooked folklore narrative of fox-spirit possession and exorcism borrowed from Buddhist morality tale litera- ture(oftenlabeledsetsuwabungaku).Thekòanthusservesasalensfor examining the intersection in Zen of philosophical discussions on cause-and-effectandpopularreligiousapproachestokarmicretribution andrelease.Therelationbetweentheseinterlockingdiscursiveperspec- tivesisdiscussedinlightoftheimageofMasterPai-changasastrictdis- ciplinarian who advocates an ethic of “no work, no food”—an ethic reflectedinhismonasticrulestext,theCh’an-menkuei-shih(J.Zenmon vii viii • Preface kishiki),whichalsostressestheneedtobanishrogueormiscreantmem- bers of the saºgha. Thusthebookdealswiththerelationbetweenatriadofissues:aphilo- sophicaldebateabouttheparadoxicalidentityofcausalityanditsantithe- sis noncausality; a folkloric expression of retribution and repentance conveyed by the kòan’s exorcism narrative; and Pai-chang’s monastic rulesandrecordedsayingstexts.ThebookdemonstratesthatPai-chang’s rulesandrecordsarticulateasenseofmonasticorderandmoralstability that combats the criticism of Buddhism as an antinomian, antisocial, “wildfox”religiouslifestyleinawaythatdovetailswiththeritualelimina- tionofanintrudingvulpinespiritthatisperformedinthekòanrecord. Chapter1introducesthetextandcontextofthefoxkòanandevaluates Zen’sambiguous(orduplicitous)attitudeaboutsupernaturalbeliefsand diverseusesoftherhetoricofthewildfox—eitherasacriticismofrogue monks who violate rules or as praise of morally superior patriarchs who transcendtheneedforregulations.Thischapteranalyzesvariouskindsof syncretism incorporating indigenous fox-cult worship that encompasses the poles of the fox portrayed as positive/protective and as negative/de- structive—evenwhileZenrhetoriccloaksitselfinanauraoficonoclastic repudiationofanimism.Chapter2exploresthemethodological issueof examining the connection between philosophy and folklore while at- temptingtoovercometheconventionaltwo-tieredmodelofgreatandlit- tle traditions. The underlying theme in the examination of ambivalent approachestothefundamentallybivalentvulpineimageryinPartOneis that fox transfiguration represents the crossing of boundaries and the possibilityofconqueringillusionduringtimesoftransitionandtransfor- mation—especially in moral crises when conventional reality is chal- lenged, undermined, or otherwise called into question. Throughout the booktherearecitationsofliteraryandartisticexpressionsoffoxfolklore inrelationtoZenthought. InPartTwo,Chapter3focusesonphilosophicalinterpretationsofthe doctrine of causality and explores the debate between a literal reading of the kòan, which emphasizes a strict adherence to the law of karma, and the mainstream paradoxical reading, which embraces an identity of causality and noncausality. Chapter 4 deals extensively with the contra- dictory interpretations of the fox kòan presented in two fascicles of Dògen’s Shòbògenzò and related writings. It also considers the contro- versy in contemporary scholarship, particularly Critical Buddhism, about whether it is possible to appropriate Dògen’s apparent change of Preface • ix heart—expressed in an exclusive emphasis on the literal reading of the kòan in his later period—to illumine socioethical problems in Bud- dhism’s interaction with modern society. Chapter 5, citing examples of fox folklore from a variety of setsuwa sources, shows that one must un- derstand how folklore motifs provide a literary and conceptual under- pinning of the fox kòan’s approach to the experience of repentance if oneistointerpretthephilosophicallevelofthecase.Chapter6returns to the hermeneutic issue of overcoming the two-tiered model. In this chapterIassessrecentattemptsbyleadingscholarstodealwiththerole ofpopularreligionsintheZentraditionandthenproposeanalternative model based on a theory of intertextuality—that is, the interconnected- ness of diverse textual materials. The appendixes contain two sets of translations. Appendix I presents thestandardWu-menkuaneditionandanalternativeearlyeditionofthe fox kòan from the T’ien-sheng kuang-teng lu, including a detailed com- parison of the two versions, as well as the edition of the kòan in the Ts’ung-junglukòancollectionandtwoversescontainedinDògen’sEihei kòrokujukocollection.AppendixIIpresentsatranslationofPai-chang’s rules,theCh’an-menkuei-shih,whichwasfirstincludedasanappendix tothebiographyofPai-changintheChing-tech’uan-tenglu(“transmis- sion of the lamp” text) of 1004. Additional translations of prose and po- eticcommentariesonthekòanappearthroughoutthebook. Acknowledgments Themajorsourceoffundingfortheresearchforthisbookwasafellow- ship awarded by the National Endowment of the Humanities (1996–1997). Other funding sources include Florida International Uni- versity DSRT funding (1997–1998), the Northeast Asia Council of the AssociationforAsianStudies(1996),theAmericanAcademyofReligion (1996), the Pennsylvania State University Liberal Arts Research and GraduateStudiesOffice(1994and1996)aswellastheInstituteforArts and Humanistic Studies (1995), the Indiana University East Asian Studies Program (1995), and the University of Chicago East Asian StudiesProgram(1996). Some of the material first appeared in “Putting the ‘Fox’ Back in the ‘Wild Fox Kòan’: The Intersection of Philosophical and Popular Reli- gious Elements in the Ch’an/Zen Kòan Tradition,” Harvard Journal of Asiatic Studies 56(2) (1996):257–317. Additional material was incorpo- x • Preface rated from the following two articles: “Sòtò Zen and the Inari Cult: Symbiotic and Exorcistic Trends in Buddhist–Folk Religious Amalgam- ations,” Pacific World 10 (1994):71–95; and “Critical Buddhism (Hihan Bukkyò) and the Debate Concerning the 12-Fascicle and 75-Fascicle Shòbògenzò Texts,” Japanese Journal of Religious Studies 21(1) (1994):37–72. Various versions of the paper on the fox kòan were pre- sented at the Harvard University Buddhist Studies Forum (1994), the American Academy of Religion’s annual national meeting (1994) and Mid-Atlanticannualregionalmeeting(1996),theFuseLectureSeriesof theUniversityofTokyoDepartmentofIndianandBuddhistPhilosophy (1996),thePrincetonUniversityEastAsianStudiesDepartment(1997), and the Miami-Dade CC Honors Program (1998). I thank Yoshizu YoshihideandIshiiShûdòofKomazawaUniversityandSuekiFumihiko ofTokyoUniversityforhelpfuladviceandsuggestionsthatguidedmyre- searchinZentheoriesandpractices.ThanksalsotoPatriciaCrosbyand the staff of University of Hawai‘i Press for their support. Special thanks alsotoDavidOlson,SohoMachida,DaleWright,BernardFaure,Jackie Stone,andKarenSmyers,amongotherfoxyfriends. Figures11and12showinginscribedstonesfromPai-chang’stemplein KiangsiprovinceinChina—includingwhatissaidtobetheoriginal“wild fox rock” where the discovery of the vulpine corpse and funeral took place according to the kòan narrative—are presented courtesy of Ishii Shûdò.ThanksalsotoStephenAddissforpermissiontoreprinttwopho- tos(Figures2and14)fromhiscollectionandtotheIdemitsuMuseumof ArtforFigure1. Notes on Transliteration Thisbookusestheterm“Zen”torefertobothCh’anBuddhisminChina andZenBuddhisminJapan(exceptinquotationsfromscholarswhodo otherwise).Wade-Gilesromanizationisusedthroughoutthebook,again with the exception of quotations from scholars who use pinyin. Asian names are given family name first, except in instances that cite an au- thor’sworksinEnglish.

Description:
According to the "Fox Koan", the second case in the "Wu-men Kuan Koan" collection, Zen master Pai-chang encounters a fox who claims to be a former abbot punished through endless reincarnations for denying the efficacy of karmic causality. Most traditional interpretations of the "Koan" focus on the p
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