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SHAKESPEARE’S MONEY SHAKESPEARE’S MONEY HOW MUCH DID HE MAKE AND WHAT DID THIS MEAN? ROBERT BEARMAN 1 3 Great Clarendon Street, Oxford, ox2 6dp, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Robert Bearman 2016 The moral rights of the author have been asserted First Edition published in 2016 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this work in any other form and you must impose this same condition on any acquirer Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2015949827 ISBN 978–0–19–875924–9 Printed in Great Britain by Clays Ltd, St Ives plc Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work. Foreword Much of my working life has been spent in the cataloguing and arrangement of archive material and in its interpretation as evidence of past events. In the process I have inevitably come to feel that, if the documentary evidence is not there, then there is little point in specu- lating about what might have happened. Even the evidence we do have is not always reliable or sufficiently definitive, but at least some- thing survives on which to base an argument as opposed to a hypoth- esis dependent on the discovery of new data. As it happens, and as is repeatedly pointed out, the evidence for a study of Shakespeare’s life is very limited, but I have chosen not to lament this shortage of material or to give vent to customary expressions of frustration; rather to take a positive attitude towards what evidence we do have to interpret one particular aspect of his life which is not often discussed, namely to what degree did Shakespeare prosper financially and what place in society did he thereby come to occupy. After all, to his contemporaries this would have been the most immediate measure of his success; and indeed, is the best-documented aspect of his career. Several people have read drafts of what follows and I am very grate- ful for their comments, particularly from David Ellis, Mairi Macdonald, James Shapiro, and Martin Wiggins. Stanley Wells has also been gener- ous with his time and advice. The staff at the Shakespeare Birthplace Trust’s Library and Archive, where the bulk of the original documen- tation I have used is safely lodged, have been very helpful, as have those at The National Archives, the Folger Shakespeare Library and the College of Arms, particularly in their prompt and efficient supply of images. I have also benefited from the frequent use of the facilities offered by the Shakespeare Institute (University of Birmingham) Library. David Kathman has generously supplied me with copies of unpublished material and John Taplin’s encyclopaedic knowledge of the genealogy of Shakespeare’s local contemporaries has been invalua- ble. But it would be remiss not to include posthumous tributes to vi Foreword those earlier scholars who over the years have provided transcripts and facsimiles of all the key documents on which we depend, most notably J.O. Halliwell-Phillips, E.K. Chambers, B. Roland Lewis and S. Schoenbaum, whose frequent appearances in the footnotes bear witness to the enduring value of their work. Lastly, I must thank my wife, Jan Bunyan, my sternest critic when it comes to matters of gram- mar and infelicities of expression but whose superior computer skills also came into play when, in the twelfth hour, I was driven to the use of updated (and unfamiliar) operating systems and programmes. Robert Bearman June 2015 Contents List of illustrations ix Abbreviations xi 1. Introduction 1 2. Early life 7 Family background 7 John Shakespeare’s difficulties 10 Education and marriage 23 Career choices 27 3. Laying the foundations 33 Early years in the theatre 33 A search for patronage? 40 As a Chamberlain’s Man 43 A freelance writer? 55 Early residences in London 61 4. Consolidation 67 The grant of arms 67 The purchase of New Place 76 Early business dealings 86 The property portfolio expands 101 Further investment, 1602–1605 114 Shakespeare the gentleman? 122 5. Retrenchment 131 Shakespeare the maltster 131 The Addenbrooke case 133 The Stratford tithes 135 The Welcombe enclosures 138 6. The final count 146 Shakespeare’s income 146 Shakespeare’s status 155 viii Contents The Blackfriars Gatehouse 166 Shakespeare’s monument 172 7. Conclusion 174 Works cited 179 Index 187 List of illustrations 1. Page from the appendix to Robert Chester’s Loves Martyr, published in 1601, with the poem Threnos, attributed to William Shakespeare 58 2. The forty regular householders in the parish of St Helen’s, Bishopsgate, assessed on the value of their moveable goods as liable to contribute to a government subsidy, 1 October 1598 62 3. Part of one of the drafts of the grant of arms to John Shakespeare, 20 October 1596 69 4. Richard Quiney’s letter to William Shakespeare asking for his help in securing a loan of £30, 25 October 1598 94 5. Extract from the ‘noate of Corne & malte’ stored in Stratford-upon-Avon, 4 February 1598, recording William Shakespeare’s holding of ten quarters (eighty bushels) of malt 100 6. Agreement between William Replingham (acting on William Combe’s behalf ) and William Shakespeare that Shakespeare would be recompensed for any losses he might suffer as a tithe-holder ‘by reason of anie Inclosure or decaye of Tyllage’ at Welcombe, 5 September 1614 141 7. An extract from Thomas Greene’s ‘diary’ recording a conversation in London with William Shakespeare, ‘commyng yesterday to towne’, about the proposed enclosure at Welcombe, 17 November 1614 144

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