Seven Day Terror by R A Lafferty

10 Pages·2021·0.08 MB·English

The Project Gutenberg EBook of Seven-Day Terror, by R. A. Lafferty

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: Seven-Day Terror

Author: R. A. Lafferty

Release Date: January 7, 2020 [EBook #61128]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK SEVEN-DAY TERROR ***

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

SEVEN DAY TERROR

BY R. A. LAFFERTY

Things just vanished. It was simple. As

a matter of fact, it was child's play!

[Transcriber's Note: This etext was produced from

Worlds of If Science Fiction, March 1962.

Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

"Is there anything you want to make disappear?" Clarence Willoughby asked his mother.
"A sink full of dishes is all I can think of. How will you do it?"
"I just built a disappearer. All you do is cut the other end out of a beer can. Then you take two pieces of red cardboard
with peepholes in the middle and fit them in the ends. You look through the peepholes and blink. Whatever you look at
will disappear."
"Oh."
"But I don't know if I can make them come back. We'd better try it on something else. Dishes cost money."
As always, Myra Willoughby had to admire the wisdom of her nine-year-old son. She would not have had such
foresight herself. He always did.
"You can try it on Blanche Manners' cat outside there. Nobody will care if it disappears except Blanche Manners."
"All right."
He put the disappearer to his eye and blinked. The cat disappeared from the sidewalk outside.
His mother was interested. "I wonder how it works. Do you know how it works?"
"Yes. You take a beer can with both ends cut out and put in two pieces of cardboard. Then you blink."
"Never mind. Take it outside and play with it. You hadn't better make anything disappear in here till I think about this."
But when he had gone his mother was oddly disturbed.
"I wonder if I have a precocious child. Why, there's lots of grown people who wouldn't know how to make a
disappearer that would work. I wonder if Blanche Manners will miss her cat very much?"
Clarence went down to the Plugged Nickel, a pot house on the corner.
"Do you have anything you want to make disappear, Nokomis?"
"Only my paunch."
"If I make it disappear it'll leave a hole in you and you'll bleed to death."
"That's right, I would. Why don't you try it on the fire plug outside?"

This in a way was one of the happiest afternoons ever in the neighborhood. The children came from blocks around to
play in the flooded streets and gutters, and if some of them drowned (and we don't say that they did drown) in the flood
(and brother! it was a flood), why, you have to expect things like that. The fire engines (whoever heard of calling fire
engines to put out a flood?) were apparatus-deep in the water. The policemen and ambulance men wandered around
wet and bewildered.
"Resuscitator, resuscitator, anybody wanna resuscitator," chanted Clarissa Willoughby.
"Oh, shut up," said the ambulance attendants.
Nokomis, the bar man in the Plugged Nickel, called Clarence aside.
"I don't believe, just for the moment, I'd tell anyone what happened to that fire plug," he said.
"I won't tell if you won't tell," said Clarence.
Officer Comstock was suspicious. "There's only seven possible explanations. One of the seven Willoughby kids did it. I
dunno how. It'd take a bulldozer to do it, and then there'd be something left of the plug. But however they did it, one of
them did it."
Officer Comstock had a talent for getting near the truth of dark matters. This is why he was walking a beat out here in
the boondocks instead of sitting in a chair downtown.
"Clarissa!" said Officer Comstock in a voice like thunder.
"Resuscitator, resuscitator, anybody wanna resuscitator?" chanted Clarissa.
"Do you know what happened to that fire plug?" asked officer C.
"I have an uncanny suspicion. As yet it is no more than that. When I am better informed I will advise you."
Clarissa was eight years old and much given to uncanny suspicions.
"Clementine, Harold, Corinne, Jimmy, Cyril," he asked the five younger Willoughby children. "Do you know what
happened to that fire plug?"
"There was a man around yesterday. I bet he took it," said Clementine.
"I don't even remember a fire plug there. I think you're making a lot of fuss about nothing," said Harold.

"City hall's going to hear about this," said Corinne.
"Pretty dommed sure," said Jimmy, "but I wont tell."
"Cyril!" cried Officer Comstock in a terrible voice. Not a terrifying voice, a terrible voice. He felt terrible now.
"Great green bananas," said Cyril, "I'm only three years old. I don't see how it's even my responsibility."
"Clarence," said Officer Comstock.
Clarence gulped.
"Do you know where that fire plug went?"
Clarence brightened. "No, sir. I don't know where it went."
A bunch of smart alecs from the water department came out and shut off the water for a few blocks around and put
some kind of cap on in place of the fire plug. "This sure is going to be a funny-sounding report," said one of them.
Officer Comstock walked away discouraged. "Don't bother me, Miss Manners," he said. "I don't know where to look
for your cat. I don't even know where to look for a fire plug."
"I have an idea," said Clarissa, "that when you find the cat you will find the fire plug the same place. As yet it is only an
idea."
Ozzie Murphy wore a little hat on top of his head. Clarence pointed his weapon and winked. The hat was no longer
there, but a little trickle of blood was running down the pate.
"I don't believe I'd play with that any more," said Nokomis.
"Who's playing?" said Clarence. "This is for real."

This was the beginning of the seven-day terror in the heretofore obscure neighborhood. Trees disappeared from the
parkings; lamp posts were as though they had never been; Wally Waldorf drove home, got out, slammed the door of
his car, and there was no car. As George Mullendorf came up the walk to his house his dog Pete ran to meet him and
took a flying leap to his arms. The dog left the sidewalk but something happened; the dog was gone and only a bark
lingered for a moment in the puzzled air.
But the worst were the fire plugs. The second plug was installed the morning after the disappearance of the first. In eight
minutes it was gone and the flood waters returned. Another one was in by twelve o'clock. Within three minutes it had
vanished. The next morning fire plug number four was installed.
The water commissioner was there, the city engineer was there, the chief of police was there with a riot squad, the
president of the parent-teachers association was there, the president of the University was there, the mayor was there,
three gentlemen of the F.B.I., a newsreel photographer, eminent scientists and a crowd of honest citizens.
"Let's see it disappear now," said the city engineer.
"Let's see it disappear now," said the police chief.
"Let's see it disa—it did, didn't it?" said one of the eminent scientists.
And it was gone and everybody was very wet.
"At least I have the picture sequence of the year," said the photographer. But his camera and apparatus disappeared
from the midst of them.
"Shut off the water and cap it," said the commissioner. "And don't put in another plug yet. That was the last plug in the
warehouse."
"This is too big for me," said the mayor. "I wonder that Tass doesn't have it yet."
"Tass has it," said a little round man. "I am Tass."
"If all of you gentlemen will come into the Plugged Nickel," said Nokomis, "and try one of our new Fire Hydrant
Highballs you will all be happier. These are made of good corn whisky, brown sugar and hydrant water from this very
gutter. You can be the first to drink them."
Business was phenomenal at the Plugged Nickel, for it was in front of its very doors that the fire plugs disappeared in
floods of gushing water.
"I know a way we can get rich," said Clarissa several days later to her father, Tom Willoughby. "Everybody says they're
going to sell their houses for nothing and move out of the neighborhood. Go get a lot of money and buy them all. Then
you can sell them again and get rich."
"I wouldn't buy them for a dollar each. Three of them have disappeared already, and all the families but us have their
furniture moved out in their front yards. There might be nothing but vacant lots in the morning."
"Good, then buy the vacant lots. And you can be ready when the houses come back."

"Come back? Are the houses going to come back? Do you know anything about this, young lady?"
"I have a suspicion verging on a certainty. As of now I can say no more."

Three eminent scientists were gathered in an untidy suite that looked as though it belonged to a drunken sultan.
"This transcends the meta-physical. It impinges on the quantum continuum. In some ways it obsoletes Boff," said Dr.
Velikof Vonk.
"The contingence on the intransigence is the most mystifying aspect," said Arpad Arkabaranan.
"Yes," said Willy McGilly. "Who would have thought that you could do it with a beer can and two pieces of cardboard?
When I was a boy I used an oatmeal box and red crayola."
"I do not always follow you," said Dr. Vonk. "I wish you would speak plainer."
So far no human had been injured or disappeared—except for a little blood on the pate of Ozzie Murphy, on the lobes
of Conchita when her gaudy earrings disappeared from her very ears, a clipped finger or so when a house vanished as
the front door knob was touched, a lost toe when a neighborhood boy kicked at a can and the can was not; probably
not more than a pint of blood and three or four ounces of flesh all together.
Now, however, Mr. Buckle the grocery man disappeared before witnesses. This was serious.
Some mean-looking investigators from downtown came out to the Willoughbys. The meanest-looking one was the
mayor. In happier days he had not been a mean man, but the terror had now reigned for seven days.
"There have been ugly rumors," said one of the mean investigators, "that link certain events to this household. Do any of
you know anything about them?"
"I started most of them," said Clarissa. "But I didn't consider them ugly. Cryptic, rather. But if you want to get to the
bottom of this just ask me a question."
"Did you make those things disappear?" asked the investigator.
"That isn't the question," said Clarissa.
"Do you know where they have gone?" asked the investigator.
"That isn't the question either," said Clarissa.
"Can you make them come back?"
"Why, of course I can. Anybody can. Can't you?"
"I cannot. If you can, please do so at once."
"I need some stuff. Get me a gold watch and a hammer. Then go down to the drug store and get me this list of
chemicals. And I need a yard of black velvet and a pound of rock candy."
"Shall we?" asked one of the investigators.
"Yes," said the mayor, "it's our only hope. Get her anything she wants."
And it was all assembled.

"Why does she get all the attention?" asked Clarence. "I was the one that made all the things disappear. How does she
know how to get them back?"
"I knew it!" cried Clarissa with hate. "I knew he was the one that did it. He read in my diary how to make a
disappearer. If I was his mother I'd whip him for reading his little sister's diary. That's what happens when things like
that fall into irresponsible hands."
She poised the hammer over the gold watch of the mayor on the floor.
"I have to wait a few seconds. This can't be hurried. It'll be only a little while."
The second hand swept around to the point that was preordained for it before the world began. Clarissa suddenly
brought down the hammer with all her force on the beautiful gold watch.
"That's all," she said. "Your troubles are over. See, there is Blanche Manners' cat on the sidewalk just where she was
seven days ago."
And the cat was back.
"Now let's go down to the Plugged Nickel and watch the fire plug come back."
They had only a few minutes to wait. It came from nowhere and clanged into the street like a sign and a witness.

"Now I predict," said Clarissa, "that every single object will return exactly seven days from the time of its
disappearance."
The seven-day terror had ended. The objects began to reappear.
"How," asked the mayor, "did you know they would come back in seven days?"
"Because it was a seven-day disappearer that Clarence made. I also know how to make a nine-day, a thirteen-day, a
twenty-seven-day, and an eleven-year disappearer. I was going to make a thirteen-day one, but for that you have to
color the ends with the blood from a little boy's heart, and Cyril cried every time I tried to make a good cut."
"You really know how to make all of these?"
"Yes. But I shudder if the knowledge should ever come into unauthorized hands."
"I shudder too, Clarissa. But tell me, why did you want the chemicals?"
"For my chemistry set."
"And the black velvet?"
"For doll dresses."
"And the pound of rock candy?"
"How did you ever get to be mayor of this town if you have to ask questions like that? What do you think I wanted the
rock candy for?"
"One last question," said the mayor. "Why did you smash my gold watch with the hammer?"
"Oh," said Clarissa, "that was for dramatic effect."

End of the Project Gutenberg EBook of Seven-Day Terror, by R. A. Lafferty

*** END OF THIS PROJECT GUTENBERG EBOOK SEVEN-DAY TERROR ***

***** This file should be named 61128-h.htm or 61128-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/6/1/1/2/61128/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms

will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.

* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or

cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal

Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, [phone]. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

Dr. Gregory B. Newby
Chief Executive and Director