Set in Stone: The Face in Medieval Sculpture PDF
Preview Set in Stone: The Face in Medieval Sculpture
ET Ke STONE THE FACE IN MEDIEVAL SCULPTURE THE METROPOLITAN \ MUSEUM OF ART Set in Stone: The Face in Medieval Sculpture SET IN STONE THE FACE IN MEDIEVAL SCULPTURE Eclited by Charles T. Litle Inching itn eosay by Wlithald Sucre THE METROPOLITAN MUSEUM OF ART, NEW YORK YALE UNIVERSITY PRESS, NEW ILAVES AND LONDON, eran or nage ad ome ame Ne Suc ibe Sae pot vee td Fae ee rgech ly Te Miran Contents Doers Fuevort Ryne de Mores Sacer ro he Ian. Cante of Main 30. scrtedgricns smelt Cathar Landini baaindon Intracton: Fasing sh idle Ages haere Treoshar epic ef anlence Sion Seber ‘The beesane Post: 8 Sonn Oeste Srey hog ge ad Foe a he Sinn bi: Behn lerages japan eg ‘oe Menge fra SH bee eaentuave nimaenn sas Sripngldensty Sophos etcae inks tay Rllctinmcn ning Chie zor and Chaise elquty Una A CessaAriueet inane shin Dn Sel Tiniogrsy Director’s Foreword [izicrims shouting a atv inne ssf he rept thers we abivays che: pst ny chac aio anighs re. fe grand sume athe ‘esttaordinany Heme of dhe pormancne eoLectn, Many cestuees a: Wiles ls sighs were octyl wes se glee, an aay hunt ie tee ey s pssed fy se na tes lens a em The eimary tea ul reserving ad tying i permamert eller, aa hin we are scnatanly deve mews ways of king he publ aware of ewe vere ches “So i Sue eae fn Neva Supine” pape Tews sca super clan of ree ay a6 ao eqn’ eo eng ete the elton Tm rset aid greens es at Te Mier sskibition tose these heal a them, 0 a7 ebihtien 1 dimly "Leads in Sculpture” dros on the Velroptan’s bongs seh Fm Luv china ane western Lurupe liga aif the cheumslygeal een ul Comedie lark melas ing From she eng Ce Romar Ise the Renan, he uk gale sungerher are poesente acorting to chemise and aesthetic cri, ar Man fn hon usa ur geographic umes vo st ve may view hi mateial tro sh ‘eyes, Whi the buhlngs uf the Departznen uf Metheral tad he Clusters pry ce Ube sone shoot af she rete che any Une ie anos the gle gris and Kurope In partcilarHhe extol sevens pnts rete hs fuyenen og hey Ia Fer pe ens te ie Sas perce elements, comely deste fom the cetbedrl Nk [Jao n Pass sacl the rap zbbey uf Sum Der 1 ech teks dhe geri these lenders and esprene the Miner shege tht The esta unluretions rte ally echanen ur spores Une workvot a addin, a nutce a poate cofmrueskiealy agicedo lend portan:selgrures ad aa thera Toxpscss ours coalgradande raat ws vt and erger ad Wy Chaves Tl, Cura hie fed The Chokes, wh eaablihed hs elec Dente of vd Focndatins i thoes. Ts wa neste to hae the abe atstunce ot Wendy Sieh, Reseach Aawociee: te both of diem 1 ace dae Museums hearse thanks, “The edits ato eocagnizss che ARich anu rersary ofthe Laernational Center of Mesioval An, hose ifices re locaed at The Coisers. Thisisapaticcely fring <elsbraton of chs Husa! collaboration amoug schekrs anc collecters af metal Lat art many el whom hav: contributed ea che catalogue or offcedsnely and most vsloan adh, AMchough the exh sshides sulpeuce tn: he Barly Byzsaeue world, Hogland, tal, ond erkers the marty af te wasks ae Fench in ovigi and fying cat the et room is mle pile Iy "The Montre Cou fosuedatns, whose eommninent x0 Hrench cultural arenes in America is hoth vivonary and rane’ Aaionalsep- ert provides hy the Michel Dovel Fun. wan specally acknwalge Snel Dan cust the Meum and ha Te Misty Caen ate rT Cv penn, Ker ha ssp ate of Fae Department” Meter A> ad he Coe, is ban a ge copy, Thal, THe Metropolitan Mseam of et grat the Rode hme Lounlsion formking che Rober Leeman Ying ellie eabe rhe rhino LPhttppe de Mumehelle Be this elope a gpingt pes, new information came co lighr rere the Crayne Bus ofa Mermcrtom Ravello ‘et 29,6 and ce Somtapnce oes wl (aringevarinason he euipoe preperation or shipment #9 New York, she lice ofthe soprimessente,Sslemno,sscertained that the oust x ue Wkly recarvel Aatiqve sulplire: imexedlen eageple uP how the sig of oes Teas nsexiions cin el det salle wm nighls and eerie Statement from the International Center of Medieval Art [imc een eobezdeotirorel mol an fd Noh der ean branch ul the Froach ceganszacon Clone national a adoe Romane, sang The ftereatunal Coe wf Romanesque An. The ets othe grey expe arasidershy ve the en era tsa a eal Talon sora via at ama 9 he grwing mga, nw pre eh sligal Comte bf Recieval et CCMA A Fs Deacquartered at Ness Yor Users deat of Frm are, wy the (Ct secepled the how The Classes. where dhey comin wo this Ga. As Buyer Kivihayer ferme” pres dene ofthe (CMA, indicareé at The Cloirers Sietharmive-sary im 966 the col aboradon has prowe. @ fistams ace, inching joint scusorshup of « host of Alissnguished symrooda leseues,pabeations and exiitons ‘mn cole spi, aad in zar to selebrove che Eitieh anrivereay of the ICMA, che “Meropoli hee ocganizs the curentealubisou—corsted by ChetlsT Linke of the Mnceun’s Dspartuiene of Medea Att sad The Cloistess. who ie alo a pet presden: at che ICMA—as tes-amen: 2 the presustive <ouperation between che hate, ray eae he of The Metropebtan Museum of Ar nd move i ofce wo inseuions, The works inte exhibition seprecent che oad chromalogic. ene geographic otitates ofthe Mite ages. eflecting seul aspects ofthe ICRIAS rision: uamcs co promote the smi, undascasing. appreciation, ans preserve loa ot att one in Easope, che Medtetraneun gina, Scsdingva, ae the Slvic ‘world Hm aboot an 320 t9T5ee. Tacs inclsde mormon, abjecs, and sites by sacred ander: ‘rom Cave “evi, Ilan, nd oezer eligi ditions, ‘he TEMA wees orks hs opporemiey a expzesitsceapese arse ro The “Mecopolian husccim of Art fers contig hossics ity sn imaluabe support ary b Sener aes he Pas Suephen Kher fe ne ‘Winey 8. Si Corktene Vere Acknowledgments rrznirs ren Thee Mra ea’ eco evens ich Stephon K. Seer, an:néependeat scholar, professor colleeo:, gue car tor annie ised al dst Departs of Mev Arad The Cleese wha isa ronnie ue aang. dcustons of és wap en preset lest agers he Waseun' aoval lectin, pavtclaiy in cnjaselon wich tee oa finn ple soa piv cellssons. the thsane nf ehe fase end the Tread nuke dle ges merge na areal eer har Toul allow fora igoicane Late npn TI esis tn pan eels a ah lieth suersny 0 th Hhernsional Caner af dost re IEMA, am egancaion edicated ws the prams, sly and apprediauon of the at of Eze Mids Ages and wheat headquarter sted aT Cloke Ths pergrame sd pubiew bono she KM area prea belo esis, ceahers, ant atdens as Well 319 Lethe emesis wan are nereiein Je cle Ae he edison ead bt have fn reg eon iat ep a a ond cinner af pwiple ith the Metrapalton Mussunn's Organi al Medea] Art and Zhe Classis Typ Ther dtm, chasm, aa hgh, =a nance grail ts Werdy A Sin who mae es ketenes then & Day Tsai, Bete Harm, Hara ake Hao Saal Bibs. Leith Castelaoe Tdi rd Helen Couns grid sivertal aden a6 well a ceo the aati (ral indeed 19 Chron Rear, Tht Many hy These Vinvon, atid Nancy Wu. jahaons G. Seasnesisn, our graduate wre, 8 9 cae rewsichér, anual, ind atluges contihuti: Chins Versa bat also become runt adit cad wen contac nsths tanga, Yam grated essen eb ee ‘oh autho ude of she depres wh peri ces etscive tei exper ine, scholachip. and plotessioazsm. My special Cans eo Wilibeld Sanctlander vwtose abiding inczers nee meng of phystagnomy in the vial art esta ‘wondertily moaitst:n is provocait inc uctory 257. Dring che preparation of the extibcon and ts accompatying catalog. tt excellent aff of she Mewopoler: Museum perfo:zaed mappiicendyin all eyand, fom che ial research in Watson Library to che final iat ofthe tscalacion 1 ‘visi co esnress my deep appreciation to etersune involve lan Wordruppe, Burs ‘em Senipnize snd Decorative Arte ascence Kent, Boer Lehman Col elie Adler, Cah an Wile Cot, Registrar lye Topaln and Egle Zs umenmict tiocs: Lucretia Sanger. Pred Sage. ack Soultaniar, al Aesaradey Wale, Objects
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