SELF-AWARENESS, TEMPORALITY, AND ALTERITY CONTRIBUTIONS TO PHENOMENOLOGY IN COOPERATION WITH THE CENTER FOR ADVANCED RESEARCH IN PHENOMENOLOGY Volume 34 Editor: John J. Drummond, Mount Saint Mary's College Editorial Board: Elizabeth A. Behnke David Carr, Emory University Stephen Crowell, Rice University Lester Embree, Florida Atlantic University J. Claude Evans, Washington University Jose Huertas-Jourda, Wilfrid Laurier University Joseph J. Kockelmans., The Pennsylvania State University William R. McKenna, Miami University Algis Mickunas, Ohio University J. N. Mohanty, Temple University Tom Nenon, The University of Memphis Thomas M. Seebohm, Johannes Gutenberg-Universitiit, Mainz Gail Soffer, New School for Social Research, New York Elisabeth Straker, Philosophisches Seminarium der Universitiit Koln Richard M. Zaner, Vanderbilt University Scope The purpose of this series is to foster the development of phenomenological philosophy through creative research. Contemporary issues in philosophy, other disciplines and in culture generally, offer opportunities for the application of phenomenological methods that call for creative responses. Although the work of several generations of thinkers has provided phenomenology with many results with which to approach these challenges. a truly successful response to them will require building on this work with new analyses and methodological innovations. SELF-AWARENESS, TEMPORALITY, AND ALTERITY Central Topics in Phenomenology edited by DANZAHAVI University of Copenhagen, Denmark Springer-Science+Business Media, B.Y. A C.I.P. Catalogue record for this book is available from the Library of Congress. Printed on acid-free paper ISBN 978-90-481-5031-1 ISBN 978-94-015-9078-5 (eBook) 00110.1007/978-94-015-9078-5 Softcover reprint of the hardcover 1st edition 1998 All Rights Reserved © 1998 Springer Science+Business Media Dordrecht Originally published by Kluwer Academic Publishers in 1998. No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from the copyright owner Table of contents Preface . . ........... , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 7 Part I The Self or the Cogito in Kinaesthesis Yorihiro Yamagata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 9 The Fracture in Self-Awareness Dan Zahavi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 21 James and Husserl: Time-consciousness and the Intentionality of Presence and Absence Richard Cobb-Stevens .... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 41 Intentionality, Phenomenality, and Light James G. Hart ............................................ 59 Can I Anticipate Myself? Self-affection and Temporality Natalie Depraz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 83 The Physis of Consciousness and Metaphysics Torn Tani ................................................ 99 The Horizon of the Self: Husserl on Indexicals Denis Fisette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 119 Part II My Time and the Time of the Other RudolfB ernet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 137 Temporality and the Point: The Origins and Crisis of Continental Philosophy Anthony Steinbock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 151 The Shadow of the Other Linda Fisher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 169 The Ethos of Democracy from a Phenomenological Point of View Klaus Held .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 193 The Foreignness of a Foreign Culture Dieter Lohmar .... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 207 Stromdichtung and Subjectivity in the later Heidegger R. Philip Buckley ......................................... 223 Index .......................................................... 239 Preface In December 1996 a conference entitled Self-awareness, temporality, and alterity took place at the University of Copenhagen. The explicit aim of that conference was to clarifY and discuss three issues very much at the center of current phenomenological thinking-issues that were already central to Husserl, but which have gained particular prominence through the writings of French phenomenologists such as Sartre, Merleau-Ponty, Levinas, Henry, and Derrida. This anthology is comprised of papers presented on that occasion. It has been divided into two parts. The first part, containing papers by Yamagata, Zahavi, Cobb-Stevens, Hart, Depraz, Tani, and Fisette, all address the three central topics in a fairly direct way through analyses of kinaesthesis, self-affection, self manifestation, time-consciousness, intentionality, and indexicality. The second part contains papers by Bernet, Steinbock, Fisher, Held, Lohmar, and Buckley. These papers expand the focus to include areas like historicity, generativity, interculturality, hermeneutics, ethics, and politics. I am grateful to all of the contributors for their readiness to participate in this common venture. The organization of the conference would not have been possible without the support and advice from my colleagues at the University of Copenhagen. I am particularly indebted to Joan Conrad, Peter Sandoe, Frederik Tygstrup, and Frederik Stjernfelt. Financial support was provided by the Department of Philosophy, Education, and Rhetoric, as well as by the Faculty of Humanities of the University of Copenhagen. Finally, thanks are also due to John Drummond, the editor of Contributions to Phenomenology, for his help with the preparation of the volume. The Self or the Cogito in Kinaesthesis Y orihiro Yamagata Osaka University-Japan I. Merleau-Ponty's concept of flesh The concept of flesh is capital in Merleau-Ponty's last works, L'(£i/ et l'esprit and Le visible et l'invisible. The author uses it to elaborate once more the concept of the body he presented in Phenomenologie de la perception. In his last book, the flesh signifies primarily our living body. What is the flesh? The word is defined as the reversibility of the seer and the visible, and generally speaking, of the sentient and the sensible. The body as flesh is both sentient and sensible, and more particularly the seer and the visible simultaneously. But what experience induced the author of Le visible et l'invisible to build up a concept that allows the body to be seen from this angle of reversibility? As he has asserted in Phenomenologie de la perception, it is the movement ofthe look that can see an object. The look enfolds, touches, feels the visible; it moves "as though it were in a relation of pre-established harmony with them, as though it knew them before knowing them."! On what is based this relation between the seer and the visible that Merleau-Ponty poetically describes as an "intimacy as close as between the sea and the strand"(VI,130-131)? It lies in the simple fact that the body is visible. If this seeing body can prepossess the visible so as to enter into a pre established harmonious relationship with it, this is because it is also a visible thing, possessed by the visible, "is ofit"(VI, 135). In order better to understand this prepossession of the visible by the seer, one must reexamine a tactile experience. To see, for Merleau-Ponty, is to let the look, by its movement, touch, and in this sense it is merely a variant of a tactile experience. Vision is the look's touch. Tactile experiences involve the same type of relationship as the eye's movement in relation to the visible, but in a more palpable way, like the hand exploring a texture it will discover to be smooth or rough. This agreement between touching and the information given by touching, says Merleau Ponty, ... can happen only if my hand, while it is felt from within, is also accessible from without, itself tangible, for my other hand, for example, if it takes its place among the things it touches, is in a sense one of them, opens finally upon a tangible being of which it is also a part. (VI, 133) 9 D. Zahavi (ed.), Self-awareness, Temporality, and Alterity, 9-19. © 1998 Kluwer Academic Publishers. 10 THE SELF OR THE COGITO IN KINAESTHESIS The concept of flesh as the reversibility of the sentient and the sensible is thus based on the banal tactile experience consisting of touching with the left hand the right hand touching an object. But can one conclude that the reversibility of the concept of flesh signifies the identity, or concordance, of the touching and the touched, the seer and the seen? Does the concept offlesh imply that the seer and the visible coincide, and consequently that the thinker finds himself in and by reflection as a thought? No, the reversibility of the flesh never consists in the identity of the touching and the touched; if they can be reversed, it is not because they are identical. As Merleau-Ponty puts it, to begin with, we spoke summarily of a reversibility of the seeing and the visible, of the touching and the touched. It is time to emphasize that it is a reversibility always imminent and never realized in fact. My left hand is always on the verge of touching my right hand touching the things, but I never reach coincidence; the coincidence eclipses at the moment of realization, and one of two things always occurs: either my right hand really passes over to the rank of touched, but then its hold on the world is interrupted; or it retains its hold on the world, but then I do not really touch it-my right hand touching, I palpate with my left hand only its outer covering. (VI, 147-148) We will therefore never be able to catch the movement of the look or the hand at the exact moment it acts upon the sensory, whether touched or seen. For Merleau-Ponty, who since Phenomenofogie de fa perception has been inclined to look for the origins of reflection in the dual tactile sensation, should this everlasting non-realization not imply the incapacity of reflection to reach reality, however one defines the reality, whether as phenomenal body or transcendental SUbjectivity? By no means, because, quite simply, it is in no way a failure, but rather a success in failure. This failure has a positive meaning, "for," says Merleau-Ponty, if these experiences never exactly overlap, if they slip away at the very moment they are about to rejoin, ifthere is always a 'shift', a 'spread', between them, this is precisely because my two hands are part of the same body, because it moves itself in the world, because I hear myself both from within and from without. I experience-and as often as I wish-the transition and the metamorphosis of the one experience into the other, and it is only as though the hinge between them, solid, unshakable, remained irremediably hidden from me. (VI, 148) This imminent but never realized superposition that I try to effect between my touching and the touched hand reveals the existence of the something that makes the transmutation of the touching into the touched possible. This something, Yorihiro Yamagata 11 this "'element' ofBeing"(VI, 139) guarantees the reversibility of the touching and the touched like a hinge. And this "element of Being" is precisely what Merleau Ponty calls flesh. The body's reflexivity that one experiences between touching and touched indicates the existence of the flesh, their common texture. Or rather, what is substantial is the flesh; touching and the touched, seeing and the visible are but the verso and the recto of the same tissue of flesh. II. Wahrnehmen and Sich bewegen One might well compare Merleau-Ponty's analysis of the touching-touched experience in the elaboration of the concept of flesh with Husserl's analysis of Empfindnis, in which the problems of self-consciousness, of otherness and of kinaesthesis are intertwined, as Dan Zahavi has pointed out in his fine paper, "Self awareness and affection."2 We will not go into this intertwining here, but content ourselves with a few brief remarks on kinaesthesis and its reflexivity as they appear in a direct reading of Le visible et l'invisible. In his Notes de travail (VI,249), Merleau-Ponty stresses that the body, as Sich bewegen, is endowed with reflexivity, it [my body] is not one mobile or moving among the mobiles or movings, I am not conscious of its movements as a distance taken by relation to me, it bewegt sich whereas the things are moved. This means a sort of 'reflectedness' (sich bewegen), it thereby constitutes itself in itself. Merleau-Ponty also equates the experience of self-moving with that of self-touching or self-seeing. He thus understands the self of self-moving, of Sich bewegen, through the self of self-touching. And the results of his analysis of the seeing and the visible apply also to this self-touching's self: To touch oneself, to see oneself, accordingly, is not to apprehend oneself as an ob-ject, it is to be open to oneself, destined to oneself (narcissism) [00']' Nor, therefore, is it to reach oneself, it is on the contrary to escape oneself, to be ignorant of oneself, the self in question is by divergence (d'ecart), is Unverborgenheit of the Verborgen as such, which consequently does not cease to be hidden or latent [ ... ]. (VI,249) What is this self he alludes to? It is the reverse of my tactile or visual appearance. 12 THE SELF OR THE COGITO IN KINAESTHESIS In fact I do not entirely succeed in touching myself touching, in seeing myself seeing, the experience I have of myself perceiving does not go beyond a sort of imminence, it terminates in the invisible, simply this invisible is its invisible, i.e. the reverse of its specular perception, of the concrete vision I have of my body in the mirror. The self-perception is still a perception, i.e. it gives me a Nicht Urpriisentierbar (a non-visible, myself), but this it gives me through an Urpriisentierbar (my tactile or visual appearance) in transparency (i.e. as a latency)[ .. .]. (VI,249-2S0). Why does the Sich bewegen only perceive itself as an absence of self, as the reverse of its perception? It is precisely because Wahmehmen and Sich bewegen are synonymous: it is for this reason that the Wahmehmen never rejoins the Sich bewegen it wishes to apprehend: it is another of the same. But, this failure, this invisible, precisely attests that Wahmehmen is Sich bewegen, there is here a success in the failure. Wahrnehmen fails to apprehend Sich bewegen (and I am for myself a zero of movement even during movement, I do not move away from myself) precisely because they are homogeneous, and this failure is the proof of this homogeneity: Wahrnehmen and Sich bewegen emerge from one another. A sort of reflection by Ec-stasy, they are the same tuft. (VI,2SS) As perception and moving are homogenous, perception is by essence incapable of retreating enough to see in relation to self-moving. This is the fundamental presupposition on which the concept of flesh is based. Merleau-Ponty expresses this presupposition by quoting Ma1ebranche in these words: (Malebranche) it [my body] reads its own modifications [in the things](because we have no idea of the soul, because the soul is a being of which there is no idea, a being we are and do not see). The touching oneself, seeing oneself, a 'knowing by sentiment'[ ... ]. (VI,249) Is it true that perception and self-moving are homogeneous or synonymous? Is the self-moving that Landgrebe will later identify with kinaesthesis really reduced to perception? Is the perceptible the only and exclusive correlative of kinaesthesis? Does kinaesthesis, self-moving, not have its own positive world, a world different from that of perception, and is the visible world not derived from this? Is it not possible that self-moving apprehends itself as such, not as the absence of its self in the visible nor as the reverse of its appearance? We have just quoted these words, "the touching oneself, seeing oneself, a 'knowing by sentiment' ." For
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