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Second International Anthology on Paradoxism (poems, prose, dramas, essays, letters) PDF

134 Pages·2000·1.95 MB·English
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SECONIDN TERNATIOANNATLH OLOGOYN P ARADOXISM PirntienRd o mania byA NOTIMP&ABADDABA FLORENTINS MARANDACHE editor SECOND INTERNATIONAL ANTHOLOGY ONP A RADOXISM poempsr,o sder,a measss,a lyest,t ers (10w0r iters) ANOTIMP&ABADDA2B0A0,0 SECONINIl;.RDN ATIONAL Al'<THOl(X-;V ONP ARAJ)OXL'iM THE PARADOXISM IN ALL FIELDSO F KNOWLEDGE Itt ookm e teny eartso c ollecatl lt hese tedxetasl inwgi tht hep aradoxi,s m since cIa me toA mericar,e adinmgo re thaonn e thousanedn velopes stuffewdi thm anuscripts. Theyf ollowemde atm y addresso,f tenc hangedu ponm y job,i nP hoe­ nixa nd Tucson( Arizonoar) inG allup( NewM exico). I trietdo a nswere achl etter sending infoonr tmhaetp iaorna doxisamn d alsop aradoxidsitp lomawsh erei tw as thcea se. Now I congratulaatle/t hese1 00w riterwsh o contributteodt hisa nthol­ ogy with poems, dprraomsaes,e, ssaysl,e tters. Thisi sa n internatiofnaanlo n thed imensionosf t hep aradosxmi, twenty yearsa fteirt ss ettinugp . Thanktso t hew idesstp rearde ferepnucbel icatsiuocnhas s,L iteraMrya rkePtl ace, Poet'Psl aceU,l richD'isr ectorofy PeriodicaGlasl,e G roup,E BSCO's Diretcory,D ustbokos,R .R.Bo wkert hep aradoxibsemc amwee ll-knotwont he internatilointaelrc aormym uniteys,pe citaloNl oyr tAhm ericaan dW esteCrno untries. Workinagsa c omputperro grammert haenands a s oftwareen ginefeorarl argceo rpora­ tiolni kHeo neyweblelt,w ee1n9 9I09- 95w,e t heem ployeceisr,c ultahtreodu eg-hm ail thpe aradoxiines nmg ineerFionreg x.a mplleo,o akt t hesTeo p2 0E ngineeTresrm'i nolo­ giefrso mB ertoluc"cTih'eSs h elterSiknyg" : I.A NUMBER OFD IFFERENATP PROACHESA REB EINGT RIED-W e are sptiislsli ng int hew ind. 2. EXTENSIVREE PORTI SB EINGP REPAREDO N A FRESHA PPROACHT O THE PROBLEM- We jushti retdh rekei dfrse sho uto fc ollege. 3.C LOSEP ROJECTC OORDINATIO-NW e knoww hot ob lame. 4.M AJORT ECHNOLOGICABLR EAKTHROUGH- Itw orkOsK ,b ulto okvse rhyi -tech. 5.CU STOMERS ATISFACTIOINSD ELIVEREADS SURED- We arseo f abre hisncdh ed­ ulet hec ustomieshr a pptyo g eti td elivered. 6.P RELIMINAROYP ERATIONALT ESTS WERE INCONCLU-STIhVedE a mt hing bleuwp w henw et hretwh sew itch. 7.T ESTSR ESULTSW ERE EXTREMELYG RATIFYIN-GW e ares os urpritsheatdth e stuptihdi nwgo rks. 8.T HEE NTIREC ONCEPTW ILL HAVTEO BEA BANDONED- Theo nlpye rson who understtohoetd h inqgu it. 9.IT I SI NT HE PROCESS- Iti ss ow rappeudp i nr edt apteh atth es ituatiisao bno ut hopeless. 10. WE WILLL OOK INTOI T-ForgeittW !e haveen ougphr oblefmosnr o w. IIP.L EASE NOTAEN D INITIA-LL et'ssp retahde r esponsabfioltrih tesy c reuwp . 12. GIVEU S THEB ENEFIOTF Y OUR THINKIN-GW e'llli stteown h ayto uh avteo s ay as lonasg itd oesni'ntt erfweitrwheh awte 'vael readdoyn e. 13G.I VEU S YOUR INTERPREATTION- Ic an'wta itto h eatrh is bull! 14S.E EM E orL ET'DS ISCUS-SC omei ntmoy officIe',m l onely. 5 SECO:'liID:- -'TER:'IiAHoAl":-'ATLH OLOOG:'liYP ARADOXlSM 15A.L LN EW P-arntosit n terchawnigttehhpa erb elvei doeussi gn. 16R.U GGED -Tohoe adtvaolym inft . 17.UGWHETIGHLTi-ghttheaRrnU GGED. I.SYERASO FD EVELOPMENTfi-nOanlwelo yr ked. 19.ENESRAGVNYIG -Achiwehvetenhd pe o wsewri tiocsffh . 20.LMOAWI NTENNCAE-Impotsofis xii bbtlr eo ken. Champaygenpseh, ilosnoop.h y Andn owh earI ntdhiitasan lm eo,rt eh a2n5y eaorlsjd o kteh,ea ntd isna. .m.a thematical formula! Once aut piomne , soimnNe owrhAtemhre er iacnIa n,d cihainae nfhd i ssq uahwaa ds on. Beitnhgfie r scth iilwtda ,bs o rno nt hhei doefa ne lk. Eveanltauls ye cosnowdna bso rno,ft hceh ienfe'xst stqhutiaiswmo ,ent hhei doefac ougar. Whehnew ags ettoilndtgeh re, gchomitae rfr ait ehdit ridmw ei,ta vh e rcya priscqiuoauws whoa lsboe capmree gnSahnietn .s itshthaeetdcr h iclodu olndlb yeb orno ft hhei doefa hippopoYtoacuma uwnse .il mla gtihngeer evaoty aogfte h ien dianb ypc ohn,iby eycf a,n oe, walkainnsdgoo nt oA frwihcean hcere e tuirnnte idm wei tahh ippopohtiadHmeiu.tss h ird chialldsa,so o nw,a st hebno rno nt hhiisd e. Thoet htewrso o nwse rjee alooftu hsne e wc hialndtd,h esyeo tu ttok ihlilmT .h meo ther fousgohv ta litahnsathtlse ya vheedsr o ann ddi eidnt heef fhoarvtik,ni glt lhetedw " ow ould­ bem urderSeirnstc"he.e w nh,e nehvietsra i lste o blydt htrei bealld etrhsep,yo ionuttt h at: "THSEQ UAWO NT HEH IPPOPOTAWMAUSSE QUAL TOT HES ONSO FT HES QUAWOSN T HEO THETRW O HIDES" Whadto y out hink tahbfeoa umto us Murphy'sw elLmlao wusl,do envdt e hrey paradoixnsi oscmi Oerta yb?ot uhtre o manpiraonws rei Nteegrr u(zz1i9c tehn twuirty)h hissh osrtto" rAyel xanLdii.rpuu �ne(a"nyIuof"du o nw'atn mte I,w anyto u!o"rt) h,e Italhiuamna npiosePtte tra(r1c4at h cweintthhuil rsoy va)en tinoomrti heaesn ,c ient Grepeoke atnspd l aywr(ibteefJroesrs eCu hsr iPsitn)d:Ha orm,e Sro,f ocEJuersi,p ides? Theirsep, e rhnaopc sr,e antoohtra viunsgea dtl eaasnat n titohraep sairsa idnho ixos r hewro r-kb ecatuhspeea radborxiesnsog m etohfir negl oisfch u,r ioosfii ntcyi,t ement. Whadto y out hianbko tuhtpe a radionxm east hemaatnidpc hsy s(iccasl "leexda ct" scientcheraset'a )s arccohunelordsts o lve? Thpea radtoexxihtsastva em eanienngc,o idnme udl tiplteh rece aasndeeeser,fid rsts ot fitnhdke e oyf u ndersttahnedriennfogwo aryte o, ltahbedemal d aiihfseot rs hdeo enso t penettrhaestiierg nifiTchaenaycrene.e itshuerrr ebaelciasautrsn,eeo b ta soendd reams orm etaphynsociruc bsi,s t,a rbneeo cftao ucsueso ingn ego metrisation. Thpea radoixtsih lseam as vta nt-mgoavredmeoe nftt hs ee comnidl lenium. Besiidtefsso counso pposiwtiicaohrn oesr ganimciaxleildnoy r dneortt ob eo pposi­ tioannsy motrhepe,a radoixsbi assmve edr myu cha,sa nayv ant-mgoavredmeeo nnt , experiamneidnn tnso vaAtlisotonh,spe .a radotxriicseomsn necbteitownersee mno te fielodfk nowleadngtdea ,ki edse aagsa itnhsheta i incr o untero-rrs ee-nisnett,eh repmr et upsiddoew nT.h atw'hsym antyi mpeasr adoixsii ngs omo nde ighbouwrihttohho ed 6 SEC!.O..D 1!"'r.A.'lT.RTIO!"'A."'\l1H OL!)(iY Po.!'"-\R ADOXISM humoarnt dh peu zz"lTehp.ea radopxriospmot sope rdo tvhepe o ssiobfgie nleirtayl iz­ intgh lei tewroartrkoya " without limi(t. )s.i,".n cmluulfdtotiirhn phigles it ceeir­toyg neoeulse me(nTtiPsto"up escu). Readeartst,et mobp rti innlg i teratpuhryel,oh syea,ovr petsn,c ieanscsee ratgaiionnsst thceo mmboenlf a,i gaeintshmtea isnte ramE.x pltohrueen exploDrona obgtlow ei'tt hh e crowEdn.c rouapcochno nvenatnipdoi nest rkniofwildeegdae nfdee lisnT.hg ceo mmon senistser ivtirtayhl ue,n common TsHeInNDsKIe F.F ERENT! Pleasesneyd o ur craemaepdrayar adcorxeiasttti oo:n s FLORENTSIMNA RANDACHPEh,D. . "PA RADOXISJMo"u rnaaln Ads sociation UniveorfsN ietwMy e xico MathematDiecpsar tment (!) 200 CoelgelR oad GallNMu p8, 713,U0S A. E-masimla:r [email protected] URL: http:/g/awl.lwu.pew.d.uusnlmm-a.randache/ (andd ogwomn a ipnae gt o" paadroxism") 7 SECONDI NTERNATIONAA!IoLiHOl. .(X;Y ON PAR ADOXlSM GEORGMEI TIVNA RIESESCU (Australia) �VERBE 7i!D -poezpiaer adox dediacc esvteer bcee,l ocra rneu exis.t.ii. tauridteov reir be: mancadteso urbis t.an.t.i ve Posedseoa rjdie ctive dos iitnce a vouri! pescudiept eo�rtii ; pescdaervioi r.a ! neuptinctiemora�aci i,n a!i inn eexisvtoeans!tar a unfi rd ep a1rd1 iseca!i taarm aa jiu deca judecafitionarudbl st e.n.. caccuit ciraan iagnoaal-ai op utrapleui m edroi.a r. . defu dulie. dinn� teerafe i icnidu r.u.i.t ii Iichviadsuclo s I-pai!eir pdedu rtu .m. . canvd- asltia bilit ino aza! n-amlaeiix istat. Deaceea; canedo njuogrdaie! cil ina!i apellava!e ir be moaritnce a rli iadra evae rb�ut-eir s, num aeix ista!i. def patn,i ei fons-ta !i decuamtb criau linilor eus pitnoic i!i pierpdruir!nai s arit. vres!avi ai mpune!i prniene xisten¢ anuland verbul carea e nxui stat. dea ceve-aai lnit ors deu ndaelp il eeat scaldiiinndb ua-lvtaa caocaiz par-eaiad aan!e 29i ul1i9e9 4 9 SECOND INn-:RNAllONAL ANrHoLOGY ON PARADOXISM OVERANK C.A NTOINAED ONH (Bnein) THEP ARADOX OFL EARNING Leanrno thoindn agy s That swhiohlwal t e Onem'isn odnt hree lay Busth awrieto hn ef'iast h. Foirn nmeorsh tu m. Witthh beo ndaogfce a re Civiizaltidownesol vlesr . Nobokdnyo wbse fiotmr oeo n. 10

Description:
100 writers from 13 countries are present in this anthology with poems, prose, dramas, essays, letters in a paradoxist style. The paradoxism is an avante-garde literary and artistic movement set up in 1980 by the writer and mathematician Florentin Smarandache, and consists of an abundance of antinom
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