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Samurai: A Concise History PDF

129 Pages·2019·10.585 MB·English
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i SAMURAI ii iii SAMURAI A Concise History Michael Wert 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2019 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978– 0– 19– 093294– 7 1 3 5 7 9 8 6 4 2 Printed by Sheridan Books, Inc., United States of America v To my wife, Yuko Kojima Wert vi vii CONTENTS Introduction | 1 1. Becoming Those Who Served | 4 2. Early Warrior Authority | 12 3. War and Culture | 33 4. Warriors in an Age of Peace | 64 5. Inventing the Samurai | 84 NOTES | 111 FURTHER READING | 113 INDEX | 117 vii viii 1  Introduction In the climactic battle scene at the end of the movie The Last Samurai (2003), the protagonist, a samurai rebel, leads his army of warriors as they charge to certain death against the newly formed, modern government army. Wearing only their traditional clothing and armed with bows, swords, and spears, they are mowed down by Gatling guns and howitzers as the government’s general, himself an ex- samurai, looks on anxiously. This scene has all the familiar tropes in the global fantasy about samurai: tradition versus modernity, hand- to- hand fighting versus guns, and a celebration of honorable death. The event depicted in the film is a historical one, the War of the Southwest in Japan in 1877, when ex- samurai refused to follow a series of laws that stripped all samurai of their privileged status and accompanying symbols; no more wearing swords in public or maintaining topknot hairstyles. A more accurate description of the battle scene flips the cinematic one— the modernized government army took shelter in a castle, the most traditional of defenses, while ex- samurai rebels bombarded them with cannon from outside. As with anything else, the historical depiction is more interesting than the popularized one. 1

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