Front Cover Page: i Half Title Page: i Title Page Page: iii Copyright Page: iv Dedication Page: v Contents Page: vii A Memorial to Excellence Page: ix Chapter 1 The Empowerment of Sound Page: 1 Chapter 2 Our Amateur Beginnings Page: 7 Chapter 3 The Passing of a Tradition and Coming of Age Page: 21 Chapter 4 Success or Failure: Before the Camera Even Rolls Page: 27 Chapter 5 The Challenging Battlefield of Production Page: 67 Chapter 6 From the Set to the Laboratory Page: 119 Chapter 7 Picture Editorial and the Use of the Sound Medium Page: 145 Chapter 8 Temp Dubs and Test Screenings: A Critical Objective View Page: 177 Chapter 9 Spotting the Picture for Sound and Music Page: 183 Chapter 10 Custom Recording Sound Effects: The Real Fun and Adventure Page: 191 Chapter 11 The Sound Librarian: The Curator of an Audio Empire Page: 229 Chapter 12 Sound Design: Myths and Realities Page: 263 Chapter 13 Sound Editorial: Sync-Sync, Chop-Chop Page: 291 Chapter 14 Sound Editorial: Ultra Low-Budget Strategies Page: 333 Chapter 15 Dialog Editors: Hollywood’s Unsung Heroes Page: 363 Chapter 16 ADR and Looping: Getting the Lips to Flap in Sync Page: 383 Chapter 17 Foley: The Art of Footsteps, Props, and Cloth Movement Page: 425 Chapter 18 The Music Composer: Audio Collaboration or Mud and Destruction Page: 465 Chapter 19 The Rerecording Stage: Predubbing and the Final Mix Page: 481 Chapter 20 Production Sound: Four Digital Portable Sound Recorders Page: 509 Chapter 21 The Venerable Nagra IV-S (Analog) Page: 531 Chapter 22 Emerging Technologies: Sound Restoration and Colorization Page: 561 Glossary Page: 623 Index Page: 639 DVD and Website Information Page: EM1
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