Grammar in Context Boxes These helpful checklists will guide you through the process of writing an essay. Each rhetorical chapter introduction contains a Grammar in Context box that offers advice about a common grammar, punctuation, or mechanics Questions about Your Purpose 14 issue—one often associated with the pattern discussed in the chapter. Refer Questions for Critical Reading 23 to the list below to find Grammar in Context boxes throughout Patterns for College Writing, Brief Edition. Reading Visual Texts 27 Setting Limits 32 Avoiding Run-Ons 102 Questions for Probing 34 Avoiding Misplaced and Dangling Modifiers 144 Stating Your Thesis 47 Using Commas in a Series 179 Recognizing a Pattern 52 Avoiding Unnecessary Shifts 216 What Not to Do in an Introduction 55 Effective Support 58 Avoiding “The reason is because”; Using Affect and Effect Correctly 259 What Not to Do in a Conclusion 62 Constructing a Formal Outline 62 Using Parallelism 292 Drafting 65 Using a Colon to Introduce Your Categories 335 Revising 68 Avoiding is when and is where 377 Guidelines for Peer Critiques 69 Using Coordinating and Subordinating Editing for Grammar 85 Conjunctions 419 Editing for Punctuation 88 Agreement with Indefinite Pronouns 489 Editing for Sentence Style and Word Choice 91 Proofreading 92 Checking Your Paper’s Format 93 mech_KirsznerMandell-BRIEF-Patterns-102714 Patterns for College Writing A RhetoRicAl ReAdeR And Guide this page left intentionally blank BRief edition Patterns for College Writing A RhetoRicAl ReAdeR And Guide Laurie G. Kirszner University of the Sciences, Emeritus Stephen R. Mandell Drexel University BedfoRd/St. MARtin’S Boston • New York For Peter Phelps (1936–1990), with thanks For Bedford/St. Martin’s Vice President, Editorial, Macmillan Higher Education Humanities: Edwin Hill Editorial Director for English and Music: Karen S. Henry Publisher for Composition and Business and Technical Writing: Leasa Burton Executive Editor for Readers: John E. Sullivan III Editorial Assistant: Jennifer Prince Senior Production Editor: Ryan Sullivan Senior Production Supervisor: Jennifer Wetzel Executive Marketing Manager: Jane Helms Copy Editor: Diana P. George Indexer: Kirsten Kite Director of Rights and Permissions: Hilary Newman Senior Art Director: Anna Palchik Text Design: Brian Salisbury Cover Design: Donna Lee Dennison Cover Art: Janet Fish, Butterfly Wings. © www.StewartStewart.com 1991. Composition: Achorn International, Inc. Printing and Binding: RR Donnelley and Sons Copyright © 2015 by Bedford/St. Martin’s All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except as may be expressly permitted by the applicable copyright statutes or in writing by the Publisher. 9 8 7 6 5 4 f e d c b a For information, write: Bedford/St. Martin’s, 75 Arlington Street, Boston, MA 02116 (617-399-4000) ISBN 978-1-4576-8378-7 (Student Edition) ISBN 978-1-4576-9951-1 (Instructor’s Edition) Acknowledgments Text acknowledgments and copyrights appear at the back of the book on pages 579–81, which constitute an extension of the copyright page. Art acknowledgments and copyrights appear on the same page as the art selections they cover. It is a violation of the law to reproduce these selections by any means whatsoever without the written permission of the copyright holder. pRefAce Since it was first published, Patterns for College Writing has been used by millions of students at colleges and universities across the United States. We have been delighted by the overwhelmingly positive response to the first twelve editions of Patterns, and we continue to be gratified by positive feedback from the many instructors who find Patterns to be the most ac- cessible and the most pedagogically sound rhetoric-reader they have ever used. In preparing this brief version of the thirteenth edition, we have worked hard to fine-tune the features that have made Patterns the most pop- ular composition reader available today and to retain features that enhance the book’s usefulness for both instructors and students. What Instructors and Students Like about Patterns for College Writing, Brief Edition An emphasis on critical Reading The Introduction, “How to Use This Book,” and Chapter 1, “Reading to Write: Becoming a Critical Reader,” prepare students to become ana- lytical readers and writers by showing them how to apply critical reading strategies to a typical selection and by providing sample responses to the various kinds of writing prompts in the book. Not only does this mate- rial introduce students to the book’s features, but it also prepares them to tackle reading and writing assignments in their other courses. extensive coverage of the Writing process The remaining chapters in Part One, “The Writing Process” (Chapters 2 through 5), comprise a “mini-rhetoric,” offering advice on drafting, writ- ing, revising, and editing as they introduce students to activities such as freewriting, brainstorming, clustering, and journal writing. These chapters also include numerous writing exercises to give students opportunities for immediate practice. detailed coverage of the patterns of development In Part Two, “Readings for Writers,” Chapters 6 through 14 explain and illustrate the patterns of development that students typically use in their college writing assignments: narration, description, exemplification, v vi Preface process, cause and effect, comparison and contrast, classification and di- vision, definition, and argumentation. Each chapter begins with a com- prehensive introduction that presents a definition and a paragraph-length example of the pattern to be discussed and then explains the particular writing strategies and applications associated with it. Next, each chapter analyzes one or two annotated student essays to show how the pattern can be used in particular college writing situations. Chapter 15, “Combining the Patterns,” illustrates how the various patterns of development dis- cussed in Chapters 6 through 14 can work together in an essay. A diverse and popular Selection of Readings Varied in subject, style, and cultural perspective, the thirty-seven profes- sional selections engage students while providing them with outstanding models for writing. We have tried to achieve a balance between classic au- thors (George Orwell, Jessica Mitford, E. B. White, Martin Luther King Jr.) and newer voices (Bich Minh Nguyen, Farhad Manjoo, Max Brooks) so that instructors have a broad range of readings to choose from. More Student essays than Any comparable text To provide students with realistic models for improving their own writ- ing, we include eighteen sample student essays (two new to this edition). helpful coverage of Grammar issues Grammar in Context boxes in chapter introductions offer specific ad- vice on how to identify and correct the grammar, mechanics, and punctua- tion problems that students are likely to encounter when they work with particular patterns of development. Apparatus designed to help Students learn Each professional essay in the text is followed by three types of questions. These questions are designed to help students assess their understanding of the essay’s content and of the writer’s purpose and audience; to recog- nize the stylistic and structural techniques used to shape the essay; and to become sensitive to the nuances of language. Each essay is also accompa- nied by a Journal Entry prompt, Writing Workshop topics (suggestions for full-length writing assignments), and Thematic Connections that identify related readings in the text. Also following each essay is a Combining the Patterns feature that focuses on different patterns of development used in the essay and possible alternatives to these patterns. Each chapter ends with a list of Writing Assignments and a Collaborative Activity. Many of these assignments and activities have been updated to reflect the most cur- rent topics as well as the most up-to-date trends and sites available on the Web. 00_KIR_8378_FM_i_xxxiv.indd vii Achorn International 11/18/2014 01:45PM Preface vii extensive cultural and historical Background for All Readings In addition to a biographical headnote, each reading is preceded by a headnote containing essential background information to help students make connections between the reading and the historical, social, and eco- nomic forces that shaped it. An introduction to Visual texts Every rhetorical chapter includes a visual text — such as a photograph, a piece of fine art, or panels from a graphic novel — that provides an acces- sible introduction to each rhetorical pattern. Apparatus that helps stu- dents discuss the pattern in its visual form follows each image. thorough coverage of Working with Sources Part Three, “Working with Sources,” takes students through the pro- cess of writing a research paper and includes a model student paper in MLA style. What’s New in This Edition engaging new Readings The twelve new professional essays treat topics of current interest. Junot Díaz tells a coming-of-age story in “The Money.” Bich Minh Nguyen explores the cultural implications of a popular snack cake in “Goodbye to My Twinkie Days.” Anna Quindlen meditates on a perennial issue in “Homeless.” In all cases, readings have been carefully selected for their high-interest subject matter as well as for their effectiveness as teachable models for student writing. Argumentation chapter updated The argument chapter includes a new debate (“Is the Student Loan Crisis a Myth?”) and a new casebook (“Is Football Too Dangerous?”) as well as a new sample student essay, “Just Say No.” now with launchpad Solo Ten interactive and assignable multimodal readings are now included in LaunchPad Solo for Patterns for College Writing, Brief Edition. Multi- modal selections such as videos and infographics illustrate each of the rhetorical patterns and are accompanied by questions and writing assign- ments. Selections include an infographic, “What Are the Hardest Lan- guages to Learn?” and “Dear Motorist: Pledge to Share the Road,” a video 00_KIR_8378_FM_i_xxxiv.indd vi Achorn International 11/18/2014 01:45PM viii Preface arguing for drivers to watch out for bicyclists. In addition, tutorials on crit- ical reading and analysis and LearningCurve adaptive quizzing focus stu- dents on the writing and common grammar topics they need the most help with. To package LaunchPad Solo free with Patterns for College Writing, Brief Edition, use ISBN 978-1-319-01313-4. Get the Most out of Your Course with Patterns for College Writing, Brief Edition Bedford/St. Martin’s offers resources and format choices that help you and your students get even more out of your book and course. To learn more about or to order any of the following products, contact your Bedford/St. Mar- tin’s sales representative, e-mail sales support ([email protected]), or visit the website at macmillanhighered.com/briefpatterns/catalog. launchpad Solo for Patterns for College Writing, Brief edition: Where Students learn LaunchPad Solo provides engaging content and new ways to get the most out of your course. Get unique, book-specific materials in a fully customizable course space; then assign and mix our resources with yours. • Curated content — including readings, videos, tutorials, and more — is easy to adapt and assign by adding your own materials and mixing them with our high-quality multimedia content and ready-made assessment options, such as LearningCurve adaptive quizzing. • A streamlined interface helps students focus on what’s due, and social commenting tools let them engage, make connections, and learn from each other. Use LaunchPad Solo on its own or integrate it with your school’s learning management system so that your class is always on the same page. To get the most out of your course, order LaunchPad Solo for Patterns for College Writing, Brief Edition, packaged with the print book at no ad- ditional charge. (LaunchPad Solo for Patterns for College Writing, Brief Edi- tion, can also be purchased on its own.) An activation code is required. To order LaunchPad Solo for Patterns for College Writing, Brief Edition, with the print book, use ISBN 978-1-319-01313-4. choose from Alternative formats of Patterns for College Writing, Brief edition Bedford/St. Martin’s offers a range of affordable formats, allowing students to choose the one that works best for them. For more details, visit macmillanhighered.com/briefpatterns/catalog. 00_KIR_8378_FM_i_xxxiv.indd ix Achorn International 11/18/2014 01:45PM
Description: