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Pattern Design: Applications and Variations PDF

289 Pages·2007·119.917 MB·English
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• • , . • • • - . • • , - • , - • • • - • - - ., Pattern Defign Rpplicationf & Variationf Lou Rndrea favoir Pat:Jt:Jern des'gn ." ::a "" m < 0 c: m ;<:I r "" -< Pot:Jt:Jern design (") r- s: > - ~ en en-c en > (") :I: :I: o c: m en m ::a -! ;<:I -! en rn -I Copyright © 2007, 2011 by maomao publications First published in 2007 in the United States of America by Rockport Publishers, a member of Quayside Publishing Group 100 Cummings Center Suite 406-L Beverly, MA 01915-6101 Telephone: (978) 282-9590 Fax: (978) 283-2742 www.rockpub.com Digital edition: 978-1-61673-890-7 Softcover edition 978-1-59253-379-4 ISBN-13 978-1-59253-379-4 ISBN-10 1-59253-379-5 10 9 8 7 6 5 4 3 2 1 Publisher: Paco Asensio Editorial coordinator: Anja Llorella Oriol Editor: Lou Andrea Savoir Art director: Emma Termes Parera Layout: Zahira Rodriguez Mediavilla Editorial project: maomao publications Tallers, 22 bis, 3° 1a 08001 Barcelona, Spain Tel. +3493481 57 22 Fax +3493317 42 08 wwwmaomaopublications.com Printed in Spain All rights reserved No part of this book may be used or reproduced in any manner whatsoever without written per mission except in the case of brief quotations embodied in critical articles and reviews. mao mao affirms that it possesses all the necessary rights for the publication of this material and has duly paid all royalties related to the authors' and photographers' rights. maomao also affirms that it has violated no property rights and has respected common law, all authors' rights and other rights could be relevant Finally, maomao affirms that this book contains no obscene nor slanderous material. Whole or partial reproduction of this book without editor authorization infringes reserved rights: any utilization must be previously requested Contents Introduction 6 Japanese Garden JB Classics 92 Vigne Lacat:;on et:; Vassal Por Crapt:; 184 Two Savant:; 94 "Say What?" "Nickelodeon Perforated Fleur-de-Iys Miller St:;udio 8 Designens Hus Jakob Elmgren 96 Magazine" 123 Cait:;lin Keegan 186 Obey Bloke E. Marquis 10 Twenty Five Savant:; 98 Green Queen Ost:;wald Helgason 188 Green Oasis Jo Meest:;ers 12 Boating IVANAhelsinki 100 Ivy Michael Meredit:;h I MOS 190 Perforated Argyle Miller St:;udio 14 Floral Pattern Gabrielle Lewin 102 Techahedron Telegramme 192 Fishscales HelenAm\:jMurra\:j 16 Apple Field Plast:;isock 104 Chickadee Am\:j Ruppel Por Damask Mar\:j Brogger 18 Ratatateeee Paulo Cast:;ro Por Evgenia Tamora Henriques 194 Furtherland Paulo Cast:;ro Por Evgenia Ost:;rovska\:ja 108 Pebblecones Julio Rot:;hman 196 Ost:;rovska\:ja 20 Cirkus Plast:;isock 110 Wheels Julio Rot:;hman 198 Star HelenAm\:jMurra\:j 24 Manhole Don Funderburgh 112 Wall Decoration Lene Toni KJeld 200 Lace Fence Demakersvan 26 Architectural Red Zaishu 114 Village Lena Corwin 204 Prickar Jakob Elmgren 30 Little World Lula 116 Organic Lene Toni Kjeld wit:;h Dort:;e ASCII Nouveau Shroom Swigg 118 Mandrup Archit:;ect:;s 206 Mat:;t:;hew Birt:;ch I Vest:; Collect:;ive 32 Spoon Spoonped 120 "We've Found a New World and It's Beautiful Florencejohann 34 Fifteen Below Post:; Creat:;ive 122 Far From Here" St:;even Harringt:;on 208 Menu 4 Karim Rashid 38 Tails Ellen Berggren Oberg 124 Why? Sweden Graphics 212 Vege Mikko Laakkonen 40 Plaits Ellen Berggren Oberg 126 Fasan IVANAhelsinki 214 Crow's Feet Cute Medical Print Barnbrook 128 Wallpaper Spoonped 216 Bisazza b\:j Carlo del Bianco 42 Costa Rica Redst:;r/collect:;ive 130 Buggin JB Classics 218 Floral Folk Lamp Mart:;a Piet:;rz\:jk and Crab Damask Don Funderburgh 132 Birds Ost:;wald Helgason 220 Mat:;t:;hew Birt:;ch I Vest:; collect:;ive 44 Trophy 1 Sigrid Colon 134 Loan Sharks JB Classics 222 Lips Tunt:;o 46 Angyle Angr\:j Ret:;ail 136 Silent Spring Sweden Graphics 224 Grafik 2 James Owen 48 Jewel Stripes Ost:;wald Helgason 140 88 Lot:;t:;a KOhlhorn Spots WOODlondon 50 King's Forest Birgit:; Amadori 142 Noon Lot:;t:;a KOhlhorn 228 Flow Dots Markus Benesch 52 Fox Pattern Birgit:; Amadori 144 Folded Caroline St:;r6mgren 230 Porcelain Doorknobs Delo Lindo 54 Red Flora Lena Corwin 146 Dutch Eldorado Pet:;er Zuiderwijk 232 One Savant:; 56 Supermarket Codes GVA St:;udio 148 King's Court Birgit:; Amadori 234 Krenkerup Amazed 58 T Logo Sigrid Colon 111 Star Structure SEW 238 Heatwave Joris Laarman 60 Podium Femina 06 GVA St:;udio 154 Loose Cannon Bandana Marcel Wanders for Puma Manhattan Storage Don Funderburgh, Port:;ia Wells 242 Marcel Wonders 64 Don Funderburgh 156 Spring Blossom Jenn\:j Wren 244 Breakestra Bloke E. Marquis 66 Piggy Henrik Vibskov 158 Feasting at the Berry Bush Birds'n Trees Am\:j Ruppel Por Alexandria Julio Rot:;hman 162 Deadl\:j Squire 246 Modern Twist:; 68 Gooh 2 Sweden Graphics 164 Reykjavik Henrik Vibskov 248 Insignia At:;elier Blink 70 Yakuza Reddish 166 Nova Blooms Jenn\:j Wren 250 Liaison Bisazza b\:j Carlo del Bianco 72 Pause 2x4 168 Zeigen Ariane Spanier 252 Dammasch Db cla\:j 76 "Say What?" "Nickelodeon Zeigen Ariane Spanier 254 Destructive Deco Tjep. 78 Magazine" 122 Cait:;lin Keegan 170 Moths Sukie 256 Ant'ique Gam"plus"Frat:;esi 80 Ankarsvik Hanna Werning 172 Protozoa Sukie 258 Valleycats Post:; Creat:;ive 82 Polar Circulations Ariane Spanier 174 Find Your Luck Olga Cudakova 260 Out of the Ordinary Mike Perr\:j 84 Camping IVANAhelsinki 178 Lace Paving Slabs Jet:;hro Mace\:j 262 Tell it Like a Story Mike Perr\:j 86 Tree Angr\:j Ret:;ail 180 Dressed Minale-Maeda 88 DCam Post:; Creat:;ive 182 Directory 264 I • • • • • • • • • • When we t:;ouch on t:;he subject:; oP pat:;t:;ern, our old but:; ever resurPac ing arises: Porm and cont:;ent:;, somet:;imes even rePerred t:;o dichot:;om~ as Porm versus cont:;ent:;. Pat:;t:;ern, and it:;s repeat:;ing celebrat:;ion oP Porm, regularl~ get:;s relegat:;ed t:;o t:;he rank oP simple (and t:;hus almost:; sinPul) sat:;isPact:;ion. Pat:;t:;ern is t:;he e~e cand~ oP t:;he West:;ern world and t:;here have been t:;imes when t:;he upper crust:;s oP t:;he art:; and design world t:;hought:; it:;s pract:;it:;ioners were giving in t:;o a base Porm oP sensual abandon. OP course, some designers Pocus on sidest:;epping, or ignoring t:;he well-ingrained and not:;ion t:;hat:; seduct:;ion is h~pocrit:;ical at:; t:;he root:; oP all evil. No mat:;t:;er how "over it:;" we are, t:;he West:;ern world is st:;ill in t:;he t:;hroes oP t:;he post:;-modern era: t:;he age oP t:;he seIP-conscious. seIP-consciousl~ In design, t:;he rout:;ine is t:;o embrace t:;he problemat:;ic issue, nowada~s because t:;he embrace it:;selp has been relegat:;ed (or elevat:;ed depend ing on who ~ou ask) t:;o t:;he Punct:;ion oP comment:;ar~. It:; can't:; be a coin cidence t:;hat:; most:; oP t:;he designers who make ornament:;al pat:;- purel~ 6 • • • - - . e • • . - - - • • • • tJerns claim natJural, Asian, and Middle-EastJern inpluences, and tJhatJ, on tJhe contJrar\j, all oP tJhose using VictJorian lace, damask, and otJher clas sic WestJern patJtJerns putJ a tJwistJ on itJ, or contJextJualize itJ, --...... In tJhis book, \jou will see tJhatJ tJhere are tJwo main tJendencies: designers .. _~. who embrace tJhe ornamentJal, and designers who tJackle tJhe patJtJern b\j imbuing itJ witJh contJentJ (as opposed tJo meaning, as one would rePel" tJo tJhe intJrinsic, m\jstJical bearing oP Middle-EastJern patJtJerns, POI" example), SometJimes, tJhese tJendencies blend especiall\j in tJhe case oP illustJratJion-orientJatJed designers. PatJtJerns have gone in and outJ oP stJ\jle POI" centJuries, and arguabl\j, tJhe\j never reall\j disappear The PascinatJion tJhe\j exertJ on human beings, whetJher m\jstJical, pS\jchological, or sensor\j, has never reall\j PaltJered-tJhere are simpl\j tJimes when itJ is deemed more acceptJable tJhan otJhers. • I I /-, /-, ,~,I ,~,I ,~, I /-. .~, 1/ -, /1' "1' " 1' "1' /1' " 1' "1' "1' "1' "' 1' 1/-. ,~, ,~, I /-, ,~, I /-. .~, 1/ -, /1' " 1' "' 1' "'1' ,~,I/-. ,~, I /-. " I ' "1' "1' "1' "'1' "' 1' /-, ,~,I ,~, I /-. .~, 1 /-, "1' " 1' "1' "' 1' "'1' 1/-, ,~, I /-, ,~, " 1' "1' "1' "1' /1' " 1' /-, 1/-, ,~,I ,~, I /-, .~, "1' " 1' "1' "'1' Miller StJudio 2005 8 9

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