Edited by JEAN OWEN & NAOMI SEGAL On Replacement Cultural, Social and Psychological Representations On Replacement Jean Owen • Naomi Segal Editors On Replacement Cultural, Social and Psychological Representations Editors Jean Owen Naomi Segal London, UK Birkbeck, University of London London, UK ISBN 978-3-319-76010-0 ISBN 978-3-319-76011-7 (eBook) https://doi.org/10.1007/978-3-319-76011-7 Library of Congress Control Number: 2018940698 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Still from ITV mini-series Rebecca (dir. Jim O’Brien, 1997) Printed on acid-free paper This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland This book is dedicated to Ross, with love and to the irreplaceable Scarlet A cknowledgements This book grew out of a conference held in December 2016 at Birkbeck, University of London, in association with Birkbeck Research in Aesthetics of Kinship and Community (BRAKC) and the Birkbeck Institute for Social Research (BISR). We would like to extend a special thank you to Andrew Asibong, Nathalie Wourm, Maddison Brown and Melissa Butcher for all their support. For permission to reproduce the images in the book we thank the Center for Jewish Film, Archivi Alinari Firenze and Lita Stantic Producciones. vii c ontents 1 Introduction 1 Naomi Segal and Jean Owen Part I What is replacement? 13 2 ‘An eye for an eye’ or ‘a mile to a mile’: versions of replacement 15 Naomi Segal 3 Replacement mothers, bedtricks and daughters out of place 25 Jean Owen 4 Replacement, renewal and redundancy 35 James Brown Part II Lost children 45 5 Lost boys in Little Eyolf 47 Olivia Noble Gunn ix x CONTENTS 6 The Sisters Antipodes: replacement and its ripples of sibling rivalry 57 Jean Owen 7 Artificial intelligence and synthetic humans: loss and replacement 67 Georgia Panteli Part III Wayward Women 77 8 The metaphysics of replacement in photoplay novels of immigration 79 Marija Dalbello 9 Of ghosts and girls in Ulysses 13 91 Patrizia Grimaldi-Pizzorno 10 Medea: founder member of the first wives’ club 103 Mary Hamer 11 Replacement and genealogy in Jane Eyre and Wide Sargasso Sea 113 Nagihan Haliloğlu Part IV Law and society 123 12 Who is the ‘real’ mother? Replacement and the politics of surrogacy 125 Samantha Ashenden 13 The ethos of replaceability in European human rights law 137 Sarah Trotter CONTENT S xi 14 Remembering the disappeared in Lita Stantic’s Un muro de silencio 147 Alison Ribeiro de Menezes Part V Replacement films 159 15 Deadness, replacement and the divinely new: 45 Years 161 Andrew Asibong 16 ‘She was the most beautiful creature I ever saw’: visualising replacement in Hitchcock’s Rebecca 169 Laura Mulvey 17 Married to the Eiffel Tower: notes on love, loss and replacement 177 Agnieszka Piotrowska 18 ‘That’s my son’: replacement, jealousy and sacrifice in Un Secret 185 Naomi Segal Part VI The Holocaust 193 19 Replacement as personal haunting in recent postmemory works 195 Susanne Baackmann 20 Embodying her ghost: self-replacement in Petzold’s Phoenix 207 Monika Loewy 21 Replacement or ever present: Jerzyk, Irit and Miriam 217 Anthony Rudolf xii CONTENTS Part VII Psychoanalysis 229 22 Replacement and reparation in Sarah Polley’s Stories we tell 231 Agnieszka Piotrowska 23 Replacement, objet a and the dynamic of desire/fantasy in Rebecca 241 Odeya Kohen Raz and Sandra Meiri 24 Rooms as replacements for people: the consulting room as a room object 251 Deborah Wright Index 263