On Moving and Being Moved On Moving and Being Moved Nonverbal Behavior in Clinical Practice Frances La Barre Copyright © 2001 by the Analytic Press, Inc. The following materials are reprinted here by permission of the publisher: Basic tension-flow patterns from The Role of Movement Patterns in Development, Vol. 2, by J. Kestenberg and K. M. Sossin, pp. 5,7-8, 11, Dance Notation Bureau Press, 1979. All rights reserved. No part of this book may be reproduced, stored, or transmitted in any way whatsoever without the prior written permission of the publisher. First published by: The Analytic Press, Inc. 101 West Street, Hillsdale, NJ 07642 This edition published 2012 by Routledge: Routledge Routledge Taylor & Francis Group Taylor & Francis Group 711 Third Avenue 27 Church Road New York, NY 10017 Hove East Sussex BN3 2FA Set in Palatino 10/12 by EVS Communications, Point Pleasant, NJ Index by Leonard Rosenbaum, Washington, DC Library of Congress Cataloging-in-Publication Data La Barre, Frances. On Moving and Being Moved: non-verbal behavior in clinical practice / Frances La Barre. p. cm. Includes bibliographical references. ISBN 0-88163-316-X 1. Psychodynamic psychotherapy. 2. Nonverbal communication. 3. Transference (Psychology) I. Title. [DNLM: 1. Nonverbal Communication-psychology. 2. Psychoanalytic Therapy-methods. 3. Psychoanalytic Theory. 4. Transference (Psychology). WM 460.5.C5 L 113n 2001] RC489.P72 L23 2001 616.89'14-dc21 00-038089 Dedicated to my parents, Vera and Richard La Barre Table of Contents Acknowledgments ix Preface xi Parti The Choreography of Conversation 1 Chapter 1 Language and Nonverbal Behavior 3 Chapter 2 Talking and Acting 7 Chapter 3 Attunement 15 Chapter 4 Temperament, Interaction, and Self 25 Part II Psychoanalytic Theory: The Setting of the Unseen Scene 39 Chapter 5 The Body 41 Chapter 6 Interaction: The Patient's Action 63 Chapter 7 Interaction: The Analyst's Action 75 Part III The Logic of Action: Studies of Nonverbal Behavior 97 Chapter 8 The Intrinsic-Meaning Position 99 Chapter 9 The Cultural School 117 Chapter 10 The School of Practical Analysis 141 Chapter 11 Toward Complementarity 165 vii viii Contents Part IV The Logic of Action in the Clinical Setting 171 Chapter 12 The Matching and Clashing of Temperament 173 Chapter 13 "Drive" as an Aspect of Interaction 195 Chapter 14 Body Attitude and Countertransferential Experience 207 Chapter 15 The Interactive Effect and Meaning of Speech Rhythms 219 Conclusion 233 References 237 Index 247 Acknowledgments T he idea for this book sprang from my recognition that two profes sional worlds I have lived in, dance and psychoanalysis, had been integrated in my work as an analyst, but their connection not yet articulated. Further, their integration had helped me approach the increas ingly diverse field of psychoanalysis itself as full of complementary rather than contradictory schools of thought. As a result, I am indebted to an unusually wide range of teachers and colleagues who have helped nurture this work. Teachers and helpers in the dance/movement world showed me how to live the nonverbal more fully: Katya Delakova, June Ekman, Anna Halprin, Moshe Feldenkrais, Paula Mason, Fanya DelBourgo, and staff members at the Laban Institute for Movement Studies. Bridging two worlds, Dr. Judith Kestenberg, Dr. Mark Sossin, and Susan Loman, D.T.R., taught me how to understand and administer the Kestenberg Movement Profile. I am very grateful to Mark Sossin and the late Judith Kestenberg for their permission to reprint the tension-flow illustrations. My patients have been unwitting, as well as witting, and wonderful teachers as they pressed me to understand better and held on while I tried to learn their ways of being and speaking. Several colleagues read the first version of the book and encouraged its further development: Dr. Frank Reissman, Dr. Kathryn Rees, Dr. Mildred Schwartz, Dr. Stuart Marcus, Dr. Phyllis Urman-Klein, Dr. Elizabeth Minnich, Mrs. Margaret Rustin, Dr. Emmanuel Kaftal, Dr. Donnel Stern, and Dr. Michael Moskowitz. I owe a special debt to Dr. Kathryn Rees, and Mrs. Margaret Rustin. Kay has been an inspiring reader, easing my doubts and raising good ques tions. Margaret generously guided me in the art of infant observation and ix