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New museum theory and practice: an introduction PDF

348 Pages·2010·7.687 MB·English
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New Museum Theory and Practice An Introduction Edited by Janet Marstine iii New Museum Theory and Practice i To Mark ii New Museum Theory and Practice An Introduction Edited by Janet Marstine iii Editorial material and organization © 2006 by Blackwell Publishing BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Janet Marstine to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2006 by Blackwell Publishing Ltd 1 2006 Library of Congress Cataloging-in-Publication Data New museum theory and practice : an introduction / edited by Janet Marstine. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-4051-0558-3 (hard cover : alk. paper) ISBN-10: 1-4051-0558-5 (hard cover : alk. paper) ISBN-13: 978-1-4051-0559-0 (pbk. : alk. paper) ISBN-10: 1-4051-0559-3 (paperback : alk. paper) 1. Museum exhibits. 2. Museum exhibits—Political aspects. 3. Museum techniques. 4. Museums—Philosophy. I. Marstine, Janet. AM151.N49 2005 069′.5—dc22 2005013098 A catalogue record for this title is available from the British Library. Set in 10.5/13pt Dante by Graphicraft Limited, Hong Kong Printed and bound in India by Replika Press Pvt The publisher’s policy is to use permanent paper from mills that operate a sustainable forestry policy, and which has been manufactured from pulp processed using acid-free and elementary chlorine-free practices. Furthermore, the publisher ensures that the text paper and cover board used have met acceptable environmental accreditation standards. For further information on Blackwell Publishing, visit our website: www.blackwellpublishing.com iv CONTENTS List of Figures viii Preface: How to Use this Book x Acknowledgments xii Introduction 1 Janet Marstine Part I Defining New Museum Theory 37 A Surveys and Groundwork 39 1 Editor’s Introduction 41 THE ARCHITECTURE IS THE MUSEUM 41 Michaela Giebelhausen Questions for Discussion 60 2 Editor’s Introduction 64 FEMINIST CURATORIAL STRATEGIES AND PRACTICES SINCE THE 1970s 65 Katy Deepwell Questions for Discussion 80 3 Editor’s Introduction 85 NEW ART, NEW CHALLENGES: THE CHANGING FACE OF CONSERVATION IN THE TWENTY-FIRST CENTURY 86 Rachel Barker and Patricia Smithen Questions for Discussion 103 v CONTENTS B Case Studies in Contemporary Practice 107 4 Editor’s Introduction 109 HOW WE STUDY HISTORY MUSEUMS: OR CULTURAL STUDIES AT MONTICELLO 109 Eric Gable Questions for Discussion 126 5 Editor’s Introduction 129 SPECTACLE AND DEMOCRACY: EXPERIENCE MUSIC PROJECT AS A POST-MUSEUM 130 Chris Bruce Questions for Discussion 149 6 Editor’s Introduction 152 REVEALING AND CONCEALING: MUSEUMS, OBJECTS, AND THE TRANSMISSION OF KNOWLEDGE IN ABORIGINAL AUSTRALIA 153 Moira G. Simpson Questions for Discussion 174 7 Editor’s Introduction 178 RESTRUCTURING SOUTH AFRICAN MUSEUMS: REALITY AND RHETORIC WITHIN CAPE TOWN 179 Julie L. McGee Questions for Discussion 196 Part II Looking to the Future: Theory into Practice 201 8 Editor’s Introduction 203 THE CRITICAL MUSEUM VISITOR 203 Margaret Lindauer Questions for Discussion 223 9 Editor’s Introduction 226 VISITING THE VIRTUAL MUSEUM: ART AND EXPERIENCE ONLINE 226 Lianne McTavish Questions for Discussion 244 10 Editor’s Introduction 247 REFRAMING STUDIO ART PRODUCTION AND CRITIQUE 248 Helen Klebesadel Questions for Discussion 263 vi CONTENTS 11 Editor’s Introduction 266 THE UNIVERSITY MUSEUM AND GALLERY: A SITE FOR INSTITUTIONAL CRITIQUE AND A FOCUS OF THE CURRICULUM 267 Lyndel King and Janet Marstine Questions for Discussion 288 12 Editor’s Introduction 292 MUSEUM ARCHIVES AS RESOURCES FOR SCHOLARLY RESEARCH AND INSTITUTIONAL IDENTITY 293 Lois Marie Fink Questions for Discussion 306 Bibliography 308 Index 322 vii FIGURES 1.1 Jean-Nicolas-Louis Durand, ideal plan for a museum, 1802–5 44 1.2 Leo von Klenze, Glyptothek, Munich, 1815–30, main facade 45 1.3 Interior of the South Kensington Museum (now the Victoria and Albert Museum), South Court, eastern portion, from the south, c.1876, showing the copy by F. W. Moody of Raphael’s School of Athens, proposed for the gallery 50 1.4 Alfred Waterhouse, Natural History Museum, London, 1871–81 52 1.5 James Stirling, extension to the Neue Staatsgalerie, Stuttgart, 1977–83, view of central rotunda 57 3.1 “Nature into Action” Gallery, Tate Modern, London, 2004 98 5.1 Frank O. Gehry, Experience Music Project, 2000 137 5.2 Sky Church, Experience Music Project, 2000 138 6.1 David Corby Tjapaltjarri, Tjunti, 1979 158 6.2 Map of Australia 161 6.3 Fiber arts display in Djomi Museum, Maningrida 164 7.1 South African National Gallery, Cape Town 182 8.1 Heard Museum, Phoenix 208 8.2 “A Revolution in the Making: The Pottery of Maria and Julian Martinez,” exhibition, Heard Museum, Phoenix, 2003 211 9.1 View of QuickTime virtual reality gallery, www.rijksmuseum.nl 229 9.2 Home page of the Virtual Museum of Canada, www.virtualmuseum.ca 238 viii

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