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New Architecture and Technology PDF

190 Pages·2012·8.01 MB·English
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New Architecture and Technology The drawings prepared with the application of a computer-based program were made by architects Krassimir Krastev and Cornel Prahovean under the guidance of Professor Mihaly Szoboszlai (at the Department of Architectural Representation, Technical University of Budapest, Dean: Professor Bálint Petró) and this book’s author and supported by the Hungarian Foundation for the Development of Building. New Architecture and Technology Gyula Sebestyen Associate Editor: Chris Pollington Architectural Press OXFORD AMSTERDAM BOSTON LONDON NEW YORK PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Architectural Press An imprint of Elsevier Science Linacre House, Jordan Hill, Oxford OX2 8DP 200 Wheeler Road, Burlington MA 01803 First published 2003 Copyright © 2003, Gyula Sebestyen and Chris Pollington. All rights reserved The right of Gyula Sebestyen and Chris Pollington to be identified as the authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science and Technology Rights Department in Oxford, UK: phone (+44) (0) 1865 843830; fax (+440 (0) 1865 853333; e-mail: [email protected]. You may also complete your request on-line via the Elsevier Science homepage (www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining Permissions‘ British Library Cataloguing in Publication Data Sebestyen, Gyula New architecture and technology 1. Architecture and technology 2. Architecture, Modern – 20th century I. Title 720.1'05 Library of Congress Cataloguing in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0 7506 5164 4 For information on all Architectural Press publications visit our website at www.architecturalpress.com Composition by Scribe Design, Gillingham, Kent, UK Printed and bound in Great Britain by Contents Preface vii Acknowledgements ix 1 Trends in architecture 1 1.1 An overall survey 1 1.2 Stylistic trends in new architecture 10 1.3 Post-war regional survey 17 Bibliography 29 2 The impact of technological change on building materials 31 2.1 General considerations 31 2.2 Timber 34 2.3 Steel 35 2.4 Aluminum and other metals 37 2.5 Brick, stone and masonry 40 2.6 Glass and structural glass 40 2.7 Concrete and reinforced concrete 42 2.8 Plastics, fabrics and foils 45 Bibliography 47 3 The impact of technological change on buildings and structures 50 3.1 Some specific design aspects 50 3.2 Selected types of building 62 3.3 Structures and components 79 Bibliography 88 4 The impact of technological change on services 91 4.1 Ambience and services 91 4.2 Climate and energy conservation 91 4.3 Human comfort, health and performance requirements 96 4.4 Heating, ventilating, air-conditioning (HVAC) 96 4.5 The lighting environment 99 Contents 4.6 The sound environment: acoustics 104 4.7 Revolution in the technology and control of services 105 Bibliography 107 5 The impact of invisible technologies on design 110 5.1 Some general considerations 110 5.2 The changing image, knowledge and cooperation of architects 110 5.3 Fire engineering design 113 5.4 New methods in structural analysis – design for seismic areas 113 5.5 Heat, moisture and air quality affecting architectural design 116 5.6 Technical systems of buildings: ‘system building’ 118 5.7 Computers in architecture and management 119 5.8 Architecture and industrialization of construction 120 5.9 Management strategies 121 Bibliography 123 6 The interrelationship of architecture, economy, environment and sustainability 125 6.1 Urban development 125 6.2 Economy 129 6.3 Environment 130 6.4 Sustainability 131 Bibliography 136 7 Architectural aesthetics 138 7.1 Introduction 138 7.2 Size, scale, proportion 142 7.3 Geometry 143 7.4 Recesses, cavities, holes, canted/slanted lines and planes 145 7.5 Colour, light and shadow 146 7.6 Articulation 148 7.7 Theory and praxis 149 Bibliography 149 8 The price of progress: defects, damages and failures 151 Bibliography 155 9 Conclusion 156 Bibliography 156 Index 159 Preface The author of this book has spent most of his bridge devised by Robert Mylne. These cases professional life actively engaged in building are well documented to say nothing of many research and construction technology progress. other similar events going back several hundred He has immersed himself particularly in the years, but where do we find literature concern- international aspects. Many of his publications ing modern technology’s impact on present-day discuss topics in these fields. One of these has architecture? But perhaps we are being unjust been his recent book Construction: Craft to here. There are some eminent publications (see Industry, published in 1998, which surveys for example: T. Robbin, Engineering a New achievements in building science and construc- Architecture, 1996, Yale University Press and A. tion technology progress. Following its publi- Holgate, Aesthetics of Built Form, 1992, Oxford cation the author felt the need to go further University Press) but the interwoven develop- with the objective of surveying trends in new ment of recent technology and architecture architecture and the impacts of technological certainly merits further analysis. This precisely progress on new architecture. is the intention of this book. This work, then, should be seen as the contin- Architecture has always had two seemingly uation of Construction: Craft to Industry. contradictory aspects: a local or domestic one Whereas the earlier book surveyed building and an international or global one. Both aspects research and technological progress, this one have recently become even more pronounced. reviews the impact of technological change on Local or domestic architecture has been cross- new architecture. Given its broad scope, the fertilized by international trends and interna- book does not aim to treat individual sub-fields tional architecture has been fed inspiration by in detail; it restricts itself to highlighting general local traditions. Architectural and engineering trends. This also serves to explain why no consultancies, contractors and clients set up attempt is made to cover all or at least many global and regional offices capable of simulta- of the earlier publications about various neously servicing the global and the local subjects in the book. market. On the other hand, local designers and contractors increasingly affiliate themselves It has been repeated almost ad infinitum that with large national or international practices. architecture is as much an art as it is an indus- Identification of architectural trends has been try. Regrettably, most of the books about this rendered more complicated by the tremendous form of human activity tend to focus on one or diversification of functional requirements and the other aspect and seldom on their interrela- by the architects’ ambition to design not only tionship. If, however, one does come across a to satisfy various requirements but also to book on this relationship, it concentrates, with bring characteristics of the buildings’ environ- certain notable exceptions, on the past’s histor- ment into harmony with the features of their ical styles. We may be enlightened about projects. Finally, one should not forget that Brunelleschi´s solution for the Dome (i.e. Santa architects themselves undergo change over Maria del Fiore) in Florence, or the new type of time so that their projects may reflect changing centring for the London Blackfriars masonry aspirations. Preface We commence our analysis by a survey of late have no direct impact on architecture, are not, twentieth-century architecture (Chapter 1). or at least not at any length, discussed. The book does not contain detailed case studies but Chapters 2 to 4 discuss various aspects of the it lists a great number of realizations with impact on new architecture of technological examples of the various ways technology progress: Chapter 2, building materials; Chap- impacts on new architecture. ter 3, buildings and structures; Chapter 4, services. Then follows in Chapter 5 the impact No distinction is made between References and of invisible technologies: research and science, Literature and both are included under the title information and telecommunications technol- ‘Bibliography’. The Bibliography primarily ogy. Chapter 6 reviews the interrelationship of covers the publications consulted by the author new architecture, urban development, eco- during his work on the book and, even so, have nomy, environment and sustainability. Chapter usually been restricted to the most recent publi- 7 deals with the new phenomenon of architec- cations. The Bibliography may be considered tural aesthetics, while Chapter 8 outlines the not only as the source of References but also price of progress: damages and failures. as recommended further reading material. Finally, Chapter 9 provides a summary. The author had to limit the number of illustra- Technology basically influences architecture in tions. Obviously, a book with such a broad scope three ways. Firstly, technical progress affects could feature many more illustrations than it architectural design directly. Architects now actually does and those that are included have make use of computers, achievements in been restricted to an illustration and visualiza- natural science, management knowledge, and tion of the book’s text. For many of the captions take advantage of assistance emanating from a particular method has been employed. The various engineering disciplines. Secondly, archi- main text of the captions defines the illustration tects have to design buildings while taking into and following this are the technical details and account the modern technologies of construc- features to which the author specifically wishes tion: prefabrication, mechanization, industrial- to draw the attention of readers. The illustrations ization. Thirdly, architects design buildings in are positioned within the framework of the which activities with modern technologies take corresponding subject matter as the illustrations place, which means that requirements on the within that chapter or section, but their number buildings are formulated. This book covers all is not generally indicated in the text because in three aspects of the interrelationship of archi- most cases there is no reference specific to an tecture and technology. On the other hand, illustration; it is only the common subject area those problems of technological progress that that links them to each other. Acknowledgements The author wishes to express his appreciation manuscript and for his substantial assistance in to all those who contributed in their different final editing. His notable contributions to ways to the preparation of the book by infor- Chapters 5, 6 and 8 are also gratefully acknowl- mation, illustrations or other means. edged. Much of the final wording is attributable to him. The author records his gratitude to Julius Rudnay who was kind enough to read the first Highly valued editorial contributions were also draft of Chapter 1 and to make a number of received from Agnes Sebestyen, Judit Adorian useful suggestions. and the team at Architectural Press. The author wishes to thank Christopher Polling- Naturally, the author accepts sole responsibility ton for his exhaustive revision of the draft for any remaining errors or other deficiencies.

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Later, during post-modern trends, sculpture again came The growing steel industry pro- ics, modernism, was the school of design, archi- the Villa Savoye at Poissy (1930), where the floors solidated under the leadership and terror of Stalin, .. plastics), tensioned structures (tents have been.
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