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Myth and Metropolis: Walter Benjamin and the City PDF

240 Pages·1996·19.471 MB·English
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Myth and Metropolis FOR AUDREY AND PETER MYTH AND METROPOLIS Walter Benjamin and the City Graeme Gilloch Polity Press Copyright © Graeme Gilloch 1996 The right of Graeme Gilloch to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1996 by Polity Press in association with Black well Publishers Ltd. First published in paperback 1997. Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford 0X4 1JF, UK Published in the USA by Blackwell Publishers Inc. 350 Main Street Maiden MA 02148, USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN 0–7456–1125–7 ISBN 0–7456–2010–8 (pbk) A CIP catalogue record for this book is available from the British Library and has been applied for from the Library of Congress. Typeset in Palatino 10.5 on 12 pt by Photoprint, Torquay, Devon Printed and bound in Great Britain by Marston Lindsay Ross International Ltd, Oxfordshire Contents Acknowledgements vi List of Abbreviations viii Introduction 1 1 Urban Images: From Ruins to Revolutions 21 2 Urban Memories: Labyrinth and Childhood 55 3 Dialectical Images: Paris and the Phantasmagoria of Modernity 93 4 Urban Allegories: Paris, Baudelaire and the Experience of Modernity 132 Conclusion 168 Notes 185 Bibliography 215 Index 222 Acknowledgements I am very grateful to a number of individuals and institutions who contributed to this book since its beginnings as a doctoral thesis at the University of Cambridge. I would especially like to thank John Thompson for his guidance, support and patience throughout. I would also like to thank Barry Sandwell who first introduced me to Benjamin's work. I am grateful to David Frisby, Andrew Bowie, Jon Fletcher, Anthony Giddens, Hans-Joachim Hahn, Thomas Regehly (and the Kolloquium für Kritische Theorie in Frankfurt am Main) and Charles Turner for their thoughtful comments, suggestions and ideas. All errors, omissions and oversights are of course mine. I wish to express my gratitude to those institutions whose generous financial support made this book possible: the Economic and Social Research Council, the German Academic Exchange Service (DAAD), the University of Wisconsin–Madison, the British Council and especially the Leverhulme Trust. I am grateful to the Akademie der Kunst in Berlin for access to their archives and to the T. W. Adorno-Archiv (Frankfurt am Main) and Suhrkamp Verlag and Harvard University Press for kindly giving permission to include archival and previously untranslated material from Benjamin's work. (Harvard University Press will publish the first volume of a three-volume collection of selected essays of Walter Benjamin in the Fall of 1996.) I am also grateful to Telos Press Ltd. for permission to include material first published with them. I am grateful to Verso/New Left Books for permission to include material from One-Way Street and Other Writings, 1985 and Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, 1983, both by Walter Benjamin. Thanks are also due to Acknowledgements vii Gill Motley and the staff at Polity Press and Blackwells for their patience and help. I would especially like to thank Bernadette Boyle for all her encouragement and help. Above all, I wish to thank my parents, Audrey and Peter, for all their understanding, patience and support. Every effort has been made to trace all the copyright holders but if any have been inadvertently overlooked, the publishers will be pleased to make the necessary arrangement at the first opportunity. List of Abbreviations Where possible, existing English language translations have been used. Other translations are my own. References to material in the Passagen-Werk are given by Konvolut number and page (e.g., J67,l, GS V, p. 438) or page of translation (e.g., N6,5, Smith ed., 1989, p. 57). The following abbreviations are used in the text: GS Gesammelte Schriften, vol I–VII, ed. Rolf Tiedemann and Hermann Schweppenhäuser, with the collaboration of Theodor Adorno and Gershom Scholem. Frankfurt am Main: Suhrkamp Verlag, 1974; Taschenbuch Ausgabe, 1991. AB Theodor W. Adorno – Walter Benjamin Briefwechsel 1928–40, ed. Henri Lonitz. Frankfurt am Main: Suhrkamp Verlag, 1994. AP Aesthetics and Politics: Debates between Bloch, Lukács, Brecht, Benjamin, Adorno, tr. and ed. Ronald Taylor, with an afterword by Frederic Jameson. London: Verso, 1980. BK Berliner Kindheit um Neunzehnhundert, with an afterword by Theodor Adorno. Frankfurt am Main: Suhrkamp Verlag, 1950. BR Briefe, ed. Gershom Scholem and Theodor Adorno. 2 vols. Frankfurt am Main: Suhrkamp Verlag, 1978. CB Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, tr. Harry Zohn. London: Verso, 1983. COR The Correspondence of Walter Benjamin, ed. and annotated by Gershom Scholem and Theodor Adorno, tr. Manfred Jacobson and Evelyn Jacobson, with a foreword by Gershom Scholem. Chicago and London: University of Chicago Press, 1994. CP 'Central Park', tr. Lloyd Spencer, New German Critique, 34 (Winter 1985), pp. 28–58. GER The Correspondence of Walter Benjamin and Gershom Scholem 1932– 1940, ed. Gershom Scholem, tr. Gary Smith and André Lefèvre,

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