Table Of Content

CONTENTS, Vol. 89 February REGI \ HOHL TRILLINI: The Gaze of the Listener Shakespe ares Sonnet 128 and Early Modern Discourses of Musi and Gender SAVAGI Alice Short ake, Jenny Pluc kp ars, and the Stratford-upon-Avon onnections Ol f Vaughan Williams’s Si j hr Love MARCIA J. CITRON: ‘An honest contrivance’ Opera and Desir in .Moonstrucl MARK BERRY: Arnold Schoenberg’s ‘Biblical Way’: From Die Jal to M und Aror May EDWAR »o LJ Nigel Fortune Retires ; ifter 28 Years as Editor r ol Vu & Letter JONATHAN sHT: Richard Dering’s Few-Voice ‘Concertat Motets NICHOI \ZSONYI Beethoven Instrument: ilized Ricl 1ard Wagner’s Self-Marketing al id Media Image Z ANNI CUILI Who is the Father? Changing Perceptions of I Tallis and Byrd in Lat Nineteenth-Century England STEPHAN? IE E. PITr s and CHRISTOPHER SPI ‘ LR Loyalty and Long in Audience Li stening: Investigating Experienceso f Attendat ita Chambet Music Festival Marenzio Ralph, Adeline, and | bh a Note shout Tenet: il Arias or Soni M CONTENTS, Vol. 89 February REGI \ HOHL TRILLINI: The Gaze of the Listener Shakespe ares Sonnet 128 and Early Modern Discourses of Musi and Gender SAVAGI Alice Short ake, Jenny Pluc kp ars, and the Stratford-upon-Avon onnections Ol f Vaughan Williams’s Si j hr Love MARCIA J. CITRON: ‘An honest contrivance’ Opera and Desir in .Moonstrucl MARK BERRY: Arnold Schoenberg’s ‘Biblical Way’: From Die Jal to M und Aror May EDWAR »o LJ Nigel Fortune Retires ; ifter 28 Years as Editor r ol Vu & Letter JONATHAN sHT: Richard Dering’s Few-Voice ‘Concertat Motets NICHOI \ZSONYI Beethoven Instrument: ilized Ricl 1ard Wagner’s Self-Marketing al id Media Image Z ANNI CUILI Who is the Father? Changing Perceptions of I Tallis and Byrd in Lat Nineteenth-Century England STEPHAN? IE E. PITr s and CHRISTOPHER SPI ‘ LR Loyalty and Long in Audience Li stening: Investigating Experienceso f Attendat ita Chambet Music Festival Marenzio Ralph, Adeline, and | bh a Note shout Tenet: il Arias or Soni M J. P. £. HARPER-SCOTT: ‘Our true north’: Walton’s First Symphony, Sibelianism, and the Nationalization of Modernism in England MATTHEW RILEY: Sonata Principles Nove mbet Reviews of books (for index, see pp. 11 9, 405, 599 Recipientso f ‘Music & Letters’ Awards q : Che Westrup Prize $94 ( orrespondencs 698 REVIEWS OF BOOKS: INDEX . ’ J Rei léewers names in pare ntheses Adams syron, and Wells, Robin eds adwallade en and Vaughan Williams Essa Alain Frogley ) eds.), Ana f Tonal Mu Albright. Daniel Vusicking Shakespeare ippr Ta Second Edition Conflict of Theatres (Julie Sanders 8 Drabki Allen, Ray, and Hisama, Ellie M. (eds t arnegy, Patrick, Wagner Crawfor Seeger World Innovation ana heatre (Katherine Syer Traditior r Twentieth-Centur imericar al aureen A ed Igor Stravins Vu Arnold Whittall 82 travinsh Histoire du Soldat: A Andre, Naomi, } ng Gender: Castrati, Travest f the Sh / Stephen Walsh ind the Second Woman in Early-Nineteenth- elestin derico Die Unordnur Century Italian Opera (Lucy Walker : a MUSIKA he GroteskeA n de? 1914) (Nick Chadwick ird Jol inn Georg Werder Bacht, Nikolaus, Mu heatre and P ! 1 Mayor Collecotfo Era r Germar 1848 to the rd Reich (Arnold rW ird-Jones Whitt all iron, Enrique Granad lerence and Santosuosso hae! Christoforidis J Ther David Fanning d Kok, Roe-Min, Mu Elliott, Martha 2 t ; uide t Hill, Peter, and Simeone, Nigel, Olivier Vocal Performance Practices (John Potte1 ) Vessiaer O eau,r exolique Arnold Even Aden, § und Ideas: Mu Machines, ar Whittall Expe Anthony Gritten Hoope1 Giles, 7/ dD Anthony Gritter I Howell, Tim, After Sibe “ : on vi lomi Makela Huglo, Michel (ed), J Le P Don Fader stephen and Krus Matthias I aura lun Marvin, Roberta Montemorra, and Thomas Rieger, Matthias (ed.), Helmholtz Musicus: Die Downing A., Operatic Migrations: Transform- Objektinierung der Mustk im 19. Jahrhundert Works and Crossing Boundarte Stefani durch Helmholtz’ Lehre on den ‘Tonen p- Icharos 12] findungen | Alexander Rehding Mawer, Deborah, The Ballets of Maurice Rave Riethmiille: Albrecht ed), Deut Creation and Interpretation Gurminder Lettkultur Musik? Zur Musikgeschichte nacl Kaur Bhogal l lem H. ust (Toby Thacker Melograni, Piero, Wolfgang Amadeus Mozart Riley, Matthew, Edward Elgar and the N taig { Biography ( Andrew Steptoc 17 Imagination (Michael Allis Messing, Scott, Schubert th Suropea Ritzarev, Marina, Eighteenth-Century Ru In ’ r I he nantic and Victoriar Vu Claudia R Jensen Era il n-de-Stecle lenna James Robins, Brian, Catch and ¢ Garratt = Eighteenth-Centur) ong Christina Miller, Leta | and Liberman, Fredric 3ashford eds.), Lou Harrison ( Peter Dickinson 282 Rothstein, Edward, Emblems of Mind: TI Mitchell, Gillian, The North American Foll Inner Life f Vlusic and Vlathemati Vu Re Nati and Identity in the Dorothy Ker United State ind l 1945-1980 Rowland-Jones, Simon (ed.), Joseph Haydr Gordon E. Smith 187 String Quartets Opus 5455: Full S Parts (William Drabkin Niaux Viviane Compositeur (Julian Rushton 126 Sch}w artz, Manuela, with the assistance « Niemetschek, Franz Xaver, trans. Helet Myriam Chiménes (eds.), Vincent d’h Mautner rt ; rst rap/l n temps (Brian Hart Spitzer, Michael, Mu as Ph Beet! Lotatny soine