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Modular Optical Design PDF

214 Pages·1982·3.82 MB·English
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Springer Series in Optical Sciences Volume 28 Edited by David L. MacAdam Springer Series in Optica1 Sciences Edited by David L. MacAdam Editorial Board: J. M. Enoch D. L. MacAdam A. L. Schawlow T. Tamir SoIid-8tate Laser Engineering 16 Holographie Interferometry By. W. Koechner From the Scope of Deformation Analysis of 2 Table of Laser Lines in Gases and Vapors Opaque Bodies 3rd Edition By W. Schumann and M. Dubas By R Beck, W. Englisch, and K. Gürs 17 Nonlinear Opties ofFree Atoms and Moleeules 3 Tunable Lasers and Applications By D. C. Hanna, M. A. Yuratich, D. Cotter Editors: A. Mooradian, T. Jaeger, and 18 Holography in Medieine and Biology P. Stokseth Editor: G. von Bally 4 Nonlinear Laser Spedroseopy 19 Color Theory and Its Applieation in Art and By V. S. Letokhov and V. P. Chebotayev Design 5 Opties and Lasers By G. A. Agoston An Engineering Physics Approach 20 Interferometry by Holography ByM. Young By Yu. I. Ostrovsky, M. M. Butusov, 6 Photoeledron Statisties G. V. Ostrovskaya With Applieations to Spectroscopy and 21 Laser Spedroseopy IV Optical Communication Editors: H. Walther, K. W. Rothe By B. Saleh 22 Lasers in Photomedicine and Photobiology 7 Laser S,eetroseopy m Editors: R Pratesi and C. A. Sacchi Editors: J. 1. Hall and J. 1. Carlsten 23 Vertebrate Photoreeeptor Opties 8 Frontiers in Visual Scienee Editors: J. M. Enoch and F. L. Tobey, Jr. Editors: S. J. Cool and E. J. Smith III 24 Optieal Fiber Systems and Their Components 9 High-Power Lasers and ApplieatioDS An Introduction 2nd Printing By A. B. Sharma, S. J. Halme, Editors: K.-L. Kompa and H. Walther and M. M. Butusov 10 Detemon of Optieal and Infrared Radiation 25 High Peak Power Nd : Glass Laser Systems 2nd Printing By D. C. Brown By R H. Kingston 26 Lasers and Applications 11 Matrix Theory of Photoelastieity Editors: W. O. N. Guimaraes, C. T. Lin, By P. S. Theocaris and E. E. Gdoutos and A. Mooradian 12 TheMonteCarloMethodinAtmospherleOptics 27 Color Measurement By G.1. Marchuk, G. A. Mikhailov, Theme and Variations M.A.Nazaraliev,RA.Darbinian,B.A.Kargin, By D. L. MacAdam and B. S. Elepov 28 Modular Optical Design 13 Physiologieal Opties By O. N. Stavroudis By Y. Le Grand and S. G. EI Hage 29 Inverse Problems in Laser Sounding of the 14 Laser Crystals Physics and Properties Atmoshpere By V.E. Zuev and I.E. Naats By A. A. Kaminskii 30 Laser Spectr05ropy V 15 X-Ray Speetroseopy Editors: A. R W. McKellar, T. Oka, and By B. K. Agarwal B. P. StoichefT Orestes N. Stavroudis Modular Optical Design With 54 Figures Springer-Verlag Berlin Heidelberg GmbH 1982 Professor ORESTES N. STAVROUDIS Optical Sciences Center, University of Arizona Tucson, AZ 85721, USA Editorial Board JAY M. ENOCH, Ph. D. ARTHUR L. SCHAWLOW, Ph. D. School of Optometry, Department of Physics, Stanford University University of Califomia Stanford, CA 94305, USA Berkeley, CA 94720, USA THEODOR TAMIR, Ph. D. DAVID L. MACADAM, Ph. D. 981 East Lawn Drive, 68 Hammond ~treet, Teaneck, NJ 07666, USA Rochester, NY 14615, USA ISBN 978-3-662-14473-2 ISBN 978-3-540-38801-2 (eBook) DOI 10.1007/978-3-540-38801-2 Library of Congress Cataloging in Publication Data. Stavroudis, O. N. (Orestes Nicholas), 1923-Modular optical design. (Springer series in optical sciences ; v. 28) Includes bibliograph ical references and index. 1. Optical instruments-Design and construction. I. Title. 11. Series. QC372.2.D4S7 681'.4 81-14336 AACR2 This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concemed, specifically those of translation, reprinting, reuse of illustrations, broadcasting, reproduction by photocopying machine or similar means, and storage in data banks. Under § 54 of the German Copyright Law, where copies are made for other than private use, a fee is payable to ''Verwertungsgesellschaft Wort", Munich. © by Springer-Verlag Berlin Heidelberg 1982 Originally published by Springer-Verlag Berlin Heidelberg New York in 1982. Softcover reprint of the hardcover 1s t edition 1982 The use ofregistered names, trademarks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Offset printing: BeUz Offsetdruck, Hemsbach/Bergstr. 2153/313~543210 Quando che 'I cubo con le cose appresso, Se agguaglia 0 qua/che numero discreto: Trouan dui altri, differenti in esso. Dapoi Terrai, queste per consueto, Che 'I lor produtto, sempre sia equale AI terzo cubo, delle cose neto EI residuo poi suo generale, Delli lor lati cubi, ben sostratti Varra 10 tua co so principale. In el secondo, de cotesti atti; Quando che 'I cubo restasse lui solo, Tu asseruerai quest' altri contratti, DeI numer farai due, tal part' 0 nolo Che I'una, in I'altra, si produca schietto, EI terze cubo delle co se in stolo Delle quai poi per commun precetto, Torrai li lati cubi, insieme gionti Et cotal somma, saro iI tue concetto: EI terzo, poi de questi nostri conti, Se solue col secondo, se ben guardi Che per natura son quali congionti Questi trousi, & non con pass i tardi e e Nel mille cinquecent' quattro trenta; Con rondamenti ben saldi, e gagliardi, Nella Citta dal mar' intorno cento. T ART ACLlA--1539 Foreword Images are ubiquitous. Their formation is one of natures universalities. Water droplets in suspension act in concert to produce rainbows. A partially filled wine glass can be made to form the image of a chandelier at aboring dinner party. The bottom of a water glass, too, can be made to produce an optical image, wildly distorted perhaps, but nevertheless recognizable as an optical image. Primitive folklore abounds with images. Perseus used his highly polished shield as a rear view mirror to lop off Medusa's head without turning hirnself into stone. Narcissus, displaying incrediblY poor taste, fell in love with his own reflection in a pool of water, causing poor Echo to pine away to a me re echo and providing yet another term for the psychoanalytic lexicon. Strepsiades, according to Aristophanes, proposed using a "burning stone" to melt a summons off the bailiff's wax tablet. And the castaways in Jules Vernes' MYsterious Is~nd made a burning glass by freezing water in a watch crystal. Everyone from the Baron Münchhausen to Tom Swift has gotten into the optics act with incredible but eminently useful optical devices. Indeed, Mother Nature herself has had a hand in evolving image-making de vices. Any reasonably symmetrie glob of transparent material, such as an ag gregate of cells, is capable of forming an image. It is not difficult to imag ine the specialization of such an aggregate into a blastula-like structure with an anterior window and light sensitive neurons at its posterior region. That such an organ would evolve into an eye, able to form and perceive images of an external universe, would appear to be in inevitable consequence of the pressures of natural selection. It is therefore not coincidence that the higher Mollusks and the higher Chordates, two phila vastly dissimilar bio chemically, morphologically, and environmentally, have evolved eyes which are almost identical structurally. Perhaps one can dare to say that optical design is the most ancient pro fession although not necessarily as disreputable as another that shares this distinction. There has always been something of the arcane about it. The lens VIII grinder's laboratory, 1ike the a1chemist's, was a scary p1ace. The men that 1abored in them also must have appeared strange and remote, 1ike Baruch de Spinoza, banished and excommunicated, who made his 1iving as an optician to support his phi10sophica1 writings. In this day and age, 1ens design is still more an art than a science. In spite of the use of computers and computer programs in optica1 design, its ski11s are best 1earned by practica1 exercise, by experience, by doing - not by 1earned treatises such as this. In this sense these ski11s, to the out sider, sme11 of the occu1t. One suspects 1ens designers of casting spe11s and uttering incantations to master, if not to exorcise, the evi1 aberratl0ns. This sort of wzardry goes beyond my puny powers. All I can do is provide the book. The bell and cand1e I must 1eave to others. Preface This book offers no spells, no incantations, no whiff of incense, not even something as practical as a ready-made ju-ju. It is concerned with a new ap proach to the initial stages of optical design. It offers a collection of concepts and the accompanying equations for generating third- and fifth-order optical designs. When properly set up, the process is rapid and economical. A computer is required; the backs of envelopes, slide rules, desk calculators and abaci are all insufficiently rapid or accurate to perform the required calculations. The process is not, on the other hand, automatie design. The guidance of an experienced and wise operator is imperative. We begin with a chapter on paraxial and third-order preliminaries, fol lowed by a chapter on the Delano y-y diagram. This we have found useful, not so much as ades i gn too 1, bu t as a heuri s ti c devi ce for revea 1i ng the secre ts of the module. In the third chapter, the two-surface system is studied ex haustively, a preliminary to the fourth chapter in which the module is defined and some of its properties revealed. In the fifth chapter further properties are studied in terms of the module's singularities. The point of the proposition is reached in Chapter 6, where the method of assembling modules into lens designs is discussed and the appropriate lens design equations are derived. It is here we find how to make third-order" aber rations vanish. Chapter seven extends these results to the domain of the fifth order aberrations and of seventh-order spherical aberration. Chapter 8 contains several examples. In Chapter 9 is found an appropriate coda, complete with the usual speculation about future developments. AeknowZedgments. The research, the results of which are presented here, was conductedover aperiod of many years. It began while I was employed in the Optics and Metrology Division at the National Bureau of Standards in Washing ton, D.C. and was continued at the University of Arizona under the leadership of Aden Meinel and Peter Franken, past Director and Director, respectively, of the Optical Sciences Center, whose generous support and encouragement I gratefully acknowledge. Thanks are also due to the Department of Defense's project THEMIS, and to the Perkin Foundation whose funds made this work pos- x sible. My thanks go also to my students, Frank Powell, Romeo Mercado, and Douglas Anderson for daring to undertake extensive research in such an un fashionable area. For her infinite patience and her tacit but palpable sup port I thank my wife Dorle, especially for her tolerance of the persistent piles of peculiar litter that accumulate~ wherever I happened to be working. I must thank Keith Treptow, t1.D., whose expert and wise ministrations helped extract me from a deep and dismal abyss into which I fell during the prepa ration of this book. Finally, I thank Elena Bennett, who cheerfully and ex pertly typed thi s mess. Tucson, Ari zona June, 1981 Orestes Stavroudis

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Images are ubiquitous. Their formation is one of natures universalities. Water droplets in suspension act in concert to produce rainbows. A partially filled wine glass can be made to form the image of a chandelier at aboring dinner party. The bottom of a water glass, too, can be made to produce an o
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