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Metaphors of Anger, Pride and Love: A Lexical Approach to the Structure of Concepts PDF

154 Pages·1986·13.65 MB·English
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METAPHORS OF ANGER, PRIDE, AND LOVE Pragmatics & Beyond An Interdisciplinary Series of Language Studies Editors: Herman Parret (Belgian National Science Foundation, Universities of Louvain and Antwerp) Jef Verschueren (Belgian National Science Foundation, University of Antwerp) Editorial Address: Department of Germanic Languages and Literatures University of Antwerp (UIA) Universiteitsplein 1 B-2610 Wilrijk Belgium Editorial Board: Norbert Dittmar (Free University of Berlin) David Holdcroft (University of Leeds) Jacob Mey (Odense University) Jerrold M. Sadock (University of Chicago) Emanuel A. Schegloff (University of California at Los Angeles) Daniel Vanderveken (University of Quebec at Trois-Rivières) Teun A. van Dij (University of Amsterdam) VII:8 Zoltán Kövecses Metaphors of Anger, Pride, and Love: A Lexical Approach to the Structure of Concepts METAPHORS OF ANGER, PRIDE, AND LOVE A LEXICAL APPROACH TO THE STRUCTURE OF CONCEPTS Zoltán Kövecses L. Eötvös University JOHN BENJAMINS PUBLISHING COMPANY AMSTERDAM/PHILADELPHIA 1986 Library of Congress Cataloging in Publication Data Kövecses, Zoltán. Metaphors of anger, pride, and love. (Pragmatics & beyond, ISSN 0166-6258; VII:8) Bibliography: p. I. Metaphor. 2. Semantics. 3. Concepts. 4. Anger. 5. Pride and vanity. 6. Love. I. Title. II. Series. P301.5.M48K68 1986 40Γ.9 87-15788 ISBN 90 272 2558 3 (European) / ISBN 1-55619-009-3 (US) (alk. paper) © Copyright 1986 - John Benjamins B.V. No part of this book may be reproduced in any form, by print, photoprint, microfilm, or any other means, without written permission from the publisher. CONTENTS Acknowledgements vii 1. GOALS AND METHODS 1 2. THE CONCEPT OF ANGER 11 2.1. Some questions 11 2.2. Metaphor and metonymy 12 2.3. The other principal metaphors 20 2.4. Some minor metaphors 27 2.5. The prototype scenario 28 2.6. Restatement of the prototypical scenario 31 2.7. The non-prototypical cases 32 2.8. Conclusions 36 3. THE CONCEPT OF PRIDE 39 3.1. Some additional issues 39 3.2. Some metonymies for pride 40 3.3. Some metaphors 43 3.4. Causes of pride 44 3.5. Scales, related concepts and the prototype 46 3.6. Self-esteem 49 3.7. Conceit 53 3.8. Vanity 56 3.9. Conclusion 59 4. THE CONCEPT OF ROMANTIC LOVE 61 4.1. Some further aspects of a concept 61 4.2. The central metaphor 62 4.3. The object of love 67 4.4. Related concepts 74 VI CONTENTS 4.5. Intensity 82 4.6. Passivity, lack of control, pleasantness 88 4.7. The ideal model 93 4.8. Towards the typical model 96 4.9. The typical model 103 5. IMPLICATIONS FOR THEORIES OF CONCEPTUAL STRUCTURE 107 5.1. The structure of a concept 107 5.2. Metaphorical aspects of concepts 115 6. IMPLICATIONS FOR THEORIES OF LEXICAL STRUCTURE 121 6.1. Polysemy 121 6.2. Collocation 129 6.3. Semantic fields 136 REFERENCES 145 ACKNOWLEDGEMENTS The work presented here was conceived during a stay at the Linguistics Department of the University of California, Berkeley, and was inspired in particular by interactions with Wallace Chafe, Charles Fillmore, Paul Kay, George Lakoff, Karl Zimmer, and others. I am greatly indebted to all of them. Thanks are also due to Ferenc Kiefer and Jef Verschueren for their crit­ ical comments on earlier versions of this work. Finally, I would like to express my deepest gratitude to the two persons who have helped me the most and in more than one way: George Lakoff and László T. András. Chapter 2, THE CONCEPT OF ANGER, was written jointly with George Lakoff and is a slightly revised version of the paper that appeared in the Berkeley Cognitive Science Report Series in May, 1983, under the title The cognitive model of anger inherent in American English. A revised version of this paper also appeared in D. Holland andN. Quinn (eds.), Cultural mod­ els in language and thought (published by Cambridge University Press) and in George Lakoff, Women, fire, and dangerous things: What categories reveal about the mind (The University of Chicago Press, 1987). 1. GOALS AND METHODS This study is an attempt to give an account of the structure of some abstract concepts as these structures are accessible through the study of the language we use to talk about the concepts. The concepts that I shall investi gate are 'anger', 'pride' and 'love'. Since lexical meaning is inextricably bound up with concepts, the case studies to be presented (in chapters 2 through 4) will not only have implications for theories of conceptual structure (see chapter 5) but also for theories of lexical structure (see chapter 6). The force of my proposals is considerably weakened by the fact that the language materials on which they are based involve only three concepts. Much more research would be necessary to justify my claims. On the lexical semantic side, let it suffice — for the time being — to say that my investigations will not allow for a strict separation between sense and reference and, if the distinction can be handled at all, certainly not for a restriction of my approach to sense alone. Since it would be impossible to have deep interviews with every member of a speech community in the search for the structure of particular concepts associated with particular aspects of the world, we have to resort to a more practicable method. Although we cannot interview everyone, we can probe the language used by everyone. Since the goal is to get at our conceptual sys tem, and the folk models within this system, through the lexicon of the Eng lish language, we can call such a method a 'lexical approach' (cf. Ver- schueren 1985). The various folk models corresponding to various areas of experience can in turn be called 'language-based' folk models. This lexical approach to our conceptual system can be regarded as a con tinuation of some respectable traditions in the study of cognitive systems. One tradition I have in mind is what is called 'linguistic analysis' as rep resented in the works of Wittgenstein (1963), Austin (1961), Ryle (1949) and others. These philosophers use ordinary language for discovering subtle con ceptual distinctions among such philosophically interesting categories as 'ac tion', 'meaning', 'mind', 'emotion', etc. The other tradition comes from ethnography and anthropology. Etnographers and anthropologists who are 2 METAPHORS OF ANGER, PRIDE, AND LOVE interested in the cognitive systems of various peoples look at language as an important tool in the job of learning about these cognitive systems. Resear chers in this area owe a great deal to the pioneering work of Sapir (1949) and Whorf (1956). One of the most influential recent advocates of this methodol ogy, Charles Frake, sees the role of language in this connection in the follow ing way: "The analysis of a culture's terminological systems will not, of course, exhaustively reveal the cognitive world of its members, but it will certainly tap a central portion of it. Culturally significant cognitive features must be communicable between persons in one of the standard symbolic systems of the culture. A major share of these features will undoubtedly be codable in a society's most flexible and productive communicative device, its language" (in Dil(ed.)1980:3). Similarly, my assumption in this study will be that it is possible to uncover a portion of our conceptual system by studying the way we talk about various aspects of the world. However, there are also some major differences between these traditions and the methodology that I am proposing. One point of divergence concerns the goals that the methods are aimed at. In the philosophical and anthropological approaches mentioned above the goal of researchers is to discover the most important conceptual distinctions that are coded into the language (especially into its vocabulary). That is, these researchers are searching for the main dimensions along which concepts can be shown to differ from each other. By contrast, my main emphasis will be on how a single concept, like 'anger", 'pride' or 'love', is structured inter nally. In short, while the main aim of the former approaches is to point out conceptual differences between items, my focus of interest is on the concep tual organization of a single item. This does not mean, however, that the lex ical approach I am working with does not lead to some interesting 'inter-item' issues. It does, as will become obvious when such issues as 'related concepts', collocations and semantic fields are discussed. But the main emphasis is on 'intra-item' structure. It seems to me that it is this difference in emphasis that is mainly responsible for the, at least for me, impoverished view of meaning as predominantly sense. Concentrating on differences between items results in a skeleton of meaning for an item. On the other hand, I would like to believe that if we focus on the detailed internal structure of an item the conceptual features responsible for the differences will fall out as well and will do so in a natural way. Another difference between the approaches is closely related to the first. GOALS AND METHODS 3 In accordance with their goals as given above the philosophers and anthropologists in question try to find those conceptual dimensions that pro vide systematic (preferably binary) contrasts that apply to a large portion of the lexicon. The lexical approach as conceived of in the present study does not seek such systematic contrasts. When it is proposed, for example, that the feature 'Self views himself or herself as forming a unity with the beloved', which characterizes love, is a part of the conceptual model of love, it is not expected that this feature has a (binary or any other kind of) counterpart and that it will show up in some other items in the lexicon. The idea of contrast is simply irrelevant here. Nevertheless, as we shall see, these non-systematic features play just as important a role as systematic sense components in the explanation of certain semantic phenomena. Finally, the philosophical and anthropological approaches are deficient in an important respect. This is the fact that they do not seem to recognize the special relevance of metomomy, metaphor and what will be termed 'related concepts' to the make-up of some concepts. I do not wish to claim that these are all relevant to each concept or that they are relevant to the same degree, but I certainly wish to claim that the analysis of a large number of concepts would be deficient without taking at least some of them into account. Since the notion of metaphor as employed here has special significance in this con nection, I will say more about it in this chapter. One reflection of our conceptual system is language. Thus the examina tion of the linguistic expressions that have to do with anger, pride and love promises some success in the study of the conceptual model of anger, pride and love. Since I am primarily concerned with the everyday conception of anger, pride and love, — as opposed to scientific and artistic conceptions — , I wish to concentrate on what might be viewed as everyday linguistic expres sions. The material on which this study is based is composed of those linguis tic expressions that are commonly used by and are familiar to most, if not all, native speakers of English, that is, those expressions that do not belong to the sphere of either scientific or artistic discourse. As a result, the expressions we will be looking at will often be well-worn, clichéd or even hackneyed. How ever, this need not worry us in the least, since our goal is to 'dig up', or make explicit our most everyday conception of anger, pride and love. I will be refer ring to expressions of this kind as conventionalized (or "standardized", as Frake puts it (Dil, (ed.) 1980: 4)) linguistic expressions. Thus a twofold dis tinction is intended. First, I would like to draw a distinction between conven tionalized language and conventional language. In a sense, most expressions

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This study is an attempt to uncover the structure of three emotion concepts: anger, pride and love. The results indicate that the conceptual structure associated with these emotions consists of four parts: (1) a system of metaphors, (2) a system of metonymies, (3) a system of related concepts, and (
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