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Marginal modernity : the aesthetics of dependency from Kierkegaard to Joyce PDF

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Marginal Modernity Marginal Modernity the aesthetics of dependency from kierkegaard to joyce Leonardo F. Lisi fordham university press New York 2013 this book is made possible by a collaborative grant from the andrew w. mellon foundation. Copyright © 2013 Fordham University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other— except for brief quotations in printed reviews, without the prior permission of the publisher. Fordham University Press has no responsibility for the persistence or accuracy of URLs for external or third- party Internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Fordham University Press also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Library of Congress Cataloging-in-Publication Data Lisi, Leonardo F. Marginal modernity : the aesthetics of dependency from Kierkegaard to Joyce / Leonardo F. Lisi. — 1st ed. p. cm. Includes bibliographical references and index. ISBN 978-0-8232-4532-1 (cloth : alk. paper) 1. Modernism (Literature) 2. Dependency (Psychology) in literature. 3. Aesthetics in literature. 4. Philosophy in literature. I. Title. PN56.M54L57 2013 809'.9112—dc23 2012027756 Printed in the United States of America 15 14 13 5 4 3 2 1 First edition For Emily— Lad saa Gud beholde Himlen, naar jeg maa beholde hende. contents Acknowledgments ix Note on Citations xiii Introduction: The Aesthetics of Modernism 1 part one Philosophical Foundations 1. Presuppositions and Varieties of Aesthetic Experience 23 part two Aesthetic Forms at the Scandinavian Periphery 2. Johan Ludvig Heiberg and the Autonomy of Art 57 3. Aesthetics of Fragmentation in Henrik Ibsen’s Peer Gynt 87 4. Nora’s Departure and the Aesthetics of Dependency 117 part three Modernism and Dependency 5. Henry James and the Emergence of the Major Phase 169 6. Hugo von Hofmannsthal and the Language of the Future 204 7. Conflict and Mediation in James Joyce’s “The Dead” 220 8. Intransitive Love in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge 247 Conclusion 269 Notes 273 Bibliography 301 Index 331 acknowledgments It seems inevitable that a book concerned with the concept of depen- dency should be deeply conscious of the many debts it has incurred. The present project was begun in the Department of Comparative Literature at Yale University, where, from its inception, it received the invaluable support and encouragement of Pericles Lewis and Paul Fry. Many other members of Yale’s faculty were instrumental in provid- ing feedback at early stages of the manuscript and in challenging me to explore some of these ideas in their initial form, including Karsten Harries, Katie Trumpener, Carol Jacobs, Giuseppe Mazzotta, Benja- min Harshav, and Moira Fradinger. No better beginning to this book could have been wished for, and I am deeply grateful for their contin- ued interest and support. Early on in the research for this book, I had the great fortune of spending a summer as a visiting researcher at the Søren Kierkegaard Research Center at the University of Copenhagen, then under the direction of Niels Jørgen Cappelørn. The opportunity to use the cen- ter’s resources, to engage in discussion with the outstanding schol- ars it has gathered, and to benefit from its director’s extraordinary intellectual generosity and dedication proved a utopian experience. Additional research stays at the Ruprecht-Karls-Universität Heidel- berg and at the Howard and Edna Hong Kierkegaard Library at St. Olaf College were likewise critical in developing my work. I am grate- ful especially to Cynthia Lund for helping to make my stay at St. Olaf as productive as possible. The book obtained its final form after I had the privilege of join- ing the Humanities Center at Johns Hopkins University. The vibrant intellectual life of this community is extraordinary, and the support and encouragement that my colleagues at the Humanities Center have x Acknowledgments offered me during this time have been invaluable. I am particularly indebted to Michael Fried, Gabrielle Spiegel, and Hent de Vries, who, with unlimited generosity, provided repeated guidance and assistance for this project during its concluding stages. Without them, my doubts about the possibility of finishing would certainly have been more fre- quent than they were, and the final product has benefited immeasur- ably from their involvement. More people than I can thank here have had the kindness to share their ideas with me on many of the topics that I develop in the pages ahead. Ruth Leys, Paola Marrati, and members of the Johns Hopkins Mellon Seminar led by Gabrielle Spiegel have patiently listened to my arguments and challenged me to think about them in new ways. Jon Stewart at the University of Copenhagen has repeatedly encour- aged me to pursue my work on Kierkegaard and first suggested that I write on Heiberg. Tobias Boes arranged for me to present an early version of the material on Hofmannsthal to the German Department at the University of Notre Dame, where I benefited greatly from the audience’s comments. I had the opportunity to share an early version of the chapter on Joyce with the English faculty at Bowdoin College, and their remarks and questions likewise helped me clarify my argu- ment further. Frode Helland from the Ibsen Center at the Univer- sity of Oslo and Mark Sandberg from the Scandinavian Department at the University of California, Berkeley, offered me extremely kind encouragement and support at a very early stage of this project. Glenn Odom and Gísli Magnusson made me question my reasoning anew at a point when I already thought that it was settled. At Fordham Uni- versity Press, Helen Tartar’s outstanding editorial guidance, and the help of Thomas C. Lay and Tim Roberts, among many others, made the process of completing the manuscript and preparing it for publi- cation as effortless and pleasurable as I could possibly have wished. Laura Iwasaki provided scrupulous and excellent copyediting of the manuscript. I am also indebted to the referees for Fordham University Press, whose detailed comments and suggestions were extremely use- ful in bringing this project to its conclusion. Finally, my deepest gratitude is to my family. Dispersed across four countries and three continents, their love has been with me at all times. Emily, sola per cui . . . , shared every moment of this book. With infinite patience, she tested every thought that it contains and, in her superior intelligence, forgave the author for his failings.

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