the annotated shakespeare Macbeth (cid:1) William Shakespeare Fully annotated,with an Introduction,by Burton Raffel With an essay by Harold Bloom the annotated shakespeare Burton Raffel,General Editor Yale University Press • New Haven and London Copyright © 2005by Burton Raffel. All rights reserved. This book may not be reproduced,in whole or in part,including illustrations, in any form (beyond that copying permitted by Sections 107and108 of the U.S.Copyright Law and except by reviewers for the public press), without written permission from the publishers. “Macbeth,”from Shakespeare:The Invention of the Human,by Harold Bloom, copyright © 1998 by Harold Bloom.Used by permission of Riverhead Books, an imprint of Penguin Group (USA) Inc. Designed by Rebecca Gibb. Set in Bembo type by The Composing Room of Michigan,Inc. Printed in the United States of America by R.R.Donnelley & Sons. Library of Congress Cataloging-in-Publication Data Shakespeare,William,1564–1616. Macbeth /William Shakespeare ;fully annotated,with an introduction, by Burton Raffel ;with an essay by Harold Bloom. p. cm.— (The annotated Shakespeare) Includes bibliographical references. ISBN0-300-10654-8(pbk.) 1. Macbeth,King of Scotland,11th cent.—Drama. 2. Regicides—Drama. 3. Scotland—Drama. I. Raffel,Burton. II. Bloom,Harold. III. Title. PR2823.A2R34 2005 822.3(cid:1)3—dc22 2004024959 A catalogue record for this book is available from the British Library. 10987654321 For Evander Lomke contents (cid:1) AboutThis Book ix Introduction xix Some Essentials of the Shakespearean Stage xxxix Macbeth 1 An Essay by Harold Bloom 169 Further Reading 205 Finding List 209 about this book (cid:1) In act 3,scene 1,Macbeth,alone,speaks of his fears about Banquo: To be thus is nothing,but to be safely thus. Our fears in Banquo stick deep, And in his royalty of nature reigns that Which would be feared.’Tis much he dares, And,to that dauntless temper of his mind, He hath a wisdom that doth guide his valor To act in safety.There is none but he Whose being I do fear and,under him, My genius is rebuked,as it is said Mark Antony’s was by Caesar. (lines48–57) This was perfectly understandable,we must assume,to the mostly very average persons who paid to watch Elizabethan plays.But who today can make much sense of it? In this very fully annotated edition,I therefore present this passage,not in the bare form quoted above,but thoroughly supported by bottom-of-the-page notes: ix
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